How it works in the path
Eight BNCThe twist-lock coax connector used for word clock and antenna runs — it locks, so it can’t be pulled out mid-show. word clockThe shared heartbeat keeping every digital box sampling in lockstep. One device leads, the rest follow — or you get clicks and pops. outputs means you can feed a console, a redundantA second copy of anything critical — supply, computer, network path — already running so one failure can’t stop the show. playback system, an interface, and several convertersThe circuitry that turns analog audio into digital data and back (A/D and D/A). Converter quality sets a digital rig’s sound ceiling. simultaneously without daisy-chaining — which is the right way to do it. Daisy-chaining distributes jitterTiny timing wobble in a digital clock. Enough of it smears detail and stereo image — why serious rigs care about clocking. down the chain; star-wiring from a single reference keeps each device on the same footing. The AES and S/PDIFConsumer-grade stereo digital audio on an RCA or optical connector — same idea as AES3 but unbalanced and shorter-range. outputs add flexibility for devices that don't take word clock directly. Support for rates up to 768kHz is largely academic for live work, but it means the unit is not a bottleneck if your session runs at 96kHz and you want to clock everything at session rate rather than converting down. At 15 watts steady draw in a 1UThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one. shallow 220mm depth, it fits cleanly in most rack builds without a fight.



