20 documented inputs
XLR/TRS combo + ¼-inch TRS
- Arrives as
- 20 documented inputs
- Connector
- XLR/TRS combo + ¼-inch TRS
- Signal
- analog audio
Digital Mixer
The Midas MR18 is essentially a premium version of the Behringer XR18 with upgraded Midas preamps and build quality, fitting an 18-input mixer into a tabletop stagebox chassis about three rack-spaces tall. The chassis is not a 19" panel — in a rig it gets secured with a rack-ear adapter kit or a shelf, or lives loose on the stage floor. Tablet-controlled via WiFi, it eliminates the need for a physical control surface. It is a strong choice for compact IEM rigs where musicians control their own mixes from personal devices and the engineer manages the show from a tablet at FOH.
Manufacturer product photography — the drawn faceplate stays true to panel layout; these show the hardware itself.
01 · What it does—and what that changes in your rig.
Start with the payoff, then work through how it functions, where it fits, and the details that change a real build.
The Midas MR18 is essentially a premium version of the Behringer XR18 with upgraded Midas preampsThe gain stage that lifts a mic’s tiny signal up to line level — the first thing a signal hits, and a big part of how a console sounds. and build quality, fitting an 18-input mixer into a tabletop stageboxThe I/O endpoint on stage: mics plug in there and one digital line (AES50, Dante) carries everything to the console. The snake, digitized. chassis about three rack-spaces tall. The chassis is not a 19" panel — in a rig it gets secured with a rack-ear adapter kit or a shelf, or lives loose on the stage floor. Tablet-controlled via WiFi, it eliminates the need for a physical control surface. It is a strong choice for compact IEMIn-Ear Monitor — earpieces that replace floor wedges, feeding each player their own mix. The reason this whole rack exists. rigs where musicians control their own mixes from personal devices and the engineer manages the show from a tablet at FOHFront Of House — the main mix the audience hears, and the console position out in the room where it gets mixed..
02 · Know the whole path before you buy.
Learn the route as a block diagram: source, product function, transport, and destination. Select any block to see what enters, what changes, and what leaves.
Each block answers the same three questions: what arrives, what changes here, and what leaves.
XLR/TRS combo + ¼-inch TRS
03 · What this product asks of the rest of the system.
Treat connector names as the start of the check—not the answer. These are the boundaries that determine a complete working path.
Use it when 3U and 149 mm of depth fit the case.
Complete the path with upstream and downstream gear that matches connector, direction, signal type, protocol, and wiring standard.
This product declares ULTRANET; matching plugs alone do not make other protocols compatible.
04 · Every connector, grouped by job.
Switch the product view and the documented port inventory updates with it—hardware and data stay side by side.
Switch panels to keep the hardware view and the documented port list in sync.
| Port | Panel | Connector | Direction | Signal | Channels |
|---|---|---|---|---|---|
| IN 1 | rear | XLR/TRS combo | input | analog audio | — |
| IN 2 | rear | XLR/TRS combo | input | analog audio | — |
| IN 3 | rear | XLR/TRS combo | input | analog audio | — |
| IN 4 | rear | XLR/TRS combo | input | analog audio | — |
| IN 5 | rear | XLR/TRS combo | input | analog audio | — |
| IN 6 | rear | XLR/TRS combo | input | analog audio | — |
| IN 7 | rear | XLR/TRS combo | input | analog audio | — |
| IN 8 | rear | XLR/TRS combo | input | analog audio | — |
| IN 9 | rear | XLR/TRS combo | input | analog audio | — |
| IN 10 | rear | XLR/TRS combo | input | analog audio | — |
| IN 11 | rear | XLR/TRS combo | input | analog audio | — |
| IN 12 | rear | XLR/TRS combo | input | analog audio | — |
| IN 13 | rear | XLR/TRS combo | input | analog audio | — |
| IN 14 | rear | XLR/TRS combo | input | analog audio | — |
| IN 15 | rear | XLR/TRS combo | input | analog audio | — |
| IN 16 | rear | XLR/TRS combo | input | analog audio | — |
| LINE 17 | rear | ¼-inch TRS | input | analog audio | — |
| LINE 18 | rear | ¼-inch TRS | input | analog audio | — |
| AUX 1 | rear | XLR male | output | analog audio | — |
| AUX 2 | rear | XLR male | output | analog audio | — |
| AUX 3 | rear | XLR male | output | analog audio | — |
| AUX 4 | rear | XLR male | output | analog audio | — |
| AUX 5 | rear | XLR male | output | analog audio | — |
| AUX 6 | rear | XLR male | output | analog audio | — |
| MAIN L | rear | XLR male | output | analog audio | — |
| MAIN R | rear | XLR male | output | analog audio | — |
| PHONES | rear | ¼-inch TRS | output | analog audio | — |
| ULTRANET | rear | RJ45 | output | digital audio | 16 |
| MIDI IN | rear | midi din5 | input | data | — |
| MIDI OUT | rear | midi din5 | output | data | — |
| USB | rear | usb b | bidirectional | data | — |
| ETHERNET | rear | RJ45 | bidirectional | data | — |
| AC POWER | rear | IEC C14 | input | power | — |
Showing 33 of 33 documented physical ports. Scroll to review the remaining rows.
05 · Compare the decision, not just the price.
The rows are organized around fit, power, I/O, and system role so a cheaper unit cannot hide a more expensive workflow.
| Compare | ![]() | ![]() | ![]() | ![]() |
|---|---|---|---|---|
| Fit | 📐 3U | 📐 Outside rack | 📐 1U | 📐 5U |
| Power | ⚡ 30W | ⚡ 120W | ⚡ 40W | ⚡ 100W |
| Weight | ⚖️ 8.6 lb | ⚖️ 46.3 lb | ⚖️ 7.7 lb | ⚖️ 31.5 lb |
| I/O | 🔌 33 | 🔌 58 | 🔌 12 | 🔌 30 |
| Estimate | 💵 ~$799 | 💵 ~$4,499 | 💵 ~$999 | 💵 ~$2,999 |
| Deep dive | Current selection | Full comparison → | Full comparison → | Full comparison → |
06 · Resolve the questions that can change the purchase or build plan.
Short, source-backed answers surface rack fit, power, cabling, and connection details before they become surprises.
It occupies 3U. Its documented depth is 149 mm.
Typical draw is 30W and documented maximum draw is 30W.
33 documented physical ports, including IN 1, IN 2, IN 3, IN 4, IN 5, IN 6.
07 · See this unit inside a real rack plan.
08 · Related gear, in the order you may need it.
Planning guides for digital mixer systems.
Fundamentals · 6 min
A walking tour of the signal path from microphone to in-ear monitor, with what every box in the rack actually does to the audio along the way.
Fundamentals · 8 min
Why sealed IEMs make you feel disconnected from the room — and exactly how to put the audience back into your mix with one or two well-placed mics.
Workflow · 10 min
Step-by-step: linking aux buses into stereo pairs, pre-fader vs post-fader, routing buses to Ultranet vs physical XLRs vs AES50, and adding a bus-level limiter.
Networking · 9 min
A practical comparison of the three audio-over-network protocols you’ll encounter in a rack rig, with guidance on when each one is the right pick.