Samson S-patch Plus
Samson·Model S-patch Plus·samson-spatch-plus
About the Samson S-patch Plus
The Samson S-patch Plus offers 48 TRSTip-Ring-Sleeve — a 1/4″ jack with three contacts carrying a balanced signal or a stereo pair. A guitar plug with one extra ring. patch points with per-channel switchable normallingA patch bay default path: the top jack feeds the bottom with nothing plugged in. Inserting a cable breaks (full) or taps (half) that path., giving you a flexible and affordable patching solution. It competes directly with the Behringer PX3000 and offers a similar feature set at a comparable price. A good option for rigs where you want the convenience of a patch bayA panel of front-facing jacks wired to everything behind it — re-route any signal with a short cable instead of climbing behind the rack. without a significant investment.
A patch bayA panel of front-facing jacks wired to everything behind it — re-route any signal with a short cable instead of climbing behind the rack. earns its rack unitThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one. by turning a tangle of fixed wiring into a flexible, front-accessible signal matrixA routing grid that builds extra outputs from any mix of mixes or channels — fills, lobby, stream feeds — without touching the main mix.. The Samson S-patch Plus puts 48 TRSTip-Ring-Sleeve — a 1/4″ jack with three contacts carrying a balanced signal or a stereo pair. A guitar plug with one extra ring. quarter-inch points — 24 front, 24 rear — into a single 1U frame, with per-channel switchable normallingA patch bay default path: the top jack feeds the bottom with nothing plugged in. Inserting a cable breaks (full) or taps (half) that path. so you can configure each pair as normal, half-normal, or open. In a live rig, that means your standard signal flow runs silently through the rear connections until you need to interrupt or redirect it, at which point a patch cable does the work without touching the back of the rack.
At 130mm deep and 1.3kg, this sits comfortably in shallow touring racks without fighting for space, and drawing zero watts means it adds nothing to your power budget. The switchable normallingA patch bay default path: the top jack feeds the bottom with nothing plugged in. Inserting a cable breaks (full) or taps (half) that path. per channel is the practical headline: you can dedicate half the bay to through-connected gear — playback outputs to console inputs, for example — and leave the other half open for flexible send-and-return patching of in-ear monitors, effects, or commsProduction intercom — the wired or wireless party line connecting FOH, monitors, stage managers, and lighting during a show.. At $59, you're not buying Neutrik longevity, so connector wear over a long tour cycle is worth tracking, but for a rehearsal facility, a fly rig, or a semi-permanent installation it's a straightforward value proposition.
This bay makes sense for an engineer running a modest IEMIn-Ear Monitor — earpieces that replace floor wedges, feeding each player their own mix. The reason this whole rack exists. or playback rig who wants organized, front-accessible routing without spending on a Neve or Switchcraft panel. If you're in a road-heavy context with daily plug-and-unplug cycles on all 48 points, consider stepping up to a bay with more robust jack hardware — connector integrity is where budget patch baysA panel of front-facing jacks wired to everything behind it — re-route any signal with a short cable instead of climbing behind the rack. tend to show their limits first. If your normallingA patch bay default path: the top jack feeds the bottom with nothing plugged in. Inserting a cable breaks (full) or taps (half) that path. needs are simple and the rig lives in a fixed or lightly touring environment, the S-patch Plus does the job cleanly for a price that leaves budget for everything else.
In the rack
- Map your normallingA patch bay default path: the top jack feeds the bottom with nothing plugged in. Inserting a cable breaks (full) or taps (half) that path. switches before the rig leaves the shop — label each channel's mode (N/HN/open) on a strip of tape inside the rack door so anyone covering your position can troubleshoot without guessing.
- Route all rear connections before racking adjacent gear; 130mm depth is tight, and you lose easy access to the back once the bay is surrounded by deeper units.
- Use half-normal on your playback-to-console paths so you can mult the signal forward to a recording feed or test input without interrupting the main show flow.
- Inspect the front jacks after every few load-ins — budget TRSTip-Ring-Sleeve — a 1/4″ jack with three contacts carrying a balanced signal or a stereo pair. A guitar plug with one extra ring. connectors can develop contact issues from repeated insertion before you'd expect it, and catching a intermittent channel in soundcheck beats finding it mid-show.
48-point TRSTip-Ring-Sleeve — a 1/4″ jack with three contacts carrying a balanced signal or a stereo pair. A guitar plug with one extra ring. patch bayA panel of front-facing jacks wired to everything behind it — re-route any signal with a short cable instead of climbing behind the rack. with switchable normal/half-normal.
I/O Ports (2)
| Port | Connector | Direction | Signal | Channels |
|---|---|---|---|---|
| TRS 1-24 (Front) | TRS QUARTER | bidirectional | analog audio | 24 |
| TRS 1-24 (Rear) | TRS QUARTER | bidirectional | analog audio | 24 |
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