How it works in the path
That deletion is the point. A monitor rack built around the M32C plus a DL16 does the same job as an X32 Rack plus stage boxThe I/O endpoint on stage: mics plug in there and one digital line (AES50, Dante) carries everything to the console. The snake, digitized. while saving 2UThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one., and the AES50The Behringer/Midas console-to-stage-box link: 48 channels each way over one shielded Cat5e cable, with near-zero latency. topology means the copper between stage and rack is one shielded Cat5eStandard network cable grades. In an audio rig one cheap Cat5e run can replace a 48-channel copper snake; AES50 wants it shielded. run carrying 48 channels each way. The UltranetBehringer’s personal-monitoring link: 16 channels down a Cat5 cable to P16 mixers, so players dial their own ears without using console outputs. port still feeds 16 channels to P16-family personal mixers, the USB-B port is a 32×32 interface for virtual soundcheckPlaying a recorded show back through the console as if the band were on stage — dial in mixes before anyone plugs in., and the RJ45 control port is where X32-Edit or Mixing Station lives. MIDI in/out covers scene recall from playback rigs — a real workflow for timecodeA clock signal (SMPTE) shared between systems so playback, lights, and video all chase the same position in the song.-driven shows.
