4 documented inputs
¼-inch TRS + ¼-inch TS
- Arrives as
- 4 documented inputs
- Connector
- ¼-inch TRS + ¼-inch TS
- Signal
- analog audio
Personal Mixer
Behringer P24 StageConnect Personal Monitor Mixer. Plan its source-defined physical connections and placement in your rig.
01 · What it does—and what that changes in your rig.
Start with the payoff, then work through how it functions, where it fits, and the details that change a real build.
Behringer P24 StageConnect Personal Monitor Mixer. Plan its source-defined physical connections and placement in your rig.
02 · Know the whole path before you buy.
Learn the route as a block diagram: source, product function, transport, and destination. Select any block to see what enters, what changes, and what leaves.
Each block answers the same three questions: what arrives, what changes here, and what leaves.
¼-inch TRS + ¼-inch TS
03 · What this product asks of the rest of the system.
Treat connector names as the start of the check—not the answer. These are the boundaries that determine a complete working path.
Use it as personal mixer tracked outside rack rails; follow the manufacturer’s mounting and form-factor guidance.
Complete the path with upstream and downstream gear that matches connector, direction, signal type, protocol, and wiring standard.
Documented connectors: ¼-inch TRS, ¼-inch TS, XLR female, dc barrel. Match connector, direction, and signal type—not shape alone.
04 · Every connector, grouped by job.
Switch the product view and the documented port inventory updates with it—hardware and data stay side by side.
Switch panels to keep the hardware view and the documented port list in sync.
| Port | Panel | Connector | Direction | Signal | Channels |
|---|---|---|---|---|---|
| HEADPHONE OUTPUT · STEREO TRS | rear | ¼-inch TRS | output | analog audio | — |
| LINE OUT · MONO IMPEDANCE-BALANCED TRS | rear | ¼-inch TRS | output | analog audio | — |
| AUX IN · STEREO TRS | rear | ¼-inch TRS | input | analog audio | — |
| FOOTSW · MOMENTARY TS TALKBACK CONTROL | rear | ¼-inch TS | input | data | — |
| TALKBACK · EXTERNAL MICROPHONE | rear | XLR female | input | analog audio | — |
| 12V DC INPUT · EXTERNAL ADAPTER | rear | dc barrel | input | power | — |
| USB-C · FIRMWARE UPDATE | rear | usb c | bidirectional | data | — |
| STAGECONNECT CLIENT / SLAVE · UPSTREAM AUDIO / POWER | rear | XLR female | bidirectional | data | — |
| STAGECONNECT HOST / MASTER · DOWNSTREAM AUDIO / POWER | rear | XLR male | bidirectional | data | — |
Showing 9 of 9 documented physical ports.
05 · Compare the decision, not just the price.
The rows are organized around fit, power, I/O, and system role so a cheaper unit cannot hide a more expensive workflow.
| Compare | External unit | ![]() | ![]() | ![]() |
|---|---|---|---|---|
| Fit | 📐 Outside rack | 📐 Outside rack | 📐 Outside rack | 📐 Outside rack |
| Power | ⚡ 9W | ⚡ 10W | ⚡ 8W | ⚡ Unverified |
| Weight | ⚖️ 2.4 lb | ⚖️ 1.5 lb | ⚖️ 1.8 lb | ⚖️ 2.4 lb |
| I/O | 🔌 9 | 🔌 4 | 🔌 4 | 🔌 7 |
| Estimate | 💵 ~$219 | 💵 ~$199 | 💵 ~$499 | 💵 ~$449 |
| Deep dive | Current selection | Full comparison → | Full comparison → | Full comparison → |
06 · Resolve the questions that can change the purchase or build plan.
Short, source-backed answers surface rack fit, power, cabling, and connection details before they become surprises.
The catalog assigns it no rack units. Builder tracks it as non-rack gear; follow the manufacturer’s mounting, case, and form-factor guidance.
Typical draw is 9W and documented maximum draw is 0W.
9 documented physical ports, including HEADPHONE OUTPUT · STEREO TRS, LINE OUT · MONO IMPEDANCE-BALANCED TRS, AUX IN · STEREO TRS, FOOTSW · MOMENTARY TS TALKBACK CONTROL, TALKBACK · EXTERNAL MICROPHONE, 12V DC INPUT · EXTERNAL ADAPTER.
07 · See this gear inside a complete system plan.
08 · Related gear, in the order you may need it.
Planning guides for personal mixer systems.
Fundamentals · 8 min
What an IEM rig actually is, the components that go into one, and how to plan your first one without overspending or blowing a circuit.
Fundamentals · 12 min
A plain-English plan for bands switching from floor wedges to in-ear monitors — what to buy, what to expect at the first rehearsal, and how to not hate it.
Workflow · 10 min
Step-by-step: linking aux buses into stereo pairs, pre-fader vs post-fader, routing buses to Ultranet vs physical XLRs vs AES50, and adding a bus-level limiter.
Networking · 11 min
Aviom A-Net vs Behringer Ultranet vs Allen & Heath ME vs Klang Dante — the systems-thinking comparison, not the shopping list. Cabling, distances, console integration, and a decision tree.