How it works in the path
At 60mm deep and 1.8kg, this panel fits comfortably in a shallow touring rack without fighting for depth against your wireless gear or IEMIn-Ear Monitor — earpieces that replace floor wedges, feeding each player their own mix. The reason this whole rack exists. transmitters. Because it's purely passive, it sits anywhere in the rack without thermal or power-sequencing concerns. The practical math: 24 ports covers a typical six- or seven-piece band input list plus a handful of sends back to stage — mix busA path where multiple channels sum into one signal — mixes, groups, and mains are all buses. A 25-bus console can build 25 blends at once. outputs to floor wedgesA floor monitor speaker angled up at the performer — the thing IEMs replace, and the thing you fall back on when they die., click to drummer, talk-back return — with a few ports left over for playback stemsSub-mixes of a session grouped by instrument (drums, keys, vocals) — how playback rigs run tracks with live control over each group. or a commsProduction intercom — the wired or wireless party line connecting FOH, monitors, stage managers, and lighting during a show. channel. That headroomThe margin between your normal level and where things clip — headroom is what absorbs the snare hit you didn’t see coming. matters when production adds a track the morning of show.
