iConnectivity PlayAUDIO1U
iConnectivity·Model PlayAUDIO1U·playaudio1u
Photos
Manufacturer product photography — the drawn faceplate above stays true to panel layout; these show the hardware itself.
About the iConnectivity PlayAUDIO1U
The PlayAUDIO1U expands on the PlayAUDIO12 with a full 1UThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one. rack-mount form factor and additional I/O. It provides the same dual USB host failoverThe automatic switch to the backup when the primary dies — good failover is seamless enough that the audience never knows. that makes the PlayAUDIO12 a touring standard, but adds more outputs and routing flexibility for larger playback rigs. The extra headphone outputs allow independent monitoring for the playback engineer and musical director, and the additional MIDI ports handle more complex show control setups.
The PlayAUDIO1U is iConnectivity's rack-format answer to the question every playback engineer eventually asks: what happens to the show if my computer dies mid-set? It connects two host computers simultaneously over USB — typically a primary MacBook running the show and a backup machine sitting idle — and can switch between them without dropping audio to the outputs. That core failoverThe automatic switch to the backup when the primary dies — good failover is seamless enough that the audience never knows. architecture is what made the PlayAUDIO12 a touring standard, and the 1UThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one. takes the same idea into a proper rackmount chassis with ten analog outputs across five stereo pairs, four analog inputs, two headphone outputs, and four TRSTip-Ring-Sleeve — a 1/4″ jack with three contacts carrying a balanced signal or a stereo pair. A guitar plug with one extra ring. MIDI ports.
In practice, ten outputs means you can cover a serious playback split: stereo to FOHFront Of House — the main mix the audience hears, and the console position out in the room where it gets mixed., stereo to monitors, a click feed, a guide track feed, and still have a pair left for broadcast or recording. The two dedicated headphone outputs are genuinely useful — the playback op and the musical director can both monitor without sharing a single source or daisy-chaining a headphone amp. At 15 watts maximum draw and 180mm deep, it sits cleanly in a shallow touring rack. The TRSTip-Ring-Sleeve — a 1/4″ jack with three contacts carrying a balanced signal or a stereo pair. A guitar plug with one extra ring. MIDI ports use the TRS-A standard common in modern gear, so have your adapters sorted before load-in if you're patching into legacy 5-pin equipment.
This box belongs in any serious touring playback rig where redundancyA second copy of anything critical — supply, computer, network path — already running so one failure can’t stop the show. is non-negotiable and the show cannot stop. If you're running a single laptop for rehearsals or small club dates and failoverThe automatic switch to the backup when the primary dies — good failover is seamless enough that the audience never knows. isn't a priority, the price point is hard to justify — a simpler interface will do the job. Similarly, if your rig is primarily IEMIn-Ear Monitor — earpieces that replace floor wedges, feeding each player their own mix. The reason this whole rack exists. distribution and playback is a minor function, the output count here is more than you need. But if you're the person responsible for keeping the track running while something fails on a headline tour or a theatrical run, the PlayAUDIO1U is purpose-built for exactly that weight.
In the rack
- Label your USB cables at both ends — Host A is primary, Host B is backup — so anyone troubleshooting in the dark during a show knows exactly which machine to check first.
- Map your MIDI outputs before tech rehearsal: with two MIDI outs available, you can route show control to stage gear on one port and keep a separate line for in-ear or lighting cue triggers, avoiding merge conflicts entirely.
- The TRSTip-Ring-Sleeve — a 1/4″ jack with three contacts carrying a balanced signal or a stereo pair. A guitar plug with one extra ring. MIDI ports are 1/8-inch, not 5-pin DINThe round 5-pin connector classic MIDI uses — the original way synths, pedals, and playback rigs talk to each other. — pack at least two TRS-A to DIN adapters in your spares kit so you're not hunting at load-in when the stage boxThe I/O endpoint on stage: mics plug in there and one digital line (AES50, Dante) carries everything to the console. The snake, digitized. only has 5-pin returns.
- Run a short sanity-check failoverThe automatic switch to the backup when the primary dies — good failover is seamless enough that the audience never knows. drill during soundcheck, not during the show: confirm audio switches cleanly from Host A to Host B with your actual session files loaded, so you know your backup computer is genuinely ready and not just sitting there looking reassuring.
Dual-host USB audio + MIDI interface with failoverThe automatic switch to the backup when the primary dies — good failover is seamless enough that the audience never knows., 1UThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one. rack mount.
I/O Ports (23)
| Port | Connector | Direction | Signal | Channels |
|---|---|---|---|---|
| Output 1 L (TRS) | TRS QUARTER | output | analog audio | — |
| Output 1 R (TRS) | TRS QUARTER | output | analog audio | — |
| Output 2 L (TRS) | TRS QUARTER | output | analog audio | — |
| Output 2 R (TRS) | TRS QUARTER | output | analog audio | — |
| Output 3 L (TRS) | TRS QUARTER | output | analog audio | — |
| Output 3 R (TRS) | TRS QUARTER | output | analog audio | — |
| Output 4 L (TRS) | TRS QUARTER | output | analog audio | — |
| Output 4 R (TRS) | TRS QUARTER | output | analog audio | — |
| Output 5 L (TRS) | TRS QUARTER | output | analog audio | — |
| Output 5 R (TRS) | TRS QUARTER | output | analog audio | — |
| Input 1 (TRS) | TRS QUARTER | input | analog audio | — |
| Input 2 (TRS) | TRS QUARTER | input | analog audio | — |
| Input 3 (TRS) | TRS QUARTER | input | analog audio | — |
| Input 4 (TRS) | TRS QUARTER | input | analog audio | — |
| Headphone 1 (TRS) | TRS QUARTER | output | analog audio | — |
| Headphone 2 (TRS) | TRS QUARTER | output | analog audio | — |
| USB Host A | USB B | bidirectional | data | — |
| USB Host B | USB B | bidirectional | data | — |
| MIDI In 1 | TRS EIGHTH | input | data | — |
| MIDI In 2 | TRS EIGHTH | input | data | — |
| MIDI Out 1 | TRS EIGHTH | output | data | — |
| MIDI Out 2 | TRS EIGHTH | output | data | — |
- Power (IEC) (IEC C14)
Deciding between two?
Rack space, watts, weight and every connector, side by side.
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