How it works in the path
Four female XLRThe standard 3-pin locking connector for mics and balanced line signals — pin 1 is the shield, pins 2 and 3 carry the balanced pair. tails collect your sources — vocals, instrument DIsDirect Injection box — converts an instrument’s unbalanced signal to a balanced mic-level XLR so it can run long cables without noise., monitor reference lines, whatever the count calls for — and the etherCONAn Ethernet plug inside a rugged XLR-style locking shell — tour-grade network connections that can’t be yanked loose. Out carries all four down the run. The Thru jack is the part that earns its keep on larger stages: you can daisy-chain a second CT-F box onto the same cable path, doubling your channel count without running a second home run. Shielded Cat cable is required to pass phantomThe +48 V a console sends up the mic cable to power condenser mics and active DI boxes — invisible to gear that doesn’t need it., and Whirlwind specifies 110-ohm wiring inside, so the same cable can carry AES-3 or DMX on other systems without crosstalk concerns. At 0.7 kg, it goes in a pouch, tapes to a mic stand base, or sits in a drum riser pocket without drama.








