Netgear GS308 8-Port Switch
Netgear·Model GS308·netgear-gs308
Photos
Manufacturer product photography — the drawn faceplate above stays true to panel layout; these show the hardware itself.
About the Netgear GS308
The Netgear GS308 is another solid budget option for simple networking needs in a small audio rig. It provides eight gigabit ports in a metal desktop chassis that is compact enough to velcro inside a rack or place on a shelf. Like other unmanaged switches, it is plug-and-play with no configuration needed, making it ideal for basic device interconnection when you do not need advanced network management.
The Netgear GS308 is the unglamorous backbone of a small audio network — eight gigabit ports in a metal desktop chassis barely longer than your hand. In a live rig its job is straightforward: connect your console, stageboxThe I/O endpoint on stage: mics plug in there and one digital line (AES50, Dante) carries everything to the console. The snake, digitized., personal monitor controllers, and any networked playback or IEMIn-Ear Monitor — earpieces that replace floor wedges, feeding each player their own mix. The reason this whole rack exists. devices so they can all talk to each other. It is unmanaged, meaning there is no login page, no VLANVirtual LAN — slicing one physical switch into separate isolated networks, like keeping Dante away from lighting and guest WiFi. configuration, no quality-of-service tuning — you plug in cables and it works. For rigs where all your network traffic is already on a single protocol and you are not trying to segment anything, that simplicity is the whole point.
Eight ports sounds like plenty until load-in. Count carefully: console control surface, FOHFront Of House — the main mix the audience hears, and the console position out in the room where it gets mixed. laptop, monitor worldThe side-stage domain of the monitor engineer — console, IEM racks, and everything feeding the band’s ears instead of the audience. tablet, danteThe most common audio-over-network standard: dozens of channels of uncompressed digital audio down one ordinary Ethernet cable between Dante boxes.-enabled stageboxThe I/O endpoint on stage: mics plug in there and one digital line (AES50, Dante) carries everything to the console. The snake, digitized., wireless system manager — you can chew through ports faster than expected. At 4–5 watts draw and 0.3 kg, the GS308 contributes almost nothing to your power budget or case weight, which matters when you are already fighting every pound in a fly rig. The desktop form factor is the real operational consideration: this is not rack-mountable in the traditional sense, so you need a shelf or a velcro solution to keep it from rattling around inside the rack.
This switch belongs in a compact IEMIn-Ear Monitor — earpieces that replace floor wedges, feeding each player their own mix. The reason this whole rack exists. or playback rig where the entire network is one simple, flat architecture and budget is tight. At $22 it is hard to argue with for a rehearsal setup or a secondary rack where you just need connectivity. It is not the right call if you need to segment audio-over-IP traffic from control traffic, if you are running multiple protocols that benefit from managed QoSQuality of Service — switch settings that let time-critical packets (like Dante’s clock) jump the queue ahead of bulk traffic., or if you need the switch to live cleanly in a rack without a shelf eating up extra U space. For those situations, a managed switchA network switch you can configure — VLANs, QoS, IGMP — so audio traffic gets priority. Dante rigs beyond a few boxes want one. with proper rack earsThe flanges that bolt gear to the rack rails. Desktop boxes without them need a shelf, tray, or drawer to live in the case. is worth the investment.
In the rack
- Velcro the GS308 to the underside of a rack shelf rather than letting it sit loose — a cable snag mid-show will pull an unanchored switch right out of position.
- Count your ports before committing: eight sounds like enough, but label each connection at patch time so a fast swap in the dark doesn't mean unplugging the wrong device.
- Run the power brick outside the rack if possible, or secure it to the shelf with a cable tie — the wall-wart is the least elegant part of this unit and the most likely to cause a problem if it gets knocked.
- If you are mixing this into a rig with any audio-over-IP (DanteThe most common audio-over-network standard: dozens of channels of uncompressed digital audio down one ordinary Ethernet cable between Dante boxes., AVBAudio Video Bridging — open network audio (MOTU, PreSonus) where the switch reserves bandwidth so streams can’t glitch. Milan is its pro profile.), confirm that all your network devices share the same protocol and that traffic volume stays well within gigabit headroomThe margin between your normal level and where things clip — headroom is what absorbs the snare hit you didn’t see coming. — the GS308 has no tools to help you troubleshoot congestion if something goes wrong.
Unmanaged 8-port gigabit switch. Desktop form — requires rack shelf to mount.
I/O Ports (8)
| Port | Connector | Direction | Signal | Channels |
|---|---|---|---|---|
| Ethernet 1 | RJ45 | bidirectional | data | — |
| Ethernet 2 | RJ45 | bidirectional | data | — |
| Ethernet 3 | RJ45 | bidirectional | data | — |
| Ethernet 4 | RJ45 | bidirectional | data | — |
| Ethernet 5 | RJ45 | bidirectional | data | — |
| Ethernet 6 | RJ45 | bidirectional | data | — |
| Ethernet 7 | RJ45 | bidirectional | data | — |
| Ethernet 8 | RJ45 | bidirectional | data | — |
Requires
This component depends on the following gear to function in a typical rig:
Deciding between two?
Rack space, watts, weight and every connector, side by side.
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