How it works in the path
The 1.9ms latencyThe delay between sound entering and leaving a digital system. IEM rigs fight to keep the whole chain down to a few milliseconds. figure is the number players ask about, and practically speaking it's a non-issue — you're already dealing with more acoustic delay than that from the amp being a few feet away. The dual BNCThe twist-lock coax connector used for word clock and antenna runs — it locks, so it can’t be pulled out mid-show. antenna inputs support a standard diversityA receiver with two antennas and two radio sections that continuously picks the stronger one — the difference between a dropout and a show. setup, and with up to 90 simultaneous channels in the EW-D ecosystem, frequency coordinationCalculating a set of wireless frequencies that won’t interfere with each other or local TV — the homework behind a clean RF night. on busy festival stages or multi-act shows is manageable without a spectrum analyzer fight. Power draw peaks at 7 watts, so you're not sweating the power budget. The 200mm depth is shallow enough to fit most touring racks without rear-panel crowding, and the dual outputs — XLRThe standard 3-pin locking connector for mics and balanced line signals — pin 1 is the shield, pins 2 and 3 carry the balanced pair. and quarter-inch — let you feed a console and a local amp simultaneously without a split.








