MOTU 24Ai Audio Interface
MOTU·Model 24Ai·motu-24ai
Photos
Manufacturer product photography — the drawn faceplate above stays true to panel layout; these show the hardware itself.
About the MOTU 24Ai
The MOTU 24Ai mirrors the 24Ao but focuses on inputs, providing 24 channels of analog input on three DB25A 25-pin D-shaped connector carrying 8 channels of analog or AES audio in one multicore — the Tascam pinout is the de-facto standard. connectors. This makes it ideal for recording scenarios, virtual soundcheckPlaying a recorded show back through the console as if the band were on stage — dial in mixes before anyone plugs in. capture, or splitting analog signals into a networked audio system. Paired with a 24Ao, you get a full 24x24 analog I/O system in just 2UThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one. of rack space with AVBAudio Video Bridging — open network audio (MOTU, PreSonus) where the switch reserves bandwidth so streams can’t glitch. Milan is its pro profile. networking for flexible routing across your rig.
The MOTU 24Ai is a purpose-built analog input converterThe circuitry that turns analog audio into digital data and back (A/D and D/A). Converter quality sets a digital rig’s sound ceiling.: 24 channels in, nothing wasted on outputs that a capture or splitting rig doesn't need. Three DB25A 25-pin D-shaped connector carrying 8 channels of analog or AES audio in one multicore — the Tascam pinout is the de-facto standard. connectors bring all 24 analog inputs to the front of a 1UThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one. panel, and from there the signal moves into your network or DAWDigital Audio Workstation — the recording and playback software (Logic, Ableton Live, Pro Tools) at the center of a computer rig. over AVBAudio Video Bridging — open network audio (MOTU, PreSonus) where the switch reserves bandwidth so streams can’t glitch. Milan is its pro profile. or USB-C. In a live context, this box earns its place as the analog front-end for a virtual soundcheckPlaying a recorded show back through the console as if the band were on stage — dial in mixes before anyone plugs in. system, a multitrack recording interface, or the analog ingestion point for an AVB-routed monitor rig where all the real output work is handled downstream.
At load-in, those three DB25A 25-pin D-shaped connector carrying 8 channels of analog or AES audio in one multicore — the Tascam pinout is the de-facto standard. tails are either your best friend or your first headache — have your Elco loomsSeveral cables bundled and run as one — keeps rack interconnects tidy and makes load-in one grab instead of eight. made up and labeled before the truck opens. Once cabled, the 24Ai draws a modest 25 watts typical and sits in 229mm of depth, so it fits a standard shallow tour rack without fighting for space. The dual AVBAudio Video Bridging — open network audio (MOTU, PreSonus) where the switch reserves bandwidth so streams can’t glitch. Milan is its pro profile. ports let you daisy-chain network nodes or connect to a switch without burning a separate interface slot, and word clockThe shared heartbeat keeping every digital box sampling in lockstep. One device leads, the rest follow — or you get clicks and pops. I/O means you can lock it cleanly to house digital infrastructure or serve as a clock source to the rest of your gear. USB-C connects it directly to a laptop for recording sessions or software control without a separate host machine in the chain.
If your rig genuinely needs 24 channels of analog capture — virtual soundcheckPlaying a recorded show back through the console as if the band were on stage — dial in mixes before anyone plugs in. on a 32-input stage, multitrack archive of a full band, or splitting analog consoles into a networked system — this is a clean, rack-dense way to do it. Pair it with the MOTU 24Ao and you have a full 24-in/24-out analog system in 2UThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one., which is hard to beat for the footprint. If you need even a handful of analog outputs from the same box, the 24Ai isn't your answer; look at a device with mixed I/O instead. Similarly, if your input count is 8 or 16, you're paying for channels you'll leave dark.
In the rack
- Pre-build and label your DB25A 25-pin D-shaped connector carrying 8 channels of analog or AES audio in one multicore — the Tascam pinout is the de-facto standard. loomsSeveral cables bundled and run as one — keeps rack interconnects tidy and makes load-in one grab instead of eight. by group — inputs 1–8, 9–16, 17–24 — and sleeve them differently so stagehands can't cross-connect them in a dark wing.
- Use the word clockThe shared heartbeat keeping every digital box sampling in lockstep. One device leads, the rest follow — or you get clicks and pops. output to discipline downstream convertersThe circuitry that turns analog audio into digital data and back (A/D and D/A). Converter quality sets a digital rig’s sound ceiling. rather than letting every box freewheel; the 24Ai makes a reliable clock source in a small analog-to-AVBAudio Video Bridging — open network audio (MOTU, PreSonus) where the switch reserves bandwidth so streams can’t glitch. Milan is its pro profile. rig.
- If you're running virtual soundcheckPlaying a recorded show back through the console as if the band were on stage — dial in mixes before anyone plugs in., set a dedicated AVBAudio Video Bridging — open network audio (MOTU, PreSonus) where the switch reserves bandwidth so streams can’t glitch. Milan is its pro profile. stream for the 24Ai's inputs so they appear as a fixed source on the network — any engineer guest-mixing can pull up the same stream without re-routing.
- Rack it directly above or below the 24Ao when running them as a pair; keeping the DB25A 25-pin D-shaped connector carrying 8 channels of analog or AES audio in one multicore — the Tascam pinout is the de-facto standard. tails from both units short and parallel reduces cable management chaos and makes the 2UThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one. system feel like a single integrated converterThe circuitry that turns analog audio into digital data and back (A/D and D/A). Converter quality sets a digital rig’s sound ceiling..
24-ch analog input + USB/AVBAudio Video Bridging — open network audio (MOTU, PreSonus) where the switch reserves bandwidth so streams can’t glitch. Milan is its pro profile. networking. Input-focused for recording/splitting.
I/O Ports (9)
| Port | Connector | Direction | Signal | Channels |
|---|---|---|---|---|
| Analog In 1-8 (DB25) | DB25 | input | analog audio | — |
| Analog In 9-16 (DB25) | DB25 | input | analog audio | — |
| Analog In 17-24 (DB25) | DB25 | input | analog audio | — |
| AVB Network 1 (RJ45) | RJ45 | bidirectional | digital audio | — |
| AVB Network 2 (RJ45) | RJ45 | bidirectional | digital audio | — |
| USB-C | USB C | bidirectional | data | — |
| Word Clock In (BNC) | BNC | input | digital audio | — |
| Word Clock Out (BNC) | BNC | output | digital audio | — |
- Power (IEC) (IEC C14)
Deciding between two?
Rack space, watts, weight and every connector, side by side.
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