24 documented inputs
XLR/TRS combo + trs eighth
- Arrives as
- 24 documented inputs
- Connector
- XLR/TRS combo + trs eighth
- Signal
- analog audio
Audio Interface
Arturia AudioFuse 16Rig USB Audio Interface. Plan its source-defined physical connections and placement in your rig.
01 · What it does—and what that changes in your rig.
Start with the payoff, then work through how it functions, where it fits, and the details that change a real build.
Arturia AudioFuse 16Rig USB Audio Interface. Plan its source-defined physical connections and placement in your rig.
02 · Know the whole path before you buy.
Learn the route as a block diagram: source, product function, transport, and destination. Select any block to see what enters, what changes, and what leaves.
Each block answers the same three questions: what arrives, what changes here, and what leaves.
XLR/TRS combo + trs eighth
03 · What this product asks of the rest of the system.
Treat connector names as the start of the check—not the answer. These are the boundaries that determine a complete working path.
Use it when 1U and the documented form factor fit the case.
Complete the path with upstream and downstream gear that matches connector, direction, signal type, protocol, and wiring standard.
Documented connectors: ¼-inch TRS, XLR/TRS combo, trs eighth, usb a. Match connector, direction, and signal type—not shape alone.
04 · Every connector, grouped by job.
Switch the product view and the documented port inventory updates with it—hardware and data stay side by side.
Switch panels to keep the hardware view and the documented port list in sync.
| Port | Panel | Connector | Direction | Signal | Channels |
|---|---|---|---|---|---|
| FRONT OUTPUT 3 · LINE / REAMP / PHONES | front | ¼-inch TRS | output | analog audio | — |
| FRONT OUTPUT 4 · LINE / REAMP / PHONES | front | ¼-inch TRS | output | analog audio | — |
| FRONT INPUT 1 · MIC / LINE / INSTRUMENT | front | XLR/TRS combo | input | analog audio | — |
| FRONT INPUT 2 · MIC / LINE / INSTRUMENT | front | XLR/TRS combo | input | analog audio | — |
| FRONT INPUTS 3 / 4 · STEREO MINIJACK | front | trs eighth | input | analog audio | — |
| PHONES · 6.35mm STEREO | front | ¼-inch TRS | output | analog audio | — |
| PHONES · 3.5mm STEREO | front | trs eighth | output | analog audio | — |
| USB HUB · FRONT PERIPHERAL | front | usb a | bidirectional | data | — |
| USB MIDI HOST · STANDALONE CONTROLLER | front | usb a | bidirectional | data | — |
| BALANCED LINE INPUT 15 | rear | ¼-inch TRS | input | analog audio | — |
| BALANCED LINE INPUT 16 | rear | ¼-inch TRS | input | analog audio | — |
| BALANCED LINE INPUT 13 | rear | ¼-inch TRS | input | analog audio | — |
| BALANCED LINE INPUT 14 | rear | ¼-inch TRS | input | analog audio | — |
| BALANCED LINE INPUT 11 | rear | ¼-inch TRS | input | analog audio | — |
| BALANCED LINE INPUT 12 | rear | ¼-inch TRS | input | analog audio | — |
| BALANCED LINE INPUT 9 | rear | ¼-inch TRS | input | analog audio | — |
| BALANCED LINE INPUT 10 | rear | ¼-inch TRS | input | analog audio | — |
| BALANCED LINE INPUT 7 | rear | ¼-inch TRS | input | analog audio | — |
| BALANCED LINE INPUT 8 | rear | ¼-inch TRS | input | analog audio | — |
| BALANCED LINE INPUT 5 | rear | ¼-inch TRS | input | analog audio | — |
| BALANCED LINE INPUT 6 | rear | ¼-inch TRS | input | analog audio | — |
| BALANCED LINE INPUT 3 | rear | ¼-inch TRS | input | analog audio | — |
| BALANCED LINE INPUT 4 | rear | ¼-inch TRS | input | analog audio | — |
| BALANCED LINE INPUT 1 | rear | ¼-inch TRS | input | analog audio | — |
| BALANCED LINE INPUT 2 | rear | ¼-inch TRS | input | analog audio | — |
| DC-COUPLED LINE OUTPUT 9 · AUDIO / CV | rear | ¼-inch TRS | output | data | — |
| DC-COUPLED LINE OUTPUT 10 · AUDIO / CV | rear | ¼-inch TRS | output | data | — |
| DC-COUPLED LINE OUTPUT 7 · AUDIO / CV | rear | ¼-inch TRS | output | data | — |
| DC-COUPLED LINE OUTPUT 8 · AUDIO / CV | rear | ¼-inch TRS | output | data | — |
| DC-COUPLED LINE OUTPUT 5 · AUDIO / CV | rear | ¼-inch TRS | output | data | — |
| DC-COUPLED LINE OUTPUT 6 · AUDIO / CV | rear | ¼-inch TRS | output | data | — |
| DC-COUPLED LINE OUTPUT 3 · AUDIO / CV | rear | ¼-inch TRS | output | data | — |
| DC-COUPLED LINE OUTPUT 4 · AUDIO / CV | rear | ¼-inch TRS | output | data | — |
| MONITOR 1L · BALANCED SPEAKER OUTPUT | rear | ¼-inch TRS | output | analog audio | — |
| MONITOR 2R · BALANCED SPEAKER OUTPUT | rear | ¼-inch TRS | output | analog audio | — |
| ADAT 1–8 IN | rear | toslink | input | data | — |
| ADAT 1–8 OUT | rear | toslink | output | data | — |
| ADAT 9–16 IN | rear | toslink | input | data | — |
| ADAT 9–16 OUT | rear | toslink | output | data | — |
| WORD CLOCK IN | rear | bnc | input | data | — |
| WORD CLOCK OUT | rear | bnc | output | data | — |
| MIDI IN 1 | rear | midi din5 | input | data | — |
| MIDI OUT / THRU 1 | rear | midi din5 | output | data | — |
| MIDI OUT / THRU 2 | rear | midi din5 | output | data | — |
| ANALOG CLOCK OUT | rear | trs eighth | output | data | — |
| USB HUB · REAR PERIPHERAL | rear | usb a | bidirectional | data | — |
| USB-C · COMPUTER AUDIO / CONTROL | rear | usb c | bidirectional | data | — |
| 15V DC 3A · LOCKING POWER INPUT | rear | dc barrel | input | power | — |
Showing 48 of 48 documented physical ports. Scroll to review the remaining rows.
05 · Compare the decision, not just the price.
The rows are organized around fit, power, I/O, and system role so a cheaper unit cannot hide a more expensive workflow.
| Compare | ![]() | ![]() | ![]() | |
|---|---|---|---|---|
| Fit | 📐 1U | 📐 1U | 📐 1U | 📐 Outside rack |
| Power | ⚡ Unverified | ⚡ 30W | ⚡ Unverified | ⚡ Unverified |
| Weight | ⚖️ Unlisted | ⚖️ 8.6 lb | ⚖️ 6.2 lb | ⚖️ 1.5 lb |
| I/O | 🔌 48 | 🔌 13 | 🔌 39 | 🔌 16 |
| Estimate | 💵 ~$1,299 | 💵 ~$3,799 | 💵 ~$3,199 | 💵 ~$280 |
| Deep dive | Current selection | Full comparison → | Full comparison → | Full comparison → |
06 · Resolve the questions that can change the purchase or build plan.
Short, source-backed answers surface rack fit, power, cabling, and connection details before they become surprises.
It occupies 1U. Its documented depth is 0 mm.
Its power requirement is not yet verified in the catalog.
48 documented physical ports, including FRONT OUTPUT 3 · LINE / REAMP / PHONES, FRONT OUTPUT 4 · LINE / REAMP / PHONES, FRONT INPUT 1 · MIC / LINE / INSTRUMENT, FRONT INPUT 2 · MIC / LINE / INSTRUMENT, FRONT INPUTS 3 / 4 · STEREO MINIJACK, PHONES · 6.35mm STEREO.
07 · See this unit inside a real rack plan.
08 · Related gear, in the order you may need it.
Planning guides for audio interface systems.
Workflow · 7 min
How to choose between a digital mixer, a Thunderbolt interface, and a Dante converter as the brain of your IEM rack — with concrete picks at each tier.
Workflow · 14 min
How to build a live-performance playback rig that runs click + backing tracks reliably — interface sizing, routing rules, software comparison, and what to do when the laptop crashes.
Workflow · 12 min
How to build a fail-safe live playback rig with primary + backup laptops, an auto-switching audio interface, and a failover workflow you can actually trust on a Sunday morning.
Workflow · 11 min
LTC vs MTC vs MIDI Clock, how to generate timecode from Ableton or Playback, how lighting and video receive it, and the frame-rate mistake that drifts every show.