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Splitter

Whirlwind DA-2 Distribution Amp

Whirlwind·Model DA-2·whirlwind-da2

Photos

Manufacturer product photography — the drawn faceplate above stays true to panel layout; these show the hardware itself.

Photo: WhirlwindClick to zoom

About the Whirlwind DA-2

The Whirlwind DA-2 is a simple, reliable audio distribution amplifier for splitting or combining balanced audio signals. Use it to take a single stereo output from your playback rig and distribute it to multiple destinations, or to sum two sources into one feed. Its straightforward design and rugged build make it a dependable utility piece in any rack.

The Whirlwind DA-2 is a utility piece that solves a problem every playback and IEM rig eventually runs into: you have one signal and more than one place it needs to go, or two sources that need to land on one feed. In a 1U full-rack footprint, it gives you two independent inputs and four outputs, and can operate as a distribution amp — one source split to multiple destinations — or as a summing device combining two inputs. Whirlwind built their reputation on exactly this kind of unglamorous, reliable signal-routing hardware, and the DA-2 fits squarely in that tradition.

At 180mm deep and 1.4kg, this thing disappears into a rack without drama. The 10W nominal draw means it's barely a rounding error on your power budget, and the IEC inlet keeps it compatible with any standard conditioner or PDU. What matters practically is the active distribution: because it's buffered rather than a passive split, each output sees a proper driven signal rather than a divided one, so you're not chasing level loss or impedance mismatches when you're running feeds to a click console, a broadcast hop, and a monitor desk simultaneously. That's the real reason to choose active over a passive spider at load-in.

This is the right call for a playback engineer who needs to distribute stereo or mono feeds to two or more destinations without sacrificing headroom or fighting ground issues, or for anyone who wants a clean active buffer between a delicate source and a long cable run to FOH. It is not a multi-channel solution — two inputs and four outputs is the whole story, so if you're distributing six stems independently you'll need multiple units or a different tool entirely. At $349 it's priced like the workhorse it is, not a feature-laden router, and you should budget and plan accordingly.

In the rack

  • If you're summing two sources into a combined feed, check your levels carefully before the show — the DA-2 will add those signals together, and mismatched gains between Input 1 and Input 2 will show up immediately in the mix.
  • Keep it away from the bottom of the rack if your cable runs are long; positioning it closer to the patch bay reduces the length of internal snake needed to reach all four outputs and cuts down on cable management headaches at load-in.
  • Label each output on the rear panel with a piece of colored gaff and a paint pen before the tour starts — in a dark stage right wing at changeover, knowing at a glance which XLR feeds the broadcast split versus the IEM system saves real time.
  • Because the outputs are active and buffered, you can run this directly into a long stage snake without a separate line driver — useful when your console or playback source doesn't have enough output headroom to push a 50-foot run cleanly on its own.

1x2 or 2x1 audio distribution amp.

I/O Ports (7)

PortConnectorDirectionSignalChannels
Input 1 (XLR)XLR FEMALEinputanalog audio
Input 2 (XLR)XLR FEMALEinputanalog audio
Output 1 (XLR)XLR MALEoutputanalog audio
Output 2 (XLR)XLR MALEoutputanalog audio
Output 3 (XLR)XLR MALEoutputanalog audio
Output 4 (XLR)XLR MALEoutputanalog audio
Power
  • Power (IEC) (IEC C14)

Deciding between two?

Rack space, watts, weight and every connector, side by side.

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