How it works in the path
At load-in, the two BNCThe twist-lock coax connector used for word clock and antenna runs — it locks, so it can’t be pulled out mid-show. antenna inputs mean you're splitting or distributing your antenna signal across both channels, so plan your antenna placement and any active distribution accordingly — a single pair of paddlesA directional antenna (paddle, LPDA, helical) aimed at the stage — focuses coverage where the performers are and rejects RF from elsewhere. won't automatically serve both channels without a splitter. The dual XLRThe standard 3-pin locking connector for mics and balanced line signals — pin 1 is the shield, pins 2 and 3 carry the balanced pair. outputs mean you're patching two discrete lines to your console or snakeA multicore cable bundling many channels into one stage-to-console run. A sub-snake collects one corner of the stage into a drop box., which is clean and unambiguous. The DanteThe most common audio-over-network standard: dozens of channels of uncompressed digital audio down one ordinary Ethernet cable between Dante boxes. port is a real advantage in network-audio rigs: both channels can travel a single Ethernet cable to your Dante ecosystem, eliminating two analog runs entirely. At 18–22 watts draw and 1.8 kg, it's light and easy on your power strip, and 220 mm depth fits standard shallow rack cases without drama.
