How it works in the path
The practical spec story is lean but solid. Dual BNCThe twist-lock coax connector used for word clock and antenna runs — it locks, so it can’t be pulled out mid-show. antenna inputs support an external active or passive antenna distributionOne pair of antennas feeding many receivers through an amplified splitter — replaces the forest of whips and keeps RF levels consistent. setup, so you're not locked into the stubs forever if your venue demands better coverage. The XLRThe standard 3-pin locking connector for mics and balanced line signals — pin 1 is the shield, pins 2 and 3 carry the balanced pair. output feeds any console mic preampThe gain stage that lifts a mic’s tiny signal up to line level — the first thing a signal hits, and a big part of how a console sounds. directly, and the quarter-inch TRSTip-Ring-Sleeve — a 1/4″ jack with three contacts carrying a balanced signal or a stereo pair. A guitar plug with one extra ring. jack gives you a backup path to a direct box or powered monitor in a pinch. At 5 watts typical draw with an 8-watt ceiling, it's nearly invisible on your power budget — you could run four of these before you've drawn as much as a single workstation. Automatic frequency management takes scan-and-sync off your pre-show checklist, which matters at a compressed load-in. The 200mm depth keeps it from crowding rear cable runs in shallower racks.












