Behringer Powerplay HA8000 Headphone Amp
Behringer·Model HA8000·behringer-ha8000
Photos
Manufacturer product photography — the drawn faceplate above stays true to panel layout; these show the hardware itself.
About the Behringer HA8000
The Behringer Powerplay HA8000 is an 8-channel rack-mount headphone amp at a budget price point. Each channel has its own input + level + headphone output, plus a stereo main busA path where multiple channels sum into one signal — mixes, groups, and mains are all buses. A 25-bus console can build 25 blends at once. that all channels can mix in. Common pickup for tracking sessions, broadcast facilities, and anywhere you need to feed many pairs of headphones from one console output.
The HA8000 is a straightforward answer to a common problem: you have one stereo mix coming off a console and you need to get it into eight pairs of headphones, each at its own volume. In a live rig it shows up most often in playback or IEMIn-Ear Monitor — earpieces that replace floor wedges, feeding each player their own mix. The reason this whole rack exists.-adjacent setups where click and cue feeds need to reach a drummer, a music director, and a handful of other players who aren't on wireless. Each of the eight channels takes its own dedicated 1/4" TRSTip-Ring-Sleeve — a 1/4″ jack with three contacts carrying a balanced signal or a stereo pair. A guitar plug with one extra ring. input, but every channel can also blend in the stereo main busA path where multiple channels sum into one signal — mixes, groups, and mains are all buses. A 25-bus console can build 25 blends at once. — so you can send a shared house mix to the main in and feed individual trims or alternate cues per channel.
At 1UThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one. and 220mm deep, this fits cleanly into a shallow utility rack without fighting for space. The 25W nominal draw is low enough that it won't push a modest power conditionerFilters venue AC, clamps surges, and gives the rack one tidy inlet. Not a voltage regulator and not a battery — just cleaner power., and the IECThe standard three-prong appliance power inlet on rack gear — the kettle lead. C13/C14 in spec-sheet speak. inlet means standard rack power cables work without adapters. All connections are 1/4" TRSTip-Ring-Sleeve — a 1/4″ jack with three contacts carrying a balanced signal or a stereo pair. A guitar plug with one extra ring. on both input and output sides — there's no XLRThe standard 3-pin locking connector for mics and balanced line signals — pin 1 is the shield, pins 2 and 3 carry the balanced pair., no combo jack, no breakoutA cable that splits one multichannel connector (like a DB25) into individual plugs — the octopus that turns 8 channels into 8 XLRs. — so plan your patch accordingly. If your console's cue outputs are on XLR, budget for adapters or a short TRS loomSeveral cables bundled and run as one — keeps rack interconnects tidy and makes load-in one grab instead of eight. before load-in, because that's not a problem you want to solve at downbeat.
This unit earns its place in a rehearsal facility, a house-of-worship monitor rack, a theater pit, or any install where eight discrete headphone feeds need to come out of one box and cost is a real constraint. At $219 it's hard to argue against for utility work. Where it isn't the right call: a touring IEMIn-Ear Monitor — earpieces that replace floor wedges, feeding each player their own mix. The reason this whole rack exists. rack where your artists need individual mix control, latencyThe delay between sound entering and leaving a digital system. IEM rigs fight to keep the whole chain down to a few milliseconds. parity with digital systems, or the confidence that comes from a unit with a known service history on the road. For that, look at something like the Aviom or Hear Technologies personal monitor family instead. The HA8000 is a workhorse tool, not a performance-critical one.
In the rack
- If you're feeding all eight channels from the same stereo source, use the Main In and leave the individual channel inputs empty — then each user trims their own level without you touching the patch.
- All outputs are front-panel 1/4" jacks, which means eight headphone cables hanging off the face of the rack. Use a short cable tie bar or Velcro loop anchored to the rack rail below the unit to keep that cable mass from stressing the jacks over time.
- The individual channel inputs override or supplement the main busA path where multiple channels sum into one signal — mixes, groups, and mains are all buses. A 25-bus console can build 25 blends at once. per channel — confirm which behavior you want before soundcheck, because a feed left floating on an unused channel input can introduce noise if the source end isn't properly terminated.
- If your console cue or auxAn auxiliary mix output — each aux is its own independent blend of the channels, typically one per monitor mix or effects send. outputs are XLRThe standard 3-pin locking connector for mics and balanced line signals — pin 1 is the shield, pins 2 and 3 carry the balanced pair., run a pair of XLR-to-TRSTip-Ring-Sleeve — a 1/4″ jack with three contacts carrying a balanced signal or a stereo pair. A guitar plug with one extra ring. adapters permanently soldered and labeled before the unit goes into the rack — removing the adapter problem from show day entirely.
8-channel rack-mount headphone amp.
I/O Ports (19)
| Port | Connector | Direction | Signal | Channels |
|---|---|---|---|---|
| Main In L (1/4") | TRS QUARTER | input | analog audio | — |
| Main In R (1/4") | TRS QUARTER | input | analog audio | — |
| Ch 1 In (1/4") | TRS QUARTER | input | analog audio | — |
| Ch 2 In (1/4") | TRS QUARTER | input | analog audio | — |
| Ch 3 In (1/4") | TRS QUARTER | input | analog audio | — |
| Ch 4 In (1/4") | TRS QUARTER | input | analog audio | — |
| Ch 5 In (1/4") | TRS QUARTER | input | analog audio | — |
| Ch 6 In (1/4") | TRS QUARTER | input | analog audio | — |
| Ch 7 In (1/4") | TRS QUARTER | input | analog audio | — |
| Ch 8 In (1/4") | TRS QUARTER | input | analog audio | — |
| Phones 1 (1/4") | TRS QUARTER | output | analog audio | — |
| Phones 2 (1/4") | TRS QUARTER | output | analog audio | — |
| Phones 3 (1/4") | TRS QUARTER | output | analog audio | — |
| Phones 4 (1/4") | TRS QUARTER | output | analog audio | — |
| Phones 5 (1/4") | TRS QUARTER | output | analog audio | — |
| Phones 6 (1/4") | TRS QUARTER | output | analog audio | — |
| Phones 7 (1/4") | TRS QUARTER | output | analog audio | — |
| Phones 8 (1/4") | TRS QUARTER | output | analog audio | — |
- Power (IEC) (IEC C14)
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