10 documented inputs
¼-inch TS + IEC C14
- Arrives as
- 10 documented inputs
- Connector
- ¼-inch TS + IEC C14
- Signal
- analog audio
~$2,999
Catalog estimate
No verified retailer history yet. The catalog estimate is a planning reference; retailer prices and availability may differ.
~$2,999
Catalog estimate
No verified retailer history yet. The catalog estimate is a planning reference; retailer prices and availability may differ.
Prism Sound Lyra 2 2 x 4 USB Audio Interface. Plan its source-defined physical connections and placement in your rig.
Learn the route as a block diagram: source, product function, transport, and destination. Select any block to see what enters, what changes, and what leaves.
Each block answers the same three questions: what arrives, what changes here, and what leaves.
¼-inch TS + IEC C14
Switch the product view and the documented port inventory updates with it—hardware and data stay side by side.
Switch panels to keep the hardware view and the documented port list in sync.
| Port | Panel | Connector | Direction | Signal | Channels |
|---|---|---|---|---|---|
| INST 1 ·TS INSTRUMENT INPUT | front | ¼-inch TS | input | analog audio | — |
| INST 2 ·TS INSTRUMENT INPUT | front | ¼-inch TS | input | analog audio | — |
| PHONES ·TRS HEADPHONE OUTPUT | front | ¼-inch TRS | output | analog audio | — |
| AC MAINS INPUT ·IEC | rear | IEC C14 | input | power | — |
| ETHERNET ·FACTORY / FUTURE USE | rear | RJ45 | bidirectional | data | — |
| USB 2.0 HOST ·TYPE B | rear | usb b | bidirectional | data | — |
| WORDCLOCK OUT ·BNC | rear | bnc | output | data | — |
| WORDCLOCK IN ·BNC | rear | bnc | input | data | — |
| S/PDIF OUT / AES3 VIA ADAPTER ·RCA | rear | rca | output | data | — |
| DIGITAL OUT ·S/PDIF / ADAT TOSLINK | rear | toslink | output | data | — |
| S/PDIF IN / AES3 VIA ADAPTER ·RCA | rear | rca | input | data | — |
| DIGITAL IN ·S/PDIF / ADAT TOSLINK | rear | toslink | input | data | — |
| LINE OUTPUT 3 ·TRS | rear | ¼-inch TRS | output | analog audio | — |
| LINE OUTPUT 1 ·TRS | rear | ¼-inch TRS | output | analog audio | — |
| LINE OUTPUT 4 ·TRS | rear | ¼-inch TRS | output | analog audio | — |
| LINE OUTPUT 2 ·TRS | rear | ¼-inch TRS | output | analog audio | — |
| LINE INPUT 1 ·TRS | rear | ¼-inch TRS | input | analog audio | — |
| LINE INPUT 2 ·TRS | rear | ¼-inch TRS | input | analog audio | — |
| MIC INPUT 2 ·XLR | rear | XLR female | input | analog audio | — |
| MIC INPUT 1 ·XLR | rear | XLR female | input | analog audio | — |
Showing 20 of 20 documented physical ports. Scroll to review the remaining rows.
| Compare | ||||
|---|---|---|---|---|
| Fit | 📐 1U | 📐 1U | 📐 1U | 📐 1U |
| Power | ⚡ 15W | ⚡ Unverified | ⚡ 30W | ⚡ 30W |
| Weight | ⚖️ 4.6 lb | ⚖️ 10.0 lb | ⚖️ 9.9 lb | ⚖️ 8.9 lb |
| I/O | 🔌 20 | 🔌 13 | 🔌 11 | 🔌 25 |
| Estimate | 💵 ~$2,999 | 💵 ~$2,999 | 💵 ~$2,895 | 💵 ~$3,399 |
| Deep dive | Current selection | Full comparison → | Full comparison → | Full comparison → |
Short, source-backed answers surface rack fit, power, cabling, and connection details before they become surprises.
It occupies 1U. Its documented depth is 242 mm.
Typical draw is 15W and documented maximum draw is 0W.
20 documented physical ports, including INST 1 ·TS INSTRUMENT INPUT, INST 2 ·TS INSTRUMENT INPUT, PHONES ·TRS HEADPHONE OUTPUT, AC MAINS INPUT ·IEC, ETHERNET ·FACTORY / FUTURE USE, USB 2.0 HOST ·TYPE B.
Planning guides for audio interface systems.
Workflow · 7 min
How to choose between a digital mixer, a Thunderbolt interface, and a Dante converter as the brain of your IEM rack — with concrete picks at each tier.
Workflow · 14 min
How to build a live-performance playback rig that runs click + backing tracks reliably — interface sizing, routing rules, software comparison, and what to do when the laptop crashes.
Workflow · 12 min
How to build a fail-safe live playback rig with primary + backup laptops, an auto-switching audio interface, and a failover workflow you can actually trust on a Sunday morning.
Workflow · 11 min
LTC vs MTC vs MIDI Clock, how to generate timecode from Ableton or Playback, how lighting and video receive it, and the frame-rate mistake that drifts every show.