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Equalizer

BSS Audio FCS-960 Dual 30-band Graphic EQ

BSS Audio·Model FCS-960·bss-fcs-960

Discontinued FCS-960 discontinued (BSS analog line ended). Used-market classic.

Photos

Manufacturer product photography — the drawn faceplate above stays true to panel layout; these show the hardware itself.

Photo: BSS AudioClick to zoom

About the BSS Audio FCS-960

The BSS FCS-960 brings dual 30-band graphic EQ with BSS's Frequency Conscious filter shapes — narrower Q on cut, wider on boost — that make ringing out monitors faster and cleaner than a vanilla constant-Q design. Touring sound rigs from the 90s through today have leaned on FCS-series for monitor and FOH duty. A solid alternative to the Klark DN360 that some engineers prefer for its slightly warmer character.

The BSS FCS-960 is a dual-channel 30-band graphic EQ built around BSS's Frequency Conscious filter design — a proprietary approach where cuts behave with a narrower Q and boosts open up wider. That asymmetry matters in real ring-out work: you can notch a feedback frequency tightly without gutting the surrounding octave, then add a gentle presence lift without creating a harsh spike. Two fully independent channels in 2U means a single unit handles a stereo IEM mix or two discrete monitor sends, which is exactly how most touring monitor racks use it.

At 240mm deep and 5.8kg, the FCS-960 sits comfortably in a standard shallow rack without fighting for real estate, and 24 watts idle means it won't stress a modest power strip. Both channels are XLR in and out — balanced, line level throughout — so there's no adapter gymnastics patching it between a console aux and a drive rack or amplifier. The faders are long-throw and well-spaced for a 30-band unit, which makes precise adjustments under stage lighting less of a guess. Thirty bands at ISO centers gives you the resolution to chase a specific monitor build's resonances without the coarse compromises of a 15-band.

If your workflow is analog monitor world or you're maintaining a touring rig that needs a physical graphic in the chain, the FCS-960 earns its rack space. Engineers who prefer its filter character over the Klark DN360 often cite a slightly warmer quality in the low-mids when boosting. If you're running a fully digital signal path with a console that already provides per-output GEQ — an SD-Range or a DiGiCo with internal processing — a hardware graphic may be redundant weight and cost. Similarly, if you only need one channel, look at the single-channel FCS-966 before doubling your rack space.

In the rack

  • Label each channel's fader position with tape or a photo after a successful ring-out — the FCS-960 has no recall, and rebuilding a tuned system from scratch mid-tour is avoidable.
  • Patch it after any drive processor or delay unit in the chain but before the amp input; if you're using it for FOH correction, it should sit post-matrix so you're EQing the actual output path, not something that gets re-summed downstream.
  • Keep both channels in use even on a mono send — leave the unused channel flat and bypassed rather than unpatched, so you always have a clean spare path if a fader develops a scratch or a channel develops noise mid-show.
  • The shallow 240mm depth pairs well with a 250mm or 300mm deep rack shelf if you're building a compact fly rig; no need for a full 450mm touring case just to seat it properly.

Dual 30-band graphic EQ with FCS Frequency Conscious filter. Touring sound system standard.

I/O Ports (5)

PortConnectorDirectionSignalChannels
Input A (XLR)XLR FEMALEinputanalog audio
Input B (XLR)XLR FEMALEinputanalog audio
Output A (XLR)XLR MALEoutputanalog audio
Output B (XLR)XLR MALEoutputanalog audio
Power
  • Power (IEC) (IEC C14)

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