How it works in the path
At 18 watts nominal draw, this unit is light on your power strip, and at 220mm deep it sits comfortably in a shallow tour rack without fighting your cable management. The two BNCThe twist-lock coax connector used for word clock and antenna runs — it locks, so it can’t be pulled out mid-show. antenna inputs are shared across both channels, so your antenna distributionOne pair of antennas feeding many receivers through an amplified splitter — replaces the forest of whips and keeps RF levels consistent. system needs only two feeds per ULXD4D — that's a real wiring simplification at load-in. The DanteThe most common audio-over-network standard: dozens of channels of uncompressed digital audio down one ordinary Ethernet cable between Dante boxes. port is the practical headline for networked rigs: you're routing both channels onto the network over a single EtherConAn Ethernet plug inside a rugged XLR-style locking shell — tour-grade network connections that can’t be yanked loose. run, which means no analog snakeA multicore cable bundling many channels into one stage-to-console run. A sub-snake collects one corner of the stage into a drop box. tails creeping back to a stageboxThe I/O endpoint on stage: mics plug in there and one digital line (AES50, Dante) carries everything to the console. The snake, digitized. if your console or I/O lives on the same Dante network. The analog XLRThe standard 3-pin locking connector for mics and balanced line signals — pin 1 is the shield, pins 2 and 3 carry the balanced pair. outputs remain available simultaneously, so hybrid rigs aren't locked out.












