Sennheiser AC 3200-II Antenna Combiner
Sennheiser·Model AC 3200-II·sennheiser-ac3200-ii
Photos
Manufacturer product photography — the drawn faceplate above stays true to panel layout; these show the hardware itself.
About the Sennheiser AC 3200-II
The Sennheiser AC 3200-II is the touring-standard active combinerThe transmit-side twin of a distro: merges several IEM transmitters into one antenna without letting them intermodulate., putting up to eight IEMIn-Ear Monitor — earpieces that replace floor wedges, feeding each player their own mix. The reason this whole rack exists. transmitters on a single antenna with headroomThe margin between your normal level and where things clip — headroom is what absorbs the snare hit you didn’t see coming. designed for high-power broadcast and arena use. Cascade ports let two units build a 16-channel system, and the robust RFRadio Frequency — the wireless part of wireless. RF planning is why big rigs scan, coordinate, and combine antennas instead of hoping. stages keep intermodIntermodulation — ghost frequencies created when transmitters mix in each other’s electronics. Why multi-channel wireless is calculated, not guessed. products down where cheaper combiners fold. If the monitor rack has a rack of SR 2050s in it, this is usually the box underneath them.
The AC 3200-II is the box that makes a full rack of IEMIn-Ear Monitor — earpieces that replace floor wedges, feeding each player their own mix. The reason this whole rack exists. transmitters share antennas without tearing each other apart. Its job is straightforward on paper — take up to eight transmitter outputs, combine them onto a single antenna feed — but the engineering behind that is anything but simple. Active combining at this density means the unit is doing real work to keep intermodulationIntermodulation — ghost frequencies created when transmitters mix in each other’s electronics. Why multi-channel wireless is calculated, not guessed. products suppressed, and Sennheiser has built the II revision around the headroomThe margin between your normal level and where things clip — headroom is what absorbs the snare hit you didn’t see coming. requirements of arena-scale RFRadio Frequency — the wireless part of wireless. RF planning is why big rigs scan, coordinate, and combine antennas instead of hoping. environments where cheaper passive splitters or lower-grade combinersThe transmit-side twin of a distro: merges several IEM transmitters into one antenna without letting them intermodulate. introduce noise floorsThe constant background hiss a device produces on its own. Everything you pass through it sits on top — lower is better. that eat into your link budget before the signal even reaches the stage.
One rack unitThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one., 380mm deep, drawing up to 35 watts — this thing is not subtle in the rack, and at 5kg it will remind you it exists when you're rolling cases. The cascade port architecture is the practical headline: two AC 3200-IIs chained together give you a 16-transmitter system on a single antenna pair, which covers most touring IEMIn-Ear Monitor — earpieces that replace floor wedges, feeding each player their own mix. The reason this whole rack exists. rigs without a second thought. That single BNCThe twist-lock coax connector used for word clock and antenna runs — it locks, so it can’t be pulled out mid-show. antenna output means your antenna placement decisions are made once, at the combinerThe transmit-side twin of a distro: merges several IEM transmitters into one antenna without letting them intermodulate., and every transmitter in the rack inherits the result — so getting good antennas on good cable with proper gain stagingSetting sensible levels at every step of the chain so nothing clips and nothing drowns in hiss — the unglamorous secret to clean mixes. upstream of this box matters enormously.
If you're running six or more IEMIn-Ear Monitor — earpieces that replace floor wedges, feeding each player their own mix. The reason this whole rack exists. transmitters on a serious touring or broadcast rig and you're already invested in Sennheiser's 2000 or 9000 series transmitters, this is the expected choice and the price reflects that pedigree. If you're running four channels at a regional theater or a club residency, the cost is hard to justify and a smaller combinerThe transmit-side twin of a distro: merges several IEM transmitters into one antenna without letting them intermodulate. will serve you. This is also not the box for mixed-manufacturer rigs where you're combining Shure and Sennheiser transmitters — the RFRadio Frequency — the wireless part of wireless. RF planning is why big rigs scan, coordinate, and combine antennas instead of hoping. impedanceOpposition to signal flow, in ohms. Low-impedance IEMs are easier to drive loud; mismatches shift level and tone. and power levels need to be matched, and you should treat this as a Sennheiser ecosystem component.
In the rack
- Plan your rack layout so the AC 3200-II sits directly below or above your transmitter row — shorter BNCThe twist-lock coax connector used for word clock and antenna runs — it locks, so it can’t be pulled out mid-show. jumpers between TX outputs and combinerThe transmit-side twin of a distro: merges several IEM transmitters into one antenna without letting them intermodulate. inputs mean less signal degradation and a cleaner cable dress under load-in pressure.
- If you're cascading two units for 16 channels, treat the cascade connection as a critical RFRadio Frequency — the wireless part of wireless. RF planning is why big rigs scan, coordinate, and combine antennas instead of hoping. path, not an afterthought — use a quality low-loss BNCThe twist-lock coax connector used for word clock and antenna runs — it locks, so it can’t be pulled out mid-show. cable of appropriate length and keep it away from power cables to avoid induced noise.
- Budget your antenna cable run carefully: the single output BNCThe twist-lock coax connector used for word clock and antenna runs — it locks, so it can’t be pulled out mid-show. is only as good as the cable feeding your antennas. High-loss cable to distant stage-lip antennas will undermine everything the combinerThe transmit-side twin of a distro: merges several IEM transmitters into one antenna without letting them intermodulate. does — use low-loss coax and add an in-line antenna amplifier if the run exceeds roughly 15–20 meters.
- Account for the 380mm depth when specifying your road case — this is a deeper-than-average 1UThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one. unit and will not fit in shallow cases sized for standard rack gear.
8:1 high-power active combinerThe transmit-side twin of a distro: merges several IEM transmitters into one antenna without letting them intermodulate. — the touring-grade IEMIn-Ear Monitor — earpieces that replace floor wedges, feeding each player their own mix. The reason this whole rack exists. antenna backbone.
I/O Ports (10)
| Port | Connector | Direction | Signal | Channels |
|---|---|---|---|---|
| TX 1 In | BNC | input | antenna | — |
| TX 2 In | BNC | input | antenna | — |
| TX 3 In | BNC | input | antenna | — |
| TX 4 In | BNC | input | antenna | — |
| TX 5 In | BNC | input | antenna | — |
| TX 6 In | BNC | input | antenna | — |
| TX 7 In | BNC | input | antenna | — |
| TX 8 In | BNC | input | antenna | — |
| Antenna Out | BNC | output | antenna | — |
- DC In (NT 12-125D) (DC BARREL)
Deciding between two?
Rack space, watts, weight and every connector, side by side.
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