Shure QLXD4 Single Digital Wireless Receiver
Shure·Model QLXD4·shure-qlxd4
Photos
Manufacturer product photography — the drawn faceplate above stays true to panel layout; these show the hardware itself.
About the Shure QLXD4
The Shure QLXD4 is the half-rackThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one., single-channel sibling to the ULXD4 line — same Shure digital audio quality, but one channel at a time and no native DanteThe most common audio-over-network standard: dozens of channels of uncompressed digital audio down one ordinary Ethernet cable between Dante boxes.. Popular on house-of-worship and mid-scale theatre rigs where analog outputs to a stage-box channel are the norm. Pair two in a 1U shelf for a dual-receiver half-width fit.
The QLXD4 is Shure's half-rackThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one., single-channel digital wireless receiver — the leaner sibling to the ULXD4, occupying half a rack unit when paired in a 1U mounting shelf. It handles one transmitter at a time and puts that signal out as analog audio, either via XLRThe standard 3-pin locking connector for mics and balanced line signals — pin 1 is the shield, pins 2 and 3 carry the balanced pair. or quarter-inch. That makes it the right tool for rigs where you're feeding discrete channels into a stageboxThe I/O endpoint on stage: mics plug in there and one digital line (AES50, Dante) carries everything to the console. The snake, digitized. or a console's local inputs rather than routing audio over a network. House-of-worship setups, mid-size theatre rigs, and corporate tour packages with a handful of wireless channels are the natural home here.
At 10 watts nominal draw with a 14-watt ceiling, two of these in a shelf barely register on your conditioner. The 295mm depth is worth noting — that's nearly a foot of chassis behind the rack earsThe flanges that bolt gear to the rack rails. Desktop boxes without them need a shelf, tray, or drawer to live in the case., so shallow touring cases won't work. Ethernet control means you can integrate it into Shure Wireless WorkbenchShure’s free RF-management software — scans the airwaves, calculates compatible frequencies, and monitors every receiver from a laptop. or WWB6 for frequency coordinationCalculating a set of wireless frequencies that won’t interfere with each other or local TV — the homework behind a clean RF night. and remote gainHow much the preamp amplifies the incoming signal. Too low and you’re hunting through hiss; too high and peaks clip., which matters when your wireless rack is behind a curtain or halfway across a stage. The analog-only outputs are the real operational constraint: every channel needs a discrete physical cable run back to the console. Plan your snakeA multicore cable bundling many channels into one stage-to-console run. A sub-snake collects one corner of the stage into a drop box. real estate accordingly.
If you're running two to four wireless channels on a predictable, site-specific install or a stable touring package that doesn't need networked audio, the QLXD4 is a sensible, cost-effective choice. If you're scaling past four channels, need DanteThe most common audio-over-network standard: dozens of channels of uncompressed digital audio down one ordinary Ethernet cable between Dante boxes. or AES67The interop standard that lets different audio-network flavors (Dante, Ravenna, Livewire) exchange streams on the same network., or want to consolidate audio over a single Cat6Standard network cable grades. In an audio rig one cheap Cat5e run can replace a 48-channel copper snake; AES50 wants it shielded. run, step up to the ULXD4 or ULXD4D — the infrastructure savings will outweigh the price difference quickly. Similarly, if you need two channels in one half-rackThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one. slot rather than two, look at the QLXD4D dual-channel variant before committing to a shelf build.
In the rack
- Use a Shure SHR-RACK1U half-rackThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one. mounting shelf to pair two QLXD4s in a single rack unit — buy the shelf before load-in, not the night of.
- Run antenna distributionOne pair of antennas feeding many receivers through an amplified splitter — replaces the forest of whips and keeps RF levels consistent. (like a Shure UA844+SWB) upstream of your QLXD4s rather than relying on the onboard BNCThe twist-lock coax connector used for word clock and antenna runs — it locks, so it can’t be pulled out mid-show. inputs with passive whipsThe stock quarter-wave stick antenna that screws straight onto a receiver — fine for a channel or two in a small room.; the QLXD4's front-panel antennas are convenient for bench use, not for a racked show rig.
- Connect the Ethernet port to a dedicated control switch on your rig's network and use Wireless WorkbenchShure’s free RF-management software — scans the airwaves, calculates compatible frequencies, and monitors every receiver from a laptop. to pre-coordinate frequencies before doors — remote gainHow much the preamp amplifies the incoming signal. Too low and you’re hunting through hiss; too high and peaks clip. trim from FOHFront Of House — the main mix the audience hears, and the console position out in the room where it gets mixed. during soundcheck saves you a stage walk every time a transmitter gets swapped.
- Budget one stageboxThe I/O endpoint on stage: mics plug in there and one digital line (AES50, Dante) carries everything to the console. The snake, digitized. channel per receiver and label the XLRThe standard 3-pin locking connector for mics and balanced line signals — pin 1 is the shield, pins 2 and 3 carry the balanced pair. tail at the receiver end and the stagebox end before the cable gets buried — analog-only systems have no self-documentation, and six identical black cables look identical at 1 a.m. strike.
Half-rackThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one. single-channel digital wireless receiver. Ethernet control, analog outs only.
I/O Ports (6)
| Port | Connector | Direction | Signal | Channels |
|---|---|---|---|---|
| XLR Out | XLR MALE | output | analog audio | — |
| 1/4" Out | TRS QUARTER | output | analog audio | — |
| Ethernet (control) | RJ45 | bidirectional | data | — |
| Antenna A (BNC) | BNC | input | antenna | — |
| Antenna B (BNC) | BNC | input | antenna | — |
- Power (IEC) (IEC C14)
Deciding between two?
Rack space, watts, weight and every connector, side by side.
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Why your wireless mics and IEMs need a frequency plan, what intermodulation means in practice, and how to coordinate channels for a clean show.
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