Sennheiser EW 300 G4-CI1 Wireless Guitar
Sennheiser·Model EW 300 G4-CI1·sennheiser-ew300-g4-ci1
Photos
Manufacturer product photography — the drawn faceplate above stays true to panel layout; these show the hardware itself.
About the Sennheiser EW 300 G4-CI1
The Sennheiser EW 300 G4-CI1 is a solid mid-range wireless instrument system with true diversityA receiver with two antennas and two radio sections that continuously picks the stronger one — the difference between a dropout and a show. UHFThe TV-band radio range (roughly 470–608 MHz in the US) where serious wireless mics and IEMs live — better behaved than crowded 2.4 GHz. reception and Sennheiser's well-proven G4 platform reliability. It is a popular choice for guitarists and bassists who want a wireless system that is straightforward to set up and delivers clean, reliable audio. The half-rackThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one. receiver pairs efficiently with other half-rack units in your rack build.
The EW 300 G4-CI1 is Sennheiser's mid-tier answer to the wireless instrument question — a UHFThe TV-band radio range (roughly 470–608 MHz in the US) where serious wireless mics and IEMs live — better behaved than crowded 2.4 GHz. true diversityA receiver with two antennas and two radio sections that continuously picks the stronger one — the difference between a dropout and a show. receiver built around the G4 platform that has earned a reputation for dependable, consistent performance across thousands of touring and theater rigs. It pairs with a beltpack transmitter and the CI1 straight instrument cable, letting a guitarist or bassist cut the cord without fussing with a clip or capsule. The half-rackThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one. form factor is the key detail for rack builders: this receiver occupies half a 1U slot, which means you can pair it with another half-rack unit and lose only a single rack space total.
True diversityA receiver with two antennas and two radio sections that continuously picks the stronger one — the difference between a dropout and a show. means two antennas and two receiver paths, with the unit selecting the stronger signal in real time — that matters on a busy stage where a guitar player is moving around and bodies are absorbing RFRadio Frequency — the wireless part of wireless. RF planning is why big rigs scan, coordinate, and combine antennas instead of hoping.. The BNCThe twist-lock coax connector used for word clock and antenna runs — it locks, so it can’t be pulled out mid-show. antenna inputs let you run remote antennas via coax if the rack is positioned offstage or in a pit where line-of-sight is poor. Both a balancedCarries the signal on two wires and cancels whatever noise both pick up — why mic cables can run hundreds of feet hum-free. XLRThe standard 3-pin locking connector for mics and balanced line signals — pin 1 is the shield, pins 2 and 3 carry the balanced pair. output and an unbalancedA single signal wire plus ground (guitar cables, RCA) — collects noise with length, so keep the runs short. quarter-inch output are on the rear, so you can feed a console's line input directly or route into an amp's effects return depending on how the show is wired. At 6–8 watts, it's a light power draw and won't stress a conditioner even in a densely loaded rack.
This system earns its place when you need something proven and low-maintenance — a working guitarist or bassist who wants to set scan-and-sync at soundcheck and not think about it again. If you're running multiple wireless channels in a single rack, the half-rackThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one. format stacks efficiently, but you'll need a proper half-rack shelf or a pairing unit to fill the space cleanly. Players who need extended range in challenging RFRadio Frequency — the wireless part of wireless. RF planning is why big rigs scan, coordinate, and combine antennas instead of hoping. environments or who are touring arenas might look at the EW 500 G4 or Digital 6000 series for more headroomThe margin between your normal level and where things clip — headroom is what absorbs the snare hit you didn’t see coming.. For club, theater, and festival work at this price point, the G4 CI1 is a hard system to argue against.
In the rack
- Pair it with another half-rackThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one. unit — a second CI1 for a bassist, or a half-rack IEMIn-Ear Monitor — earpieces that replace floor wedges, feeding each player their own mix. The reason this whole rack exists. receiver — so the 1U slot is fully used and nothing is rattling in a half-empty bay.
- If the rack lives at the side of the stage or in a pit, run BNCThe twist-lock coax connector used for word clock and antenna runs — it locks, so it can’t be pulled out mid-show. coax to remote antennas positioned with clear sightlines to the player; the stock paddleA directional antenna (paddle, LPDA, helical) aimed at the stage — focuses coverage where the performers are and rejects RF from elsewhere. antennas on the rear panel are nearly useless when the rack is behind a flat or in a wing.
- Use the balancedCarries the signal on two wires and cancels whatever noise both pick up — why mic cables can run hundreds of feet hum-free. XLRThe standard 3-pin locking connector for mics and balanced line signals — pin 1 is the shield, pins 2 and 3 carry the balanced pair. output whenever you're running more than a few meters to the console — the quarter-inch output is convenient for direct-to-amp use, but XLR handles cable runs and rejects interference better in a live environment.
- Run the frequency scan with all other wireless and IEMIn-Ear Monitor — earpieces that replace floor wedges, feeding each player their own mix. The reason this whole rack exists. gear powered on; the G4's auto-scan is fast, but it only avoids interference it can see at scan time, so the full RFRadio Frequency — the wireless part of wireless. RF planning is why big rigs scan, coordinate, and combine antennas instead of hoping. picture needs to be live when you commit to frequencies.
Evolution Wireless G4 instrument system receiver. UHFThe TV-band radio range (roughly 470–608 MHz in the US) where serious wireless mics and IEMs live — better behaved than crowded 2.4 GHz. true diversityA receiver with two antennas and two radio sections that continuously picks the stronger one — the difference between a dropout and a show..
I/O Ports (6)
| Port | Connector | Direction | Signal | Channels |
|---|---|---|---|---|
| XLR Out | XLR MALE | output | analog audio | — |
| 1/4" Out | TRS QUARTER | output | analog audio | — |
| Antenna A | BNC | input | antenna | — |
| Antenna B | BNC | input | antenna | — |
| Ethernet (RJ-45) | RJ45 | bidirectional | data | — |
- DC In (12V) (DC BARREL)
Deciding between two?
Rack space, watts, weight and every connector, side by side.
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