Stage Box
Midas DL251 Digital Stage Box
Midas·Model DL251·midas-dl251
About the Midas DL251
The Midas DL251 is the top-of-line AES50 stage box — 48 Midas preamps and 16 XLR outputs, all multiplexed to a pair of redundant AES50 links. Used on major tours where a single stage box needs to service a full band (drums + guitars + keys + vocals + playback) without cascading a second box. Pairs with M32/M32R and Wing consoles; requires an AES50 port with 48-channel capacity on the console side.
48-in / 16-out Midas stage box. The biggest AES50 stage box in the Midas line.
I/O Ports (67)
| Port | Connector | Direction | Signal | Channels |
|---|---|---|---|---|
| Stage In 1 | XLR FEMALE | input | analog audio | — |
| Stage In 2 | XLR FEMALE | input | analog audio | — |
| Stage In 3 | XLR FEMALE | input | analog audio | — |
| Stage In 4 | XLR FEMALE | input | analog audio | — |
| Stage In 5 | XLR FEMALE | input | analog audio | — |
| Stage In 6 | XLR FEMALE | input | analog audio | — |
| Stage In 7 | XLR FEMALE | input | analog audio | — |
| Stage In 8 | XLR FEMALE | input | analog audio | — |
| Stage In 9 | XLR FEMALE | input | analog audio | — |
| Stage In 10 | XLR FEMALE | input | analog audio | — |
| Stage In 11 | XLR FEMALE | input | analog audio | — |
| Stage In 12 | XLR FEMALE | input | analog audio | — |
| Stage In 13 | XLR FEMALE | input | analog audio | — |
| Stage In 14 | XLR FEMALE | input | analog audio | — |
| Stage In 15 | XLR FEMALE | input | analog audio | — |
| Stage In 16 | XLR FEMALE | input | analog audio | — |
| Stage In 17 | XLR FEMALE | input | analog audio | — |
| Stage In 18 | XLR FEMALE | input | analog audio | — |
| Stage In 19 | XLR FEMALE | input | analog audio | — |
| Stage In 20 | XLR FEMALE | input | analog audio | — |
| Stage In 21 | XLR FEMALE | input | analog audio | — |
| Stage In 22 | XLR FEMALE | input | analog audio | — |
| Stage In 23 | XLR FEMALE | input | analog audio | — |
| Stage In 24 | XLR FEMALE | input | analog audio | — |
| Stage In 25 | XLR FEMALE | input | analog audio | — |
| Stage In 26 | XLR FEMALE | input | analog audio | — |
| Stage In 27 | XLR FEMALE | input | analog audio | — |
| Stage In 28 | XLR FEMALE | input | analog audio | — |
| Stage In 29 | XLR FEMALE | input | analog audio | — |
| Stage In 30 | XLR FEMALE | input | analog audio | — |
| Stage In 31 | XLR FEMALE | input | analog audio | — |
| Stage In 32 | XLR FEMALE | input | analog audio | — |
| Stage In 33 | XLR FEMALE | input | analog audio | — |
| Stage In 34 | XLR FEMALE | input | analog audio | — |
| Stage In 35 | XLR FEMALE | input | analog audio | — |
| Stage In 36 | XLR FEMALE | input | analog audio | — |
| Stage In 37 | XLR FEMALE | input | analog audio | — |
| Stage In 38 | XLR FEMALE | input | analog audio | — |
| Stage In 39 | XLR FEMALE | input | analog audio | — |
| Stage In 40 | XLR FEMALE | input | analog audio | — |
| Stage In 41 | XLR FEMALE | input | analog audio | — |
| Stage In 42 | XLR FEMALE | input | analog audio | — |
| Stage In 43 | XLR FEMALE | input | analog audio | — |
| Stage In 44 | XLR FEMALE | input | analog audio | — |
| Stage In 45 | XLR FEMALE | input | analog audio | — |
| Stage In 46 | XLR FEMALE | input | analog audio | — |
| Stage In 47 | XLR FEMALE | input | analog audio | — |
| Stage In 48 | XLR FEMALE | input | analog audio | — |
| Stage Out 1 | XLR MALE | output | analog audio | — |
| Stage Out 2 | XLR MALE | output | analog audio | — |
| Stage Out 3 | XLR MALE | output | analog audio | — |
| Stage Out 4 | XLR MALE | output | analog audio | — |
| Stage Out 5 | XLR MALE | output | analog audio | — |
| Stage Out 6 | XLR MALE | output | analog audio | — |
| Stage Out 7 | XLR MALE | output | analog audio | — |
| Stage Out 8 | XLR MALE | output | analog audio | — |
| Stage Out 9 | XLR MALE | output | analog audio | — |
| Stage Out 10 | XLR MALE | output | analog audio | — |
| Stage Out 11 | XLR MALE | output | analog audio | — |
| Stage Out 12 | XLR MALE | output | analog audio | — |
| Stage Out 13 | XLR MALE | output | analog audio | — |
| Stage Out 14 | XLR MALE | output | analog audio | — |
| Stage Out 15 | XLR MALE | output | analog audio | — |
| Stage Out 16 | XLR MALE | output | analog audio | — |
| AES50 A | ETHERCON | bidirectional | digital audio | 48 |
| AES50 B (redundant) | ETHERCON | bidirectional | digital audio | 48 |
Power
- Power (IEC) (IEC C14)