Sennheiser EM 500 G4 Wireless Mic Receiver
Sennheiser·Model EM 500 G4·sennheiser-em500-g4
Photos
Manufacturer product photography — the drawn faceplate above stays true to panel layout; these show the hardware itself.
About the Sennheiser EM 500 G4
The EM 500 G4 is the upgrade path from EM 300 G4: same half-rackThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one. form factor but doubled switching bandwidth (88 MHz) and broader-range tuning ideal for rigs that move between venues with shifting RFRadio Frequency — the wireless part of wireless. RF planning is why big rigs scan, coordinate, and combine antennas instead of hoping. spectrum. Same ports — XLRThe standard 3-pin locking connector for mics and balanced line signals — pin 1 is the shield, pins 2 and 3 carry the balanced pair. + 1/4" out, BNCThe twist-lock coax connector used for word clock and antenna runs — it locks, so it can’t be pulled out mid-show. antenna in A/B — so it drops into any Distro4-fed receiver rack without changing the wiring plan.
The EM 500 G4 is Sennheiser's mid-tier wireless receiver in the Evolution Wireless G4 line — a half-rackThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one., single-channel unit that slots into the same physical space and wiring plan as its sibling, the EM 300 G4. The meaningful upgrade here is bandwidth: 88 MHz of switching range versus the 300's 42 MHz, which matters the moment your rig starts moving between cities or into markets where the RFRadio Frequency — the wireless part of wireless. RF planning is why big rigs scan, coordinate, and combine antennas instead of hoping. landscape changes night to night. For a touring monitor rig or a production company running the same hardware across multiple clients and venues, that extra tuning headroomThe margin between your normal level and where things clip — headroom is what absorbs the snare hit you didn’t see coming. is the whole reason this receiver exists.
At 1UThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one. shared between two units and only 200 mm deep, the 500 G4 fits comfortably in a dense receiver rack fed by an antenna distroOne pair of antennas feeding many receivers through an amplified splitter — replaces the forest of whips and keeps RF levels consistent.. Both BNCThe twist-lock coax connector used for word clock and antenna runs — it locks, so it can’t be pulled out mid-show. inputs are there for true diversityA receiver with two antennas and two radio sections that continuously picks the stronger one — the difference between a dropout and a show., and the XLRThe standard 3-pin locking connector for mics and balanced line signals — pin 1 is the shield, pins 2 and 3 carry the balanced pair. output means you're going straight to a splitter, combinerThe transmit-side twin of a distro: merges several IEM transmitters into one antenna without letting them intermodulate., or console input without adapters at show time. Power draw sits at 6 W typical, topping out at 10 W — low enough that eight of these on a single distro isn't a thermal concern. The G4 platform's on-board RFRadio Frequency — the wireless part of wireless. RF planning is why big rigs scan, coordinate, and combine antennas instead of hoping. scanning and easy frequency coordinationCalculating a set of wireless frequencies that won’t interfere with each other or local TV — the homework behind a clean RF night. are well established; the 500 just gives you a wider canvas to work within when the scan comes back crowded.
Pick the 500 G4 if your work takes you into major metro venues, festival sites, or any situation where you can't guarantee clean spectrum in the 300's narrower window. If you're staff at a single fixed venue with a stable, well-mapped RFRadio Frequency — the wireless part of wireless. RF planning is why big rigs scan, coordinate, and combine antennas instead of hoping. environment, the 300 G4 will save you real money per channel with no practical penalty. Conversely, if you're running a large channel count on a dense touring rig and need maximum coordination headroomThe margin between your normal level and where things clip — headroom is what absorbs the snare hit you didn’t see coming., look at the G4 1000 or 2000 series before committing — the 500 is excellent, but its feature set stops short of the advanced networking and intermodulationIntermodulation — ghost frequencies created when transmitters mix in each other’s electronics. Why multi-channel wireless is calculated, not guessed. tools on the upper tier.
In the rack
- Pair two EM 500 G4 units in a single 1UThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one. rack slot using Sennheiser's GA 3 rack tray — they're designed for it, and it keeps your channel-per-rack-unit math clean when building out a 16- or 24-channel IEMIn-Ear Monitor — earpieces that replace floor wedges, feeding each player their own mix. The reason this whole rack exists. and wireless rack.
- The wider 88 MHz bandwidth only pays off if you actually scan and coordinate before doors. Build frequency coordinationCalculating a set of wireless frequencies that won’t interfere with each other or local TV — the homework behind a clean RF night. into your load-in checklist and run the scan with PA and lighting on — the 500 gives you room to find clean frequencies, but you still have to look.
- BNCThe twist-lock coax connector used for word clock and antenna runs — it locks, so it can’t be pulled out mid-show. antenna cables are where people cut corners and then chase phantomThe +48 V a console sends up the mic cable to power condenser mics and active DI boxes — invisible to gear that doesn’t need it. dropoutsA brief audio gap when the radio link fails — the thing diversity, distros, and coordination all exist to prevent. for an hour. Use low-loss coax appropriate to your distroOne pair of antennas feeding many receivers through an amplified splitter — replaces the forest of whips and keeps RF levels consistent. run length; the receiver is doing its job, but a degraded antenna signal erases the diversityA receiver with two antennas and two radio sections that continuously picks the stronger one — the difference between a dropout and a show. advantage entirely.
- Both XLRThe standard 3-pin locking connector for mics and balanced line signals — pin 1 is the shield, pins 2 and 3 carry the balanced pair. and 1/4" outputs are active simultaneously, so if your distroOne pair of antennas feeding many receivers through an amplified splitter — replaces the forest of whips and keeps RF levels consistent. or split sends the XLR to console and you need a local feed to a hop transmitter or a record feed, the 1/4" output is already there — no splitter required.
Half-rackThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one. EW 500 G4 receiver with wider switching bandwidth (88 MHz vs 42 MHz on 300).
I/O Ports (6)
| Port | Connector | Direction | Signal | Channels |
|---|---|---|---|---|
| XLR Out | XLR MALE | output | analog audio | — |
| 1/4" Out | TRS QUARTER | output | analog audio | — |
| Antenna A (BNC) | BNC | input | antenna | — |
| Antenna B (BNC) | BNC | input | antenna | — |
| Ethernet (RJ-45) | RJ45 | bidirectional | data | — |
- Power (DC) (DC BARREL)
Deciding between two?
Rack space, watts, weight and every connector, side by side.
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Guides from our library that cover planning around wireless mic gear.
Why sealed IEMs make you feel disconnected from the room — and exactly how to put the audience back into your mix with one or two well-placed mics.
Why your wireless mics and IEMs need a frequency plan, what intermodulation means in practice, and how to coordinate channels for a clean show.
When you need a combiner vs a distro, active vs passive, cable choice and length math, and how to scale a 4-pack rig into an 8 or 12-pack without intermod nightmares.

