01 · Source
38 documented inputs
XLR female + IEC C14
- Arrives as
- 38 documented inputs
- Connector
- XLR female + IEC C14
- Signal
- analog audio
Digital Mixer
Yamaha DM7
Yamaha DM7 120-channel Digital Mixer. Plan its source-defined physical connections and placement in your rig.
- Documented outputs
- 2020 destination connections
- Documented inputs
- 38Based on documented inputs
- Rack space
- Outside rackPlan a shelf, tray, or stage position
- Power draw
- 240WDocumented typical draw
- Catalog estimate
- ~$31,499.99Use retailer rows for current price and stock
01 · What it does—and what that changes in your rig.
Product overview
Start with the payoff, then work through how it functions, where it fits, and the details that change a real build.
The payoff
Digital Mixer decisions, organized around the whole rig.
Yamaha DM7 120-channel Digital Mixer. Plan its source-defined physical connections and placement in your rig.
- Documented outputs
- 2020 destination connections
- Documented inputs
- 38Based on documented inputs
- Rack space
- Outside rackPlan a shelf, tray, or stage position
02 · Know the whole path before you buy.
Signal path
Learn the route as a block diagram: source, product function, transport, and destination. Select any block to see what enters, what changes, and what leaves.
Interactive block diagramAuto-looping · hover, focus, or tap to hold a stage
Port-type signalProduct functionSystem boundary
Follow one signal from source to destination
01 · Source · selectedEach block answers the same three questions: what arrives, what changes here, and what leaves.
03 · What this product asks of the rest of the system.
Compatibility
Treat connector names as the start of the check—not the answer. These are the boundaries that determine a complete working path.
Best fit · Digital Mixer
Use it as digital mixer tracked outside rack rails; follow the manufacturer’s mounting and form-factor guidance.
Plan the companion path
Complete the path with upstream and downstream gear that matches connector, direction, signal type, protocol, and wiring standard.
Connector boundary
Documented connectors: ¼-inch TRS, XLR female, XLR male, IEC C14. Match connector, direction, and signal type—not shape alone.
04 · Every connector, grouped by job.
I/O ports
Switch the product view and the documented port inventory updates with it—hardware and data stay side by side.
Every connector, grouped by job.
Switch panels to keep the hardware view and the documented port list in sync.
| Port | Panel | Connector | Direction | Signal | Channels |
|---|---|---|---|---|---|
| STEREO HEADPHONES ·6.35MM | front | ¼-inch TRS | output | analog audio | — |
| ANALOG INPUT 24 | rear | XLR female | input | analog audio | — |
| ANALOG INPUT 32 | rear | XLR female | input | analog audio | — |
| ANALOG INPUT 23 | rear | XLR female | input | analog audio | — |
| ANALOG INPUT 31 | rear | XLR female | input | analog audio | — |
| ANALOG INPUT 22 | rear | XLR female | input | analog audio | — |
| ANALOG INPUT 30 | rear | XLR female | input | analog audio | — |
| ANALOG INPUT 21 | rear | XLR female | input | analog audio | — |
| ANALOG INPUT 29 | rear | XLR female | input | analog audio | — |
| ANALOG INPUT 20 | rear | XLR female | input | analog audio | — |
| ANALOG INPUT 28 | rear | XLR female | input | analog audio | — |
| ANALOG INPUT 19 | rear | XLR female | input | analog audio | — |
| ANALOG INPUT 27 | rear | XLR female | input | analog audio | — |
| ANALOG INPUT 18 | rear | XLR female | input | analog audio | — |
| ANALOG INPUT 26 | rear | XLR female | input | analog audio | — |
| ANALOG INPUT 17 | rear | XLR female | input | analog audio | — |
| ANALOG INPUT 25 | rear | XLR female | input | analog audio | — |
| ANALOG INPUT 8 | rear | XLR female | input | analog audio | — |
| ANALOG INPUT 16 | rear | XLR female | input | analog audio | — |
| ANALOG INPUT 7 | rear | XLR female | input | analog audio | — |
| ANALOG INPUT 15 | rear | XLR female | input | analog audio | — |
| ANALOG INPUT 6 | rear | XLR female | input | analog audio | — |
| ANALOG INPUT 14 | rear | XLR female | input | analog audio | — |
| ANALOG INPUT 5 | rear | XLR female | input | analog audio | — |
| ANALOG INPUT 13 | rear | XLR female | input | analog audio | — |
| ANALOG INPUT 4 | rear | XLR female | input | analog audio | — |
| ANALOG INPUT 12 | rear | XLR female | input | analog audio | — |
| ANALOG INPUT 3 | rear | XLR female | input | analog audio | — |
| ANALOG INPUT 11 | rear | XLR female | input | analog audio | — |
| ANALOG INPUT 2 | rear | XLR female | input | analog audio | — |
| ANALOG INPUT 10 | rear | XLR female | input | analog audio | — |
| ANALOG INPUT 1 | rear | XLR female | input | analog audio | — |
| ANALOG INPUT 9 | rear | XLR female | input | analog audio | — |
| OMNI OUTPUT 8 | rear | XLR male | output | analog audio | — |
| OMNI OUTPUT 16 | rear | XLR male | output | analog audio | — |
| OMNI OUTPUT 7 | rear | XLR male | output | analog audio | — |
| OMNI OUTPUT 15 | rear | XLR male | output | analog audio | — |
| OMNI OUTPUT 6 | rear | XLR male | output | analog audio | — |
| OMNI OUTPUT 14 | rear | XLR male | output | analog audio | — |
| OMNI OUTPUT 5 | rear | XLR male | output | analog audio | — |
| OMNI OUTPUT 13 | rear | XLR male | output | analog audio | — |
| OMNI OUTPUT 4 | rear | XLR male | output | analog audio | — |
| OMNI OUTPUT 12 | rear | XLR male | output | analog audio | — |
| OMNI OUTPUT 3 | rear | XLR male | output | analog audio | — |
| OMNI OUTPUT 11 | rear | XLR male | output | analog audio | — |
| OMNI OUTPUT 2 | rear | XLR male | output | analog audio | — |
| OMNI OUTPUT 10 | rear | XLR male | output | analog audio | — |
| OMNI OUTPUT 1 | rear | XLR male | output | analog audio | — |
| OMNI OUTPUT 9 | rear | XLR male | output | analog audio | — |
| AC IN B ·100–240V50/60Hz | rear | IEC C14 | input | power | — |
| AC IN A ·100–240V50/60Hz | rear | IEC C14 | input | power | — |
| AES/EBU OUT 3/4 | rear | XLR male | output | digital audio | — |
| AES/EBU IN 3/4 | rear | XLR female | input | digital audio | — |
| AES/EBU OUT 1/2 | rear | XLR male | output | digital audio | — |
| AES/EBU IN 1/2 | rear | XLR female | input | digital audio | — |
| TIME CODE INPUT | rear | XLR female | input | data | — |
| WORD CLOCK OUT | rear | bnc | output | data | — |
| WORD CLOCK IN | rear | bnc | input | data | — |
| GPI ·15-HOLE D-SUB ·5-IN/5-OUT | rear | db15 | bidirectional | data | — |
| DANTE PRIMARY | rear | etherCON | bidirectional | data | — |
| DANTE SECONDARY | rear | etherCON | bidirectional | data | — |
| USB TO HOST ·18×18 AUDIO / MIDI | rear | usb c | bidirectional | data | — |
| NETWORK ·REMOTE CONTROL | rear | RJ45 | bidirectional | data | — |
| USB-A STORAGE 1 | top | usb a | bidirectional | data | — |
| USB-A STORAGE 2 | top | usb a | bidirectional | data | — |
Showing 65 of 65 documented physical ports. Scroll to review the remaining rows.
05 · Compare the decision, not just the price.
Alternatives
The rows are organized around fit, power, I/O, and system role so a cheaper unit cannot hide a more expensive workflow.
| Compare | External unit |  |  |  |
|---|---|---|---|---|
| Fit | 📐 Outside rack | 📐 Outside rack | 📐 5U | 📐 Outside rack |
| Power | ⚡ 240W | ⚡ 120W | ⚡ 100W | ⚡ 120W |
| Weight | ⚖️ 51.8 lb | ⚖️ 45.4 lb | ⚖️ 31.5 lb | ⚖️ 55.1 lb |
| I/O | 🔌 65 | 🔌 83 | 🔌 30 | 🔌 84 |
| Estimate | 💵 ~$31,499.99 | 💵 ~$2,799 | 💵 ~$2,999 | 💵 ~$4,499 |
| Deep dive | Current selection | Full comparison → | Full comparison → | Full comparison → |
06 · Resolve the questions that can change the purchase or build plan.
Planning questions
Short, source-backed answers surface rack fit, power, cabling, and connection details before they become surprises.
Where does the Yamaha DM7 live in a complete rig?
The catalog assigns it no rack units. Builder tracks it as non-rack gear; follow the manufacturer’s mounting, case, and form-factor guidance.
How much power does the Yamaha DM7 draw?
Typical draw is 240W and documented maximum draw is 0W.
What connections does the Yamaha DM7 have?
65 documented physical ports, including STEREO HEADPHONES ·6.35MM, ANALOG INPUT 24, ANALOG INPUT 32, ANALOG INPUT 23, ANALOG INPUT 31, ANALOG INPUT 22.
07 · See this gear inside a complete system plan.
Builder preview
Builder keeps non-rack gear in the same bill of materials, budget, dependency, and connection plan as the rack-mounted system around it.Open in Builder08 · Related gear, in the order you may need it.
Complete the system
Digital Mixer
Behringer X32 Digital Mixer
Outside rack · 83 ports · ~$2,799Digital Mixer
Midas M32R Live Digital Console
5U · 30 ports · ~$2,999Digital Mixer
Midas M32 LIVE
Outside rack · 84 ports · ~$4,499
Digital Mixer
Behringer WING RACK
4U · 54 ports · ~$1,799
Digital Mixer
Midas MR18 Digital Mixer
3U · 33 ports · ~$799
Digital Mixer
Midas M32C
1U · 12 ports · ~$999Planning guides for digital mixer systems.
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