Echte Rack-Komponenten für professionelle IEM- und Playback-Rigs. Jeder Eintrag enthält Anschlussdaten sowie Angaben zu Stromverbrauch und Gewicht. Klicke auf ein Modell, um Anschlüsse, Kompatibilität und verwandte Geräte zu sehen, oder öffne direkt den Planer, um ein Rig zu bauen.
Produktbeschreibung auf EnglischThe Galaxy Audio AS-1200T is the working-band budget pick for wireless ears: a half-rackThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one. stereo transmitter that ships with rack earsThe flanges that bolt gear to the rack rails. Desktop boxes without them need a shelf, tray, or drawer to live in the case., anten
Produktbeschreibung auf EnglischThe LD Systems MEI 1000 G2 is the European budget IEMIn-Ear Monitor — earpieces that replace floor wedges, feeding each player their own mix. The reason this whole rack exists. standard: a half-rackThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one. stereo transmitter with 96 selectable channels, limiterA compressor with a hard ceiling: nothing gets past the level you set. In an IEM rig it’s hearing protection as much as tone., and thr
Produktbeschreibung auf EnglischSennheiser's workhorse wireless IEMIn-Ear Monitor — earpieces that replace floor wedges, feeding each player their own mix. The reason this whole rack exists. transmitter offers dependable UHFThe TV-band radio range (roughly 470–608 MHz in the US) where serious wireless mics and IEMs live — better behaved than crowded 2.4 GHz. performance at a mid-range price point.
Produktbeschreibung auf EnglischThe Shure ADTD is the dual-channel transmitter of the Axient Digital PSM platform: two stereo IEMIn-Ear Monitor — earpieces that replace floor wedges, feeding each player their own mix. The reason this whole rack exists. channels of wideband digital RFRadio Frequency — the wireless part of wireless. RF planning is why big rigs scan, coordinate, and combine antennas instead of hoping. with DanteThe most common audio-over-network standard: dozens of channels of uncompressed digital audio down one ordinary Ethernet cable between Dante boxes.
Produktbeschreibung auf EnglischThe Shure ADTQ packs four stereo channels of Axient Digital PSM into a single rack space - the densest IEMIn-Ear Monitor — earpieces that replace floor wedges, feeding each player their own mix. The reason this whole rack exists. transmission Shure makes.
Produktbeschreibung auf EnglischThe flagship of Shure's IEMIn-Ear Monitor — earpieces that replace floor wedges, feeding each player their own mix. The reason this whole rack exists. lineup, the PSM1000 delivers broadcast-quality wireless monitoring with exceptional RFRadio Frequency — the wireless part of wireless. RF planning is why big rigs scan, coordinate, and combine antennas instead of hoping. performance and audio fid
Produktbeschreibung auf EnglischThe PSM200 is Shure's most affordable wireless IEMIn-Ear Monitor — earpieces that replace floor wedges, feeding each player their own mix. The reason this whole rack exists. system, providing a simple single-channel stereo mix in a half-rackThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one. transmitter.
Produktbeschreibung auf EnglischShure PSM300 P3TRA215CL Wireless In-ear Stereo Personal Monitor System - G20 Band.
Produktbeschreibung auf EnglischThe PSM900 sits in the sweet spot between the budget PSM300 and the flagship PSM1000, offering professional-grade audio quality and solid RFRadio Frequency — the wireless part of wireless. RF planning is why big rigs scan, coordinate, and combine antennas instead of hoping.
Produktbeschreibung auf EnglischThe Wisycom MTK952 is a premium IEMIn-Ear Monitor — earpieces that replace floor wedges, feeding each player their own mix. The reason this whole rack exists. transmitter favored on top-tier tours and broadcast productions where RFRadio Frequency — the wireless part of wireless. RF planning is why big rigs scan, coordinate, and combine antennas instead of hoping. performance is paramount.
Produktbeschreibung auf EnglischThe Wisycom MTK982 succeeds the MTK952 as the broadcast-grade dual IEMIn-Ear Monitor — earpieces that replace floor wedges, feeding each player their own mix. The reason this whole rack exists./IFBInterruptible FoldBack — a broadcast-style ear feed where a director can talk over the program audio when needed. transmitter: two stereo channels tunable across 230 MHz of spectr
Produktbeschreibung auf EnglischThe Xvive U4 is an ultra-compact wireless IEMIn-Ear Monitor — earpieces that replace floor wedges, feeding each player their own mix. The reason this whole rack exists. system that plugs directly into a mixer or headphone amp output without any rack mounting requ
Produktbeschreibung auf EnglischThe EK IEMIn-Ear Monitor — earpieces that replace floor wedges, feeding each player their own mix. The reason this whole rack exists. G4 bodypack is the receiver half of Sennheiser's mainstay analog IEM system.
Produktbeschreibung auf EnglischThe Shure ADXR is the bodypack half of Axient Digital PSM: true digital diversityA receiver with two antennas and two radio sections that continuously picks the stronger one — the difference between a dropout and a show. reception across a huge 166 MHz window, with the audio qua
Produktbeschreibung auf EnglischThe P9RA is the diversityA receiver with two antennas and two radio sections that continuously picks the stronger one — the difference between a dropout and a show. bodypack receiver paired with the PSM900 transmitter.
Produktbeschreibung auf EnglischThe P10R+ is the bodypack receiver that pairs with the PSM1000 transmitter, worn by performers to receive their monitor mix wirelessly.
Produktbeschreibung auf EnglischThe P3RA is the metal-bodied bodypack receiver for the PSM300 system.
Produktbeschreibung auf EnglischThe Wisycom MPR50-IEMIn-Ear Monitor — earpieces that replace floor wedges, feeding each player their own mix. The reason this whole rack exists. is a touring-grade bodypack receiver with an exceptionally wide tuning range and class-leading RFRadio Frequency — the wireless part of wireless. RF planning is why big rigs scan, coordinate, and combine antennas instead of hoping. performance.
Produktbeschreibung auf EnglischThe Audio-Technica ATW-3212 is a single-channel receiver from the 3000-series wireless line, paired with the matching bodypack or handheld t
Produktbeschreibung auf EnglischAudio-Technica ATW-3255 In-ear Monitor System.
Produktbeschreibung auf EnglischThe ATW-R3210 mic receiver brings Audio-Technica's 3000 Series performance to wireless vocal and lavalier applications, with network-enabled
Produktbeschreibung auf EnglischThe Audio-Technica ATW-R5220 is a high-end dual-channel wireless receiver from A-T's flagship 5000 Series, offering true diversityA receiver with two antennas and two radio sections that continuously picks the stronger one — the difference between a dropout and a show. reception
Produktbeschreibung auf EnglischBose Wireless Instrument Transmitter for S1 Pro+.
Produktbeschreibung auf EnglischBose XLRThe standard 3-pin locking connector for mics and balanced line signals — pin 1 is the shield, pins 2 and 3 carry the balanced pair. Wireless Mic/Line Transmitter for S1 Pro+.
Produktbeschreibung auf EnglischThe Sennheiser EM 300 G4 is the half-rackThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one. bodypack/handheld receiver in the Evolution Wireless G4 line — a single-channel receiver typically
Produktbeschreibung auf EnglischThe EM 500 G4 is the upgrade path from EM 300 G4: same half-rackThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one. form factor but doubled switching bandwidth (88 MHz) and broader-range tuni
Produktbeschreibung auf EnglischThe EW 300 G4-865-S pairs a condenser capsule handheld transmitter with the G4 receiver platform, delivering the brighter and more detailed
Produktbeschreibung auf EnglischThe EW 500 G4-935 is Sennheiser's professional-tier wireless vocal system with the dynamic e935 capsule, known for its warm and natural soun
Produktbeschreibung auf EnglischThe Sennheiser EW-D 835-S brings digital wireless clarity to the handheld mic world at an accessible price, with ultra-low 1.9ms latencyThe delay between sound entering and leaving a digital system. IEM rigs fight to keep the whole chain down to a few milliseconds. tha
Produktbeschreibung auf EnglischThe EW-D EM is Sennheiser's digital wireless rack receiver, paired with EW-D handheld or bodypack transmitters.
Produktbeschreibung auf EnglischThe EW-DX 835-S set pairs Sennheiser's EM 2 half-rackThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one. dual-channel digital receiver with two SKM-S handhelds carrying the workhorse MMD 835
Produktbeschreibung auf EnglischThe Sennheiser EW-DX EM 4 DanteThe most common audio-over-network standard: dozens of channels of uncompressed digital audio down one ordinary Ethernet cable between Dante boxes. is a four-channel digital wireless receiver with full Dante integration, the higher-end of the EW-DX line.
Produktbeschreibung auf EnglischSennheiser Spectera Base Station Wireless Transmitter/Receiver.
Produktbeschreibung auf EnglischThe Sennheiser XSW 1-835 brings Sennheiser vocal wireless under $350: a half-rackThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one. receiver with an e835-capsule handheld, automatic frequenc
Produktbeschreibung auf EnglischSennheiser XSW IEMIn-Ear Monitor — earpieces that replace floor wedges, feeding each player their own mix. The reason this whole rack exists. Wireless In-ear Monitoring System - A Band.
Produktbeschreibung auf EnglischShure AD4D Two-channel Digital Wireless Receiver.
Produktbeschreibung auf EnglischThe AD4D for wireless microphones provides the same flagship Axient Digital platform used for instruments, with Quadversity antenna combinin
Produktbeschreibung auf EnglischShure AD4Q Four-channel Axient Digital Wireless Receiver.
Produktbeschreibung auf EnglischShure QLXD4 Digital Wireless Receiver - G50 Band.
Produktbeschreibung auf EnglischShure SLXD1+ Wireless Bodypack Transmitter - G57 Band.
Produktbeschreibung auf EnglischShure SLXD14+ Wireless Guitar System - G57 Band.
Produktbeschreibung auf EnglischThe Shure SLXD4 is an entry-level digital wireless receiver that delivers surprisingly good audio quality for its price, with digital transm
Produktbeschreibung auf EnglischShure SLXD4+ Digital Wireless Receiver - G57 Band.
Produktbeschreibung auf EnglischThe Shure SLXD4D is a dual-channel digital wireless receiver that hits the sweet spot for theaters, regional touring, and houses of worship
Produktbeschreibung auf EnglischThe Shure SLXD4D puts two SLX-D receivers in a single full-rack unitThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one., providing an efficient and cost-effective way to deploy two wireless m
Produktbeschreibung auf EnglischShure SLXD4D+ Dual-channel Digital Wireless Receiver - G57 Band.
Produktbeschreibung auf EnglischShure SLXD4Q+ Quad Wireless Receiver - G57 Band.
Produktbeschreibung auf EnglischShure SLXD4QDAN+ Quad Wireless Receiver with DanteThe most common audio-over-network standard: dozens of channels of uncompressed digital audio down one ordinary Ethernet cable between Dante boxes. - G57 Band.
Produktbeschreibung auf EnglischShure ULXD4 Digital Wireless Receiver - G50 Band.
Produktbeschreibung auf EnglischThe ULXD4 wireless mic receiver delivers professional 24-bit digital audio with AES-256 encryption for secure wireless transmission in corpo
Produktbeschreibung auf EnglischShure ULXD4D Wireless Digital Receiver - G57 Band.
Produktbeschreibung auf EnglischThe Shure ULXD4D packs two full digital wireless channels into 1UThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one., with DanteThe most common audio-over-network standard: dozens of channels of uncompressed digital audio down one ordinary Ethernet cable between Dante boxes.-networked outputs in addition to analog XLRThe standard 3-pin locking connector for mics and balanced line signals — pin 1 is the shield, pins 2 and 3 carry the balanced pair. and 1/4" — rack tw
Produktbeschreibung auf EnglischThe ULXD4D dual-channel mic receiver packs two ULX-D channels into a single rack unitThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one. with native DanteThe most common audio-over-network standard: dozens of channels of uncompressed digital audio down one ordinary Ethernet cable between Dante boxes. output, streamlining integration int
Produktbeschreibung auf EnglischShure ULXD4Q Wireless Digital Receiver - G57 Band.
Produktbeschreibung auf EnglischShure ULXD4Q Wireless Digital Receiver - G57 Band.
Produktbeschreibung auf EnglischThe Wisycom MCR54 is a premium quad-channel wideband receiver used in the most demanding broadcast and touring environments worldwide.
Produktbeschreibung auf EnglischXvive A58 Transmitter for A58 Guitar Wireless System.
Produktbeschreibung auf EnglischThe Audio-Technica ATW-R3210 is a network-enabled true diversityA receiver with two antennas and two radio sections that continuously picks the stronger one — the difference between a dropout and a show. UHFThe TV-band radio range (roughly 470–608 MHz in the US) where serious wireless mics and IEMs live — better behaved than crowded 2.4 GHz. receiver with DanteThe most common audio-over-network standard: dozens of channels of uncompressed digital audio down one ordinary Ethernet cable between Dante boxes. output capability, making it a versatile option for
Produktbeschreibung auf EnglischThe Line 6 Relay G55 operates on 2.4GHz digital wireless, avoiding the increasingly crowded UHFThe TV-band radio range (roughly 470–608 MHz in the US) where serious wireless mics and IEMs live — better behaved than crowded 2.4 GHz. spectrum entirely.
Produktbeschreibung auf EnglischThe Sennheiser EW 300 G4-CI1 is a solid mid-range wireless instrument system with true diversityA receiver with two antennas and two radio sections that continuously picks the stronger one — the difference between a dropout and a show. UHFThe TV-band radio range (roughly 470–608 MHz in the US) where serious wireless mics and IEMs live — better behaved than crowded 2.4 GHz. reception and Sennheiser's well-proven
Produktbeschreibung auf EnglischThe EW 500 G4-CI1 steps up from the 300 series with enhanced RFRadio Frequency — the wireless part of wireless. RF planning is why big rigs scan, coordinate, and combine antennas instead of hoping. stability and extended operating range, making it better suited for larger s
Produktbeschreibung auf EnglischThe Sennheiser EW-D CI1 brings digital wireless to the instrument market at an accessible price point, with ultra-low 1.9ms latencyThe delay between sound entering and leaving a digital system. IEM rigs fight to keep the whole chain down to a few milliseconds. that is
Produktbeschreibung auf EnglischThe Shure AD4D is the pinnacle of wireless guitar reception, offering Axient Digital's full feature set including Quadversity antenna combin
Produktbeschreibung auf EnglischThe Shure GLXD4R+ is a rack-mountable digital wireless guitar receiver operating on dual 2.4GHz and 5.8GHz bands for enhanced reliability in
Produktbeschreibung auf EnglischThe Shure ULXD4D puts two ULX-D receivers in a single full-rack unitThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one., halving the rack space needed for multi-channel wireless guitar or ins
Produktbeschreibung auf EnglischXvive A58 Wireless Guitar System - 5.8 GHz.
Produktbeschreibung auf EnglischXvive A58 Wireless Guitar System - Rosewood.
Produktbeschreibung auf EnglischXvive A58 Wireless Guitar System - Sunburst.
Produktbeschreibung auf EnglischThe Audio-Technica ATW-DA49a distributes a diversityA receiver with two antennas and two radio sections that continuously picks the stronger one — the difference between a dropout and a show. antenna pair to four receivers across a very wide 470-950 MHz range, covering the 3000/
Produktbeschreibung auf EnglischThe Professional Wireless GX8 is the gold standard for antenna combining on major touring productions, trusted by RFRadio Frequency — the wireless part of wireless. RF planning is why big rigs scan, coordinate, and combine antennas instead of hoping. coordinators worldwide.
Produktbeschreibung auf EnglischRFRadio Frequency — the wireless part of wireless. RF planning is why big rigs scan, coordinate, and combine antennas instead of hoping. Venue's COMBINE4 is a brand-agnostic active antenna combinerThe transmit-side twin of a distro: merges several IEM transmitters into one antenna without letting them intermodulate. that merges four transmitter outputs into one antenna feed.
Produktbeschreibung auf EnglischThe RFRadio Frequency — the wireless part of wireless. RF planning is why big rigs scan, coordinate, and combine antennas instead of hoping. Venue COMBINE6 HDR squeezes a six-input IEMIn-Ear Monitor — earpieces that replace floor wedges, feeding each player their own mix. The reason this whole rack exists. transmitter combinerThe transmit-side twin of a distro: merges several IEM transmitters into one antenna without letting them intermodulate. into half a rack space, with high dynamic rangeThe span between a device’s noise floor and its clipping point — the room between the quietest and loudest sounds it can pass. RF stages built for
Produktbeschreibung auf EnglischRFRadio Frequency — the wireless part of wireless. RF planning is why big rigs scan, coordinate, and combine antennas instead of hoping. Venue COMBINE8 8-channel Antenna CombinerThe transmit-side twin of a distro: merges several IEM transmitters into one antenna without letting them intermodulate..
Produktbeschreibung auf EnglischRFRadio Frequency — the wireless part of wireless. RF planning is why big rigs scan, coordinate, and combine antennas instead of hoping. Venue DISTRO4 Antenna DistributionOne pair of antennas feeding many receivers through an amplified splitter — replaces the forest of whips and keeps RF levels consistent. System.
Produktbeschreibung auf EnglischThe RFRadio Frequency — the wireless part of wireless. RF planning is why big rigs scan, coordinate, and combine antennas instead of hoping. Venue DISTRO5 HDR feeds five diversityA receiver with two antennas and two radio sections that continuously picks the stronger one — the difference between a dropout and a show. receiver pairs from one antenna pair in half a rack space, with DC power distribution for the
Produktbeschreibung auf EnglischThe DISTRO9 HDR is RFRadio Frequency — the wireless part of wireless. RF planning is why big rigs scan, coordinate, and combine antennas instead of hoping. Venue's flagship antenna distributionOne pair of antennas feeding many receivers through an amplified splitter — replaces the forest of whips and keeps RF levels consistent. system, offering nine outputs with exceptional dynamic rangeThe span between a device’s noise floor and its clipping point — the room between the quietest and loudest sounds it can pass. that handles dense
Produktbeschreibung auf EnglischThe Sennheiser AC 3200-II is the touring-standard active combinerThe transmit-side twin of a distro: merges several IEM transmitters into one antenna without letting them intermodulate., putting up to eight IEMIn-Ear Monitor — earpieces that replace floor wedges, feeding each player their own mix. The reason this whole rack exists. transmitters on a single antenna with headroomThe margin between your normal level and where things clip — headroom is what absorbs the snare hit you didn’t see coming. de
Produktbeschreibung auf EnglischThe Sennheiser AC 41-US combines four IEMIn-Ear Monitor — earpieces that replace floor wedges, feeding each player their own mix. The reason this whole rack exists. transmitter outputs onto one antenna, the standard move once an evolution wireless G4 monitor rack
Produktbeschreibung auf EnglischThe ASA 1/NT is Sennheiser's higher-capacity antenna splitter with eight outputs per side and built-in Ethernet for remote monitoring via Se
Produktbeschreibung auf EnglischThe ASA 214 is Sennheiser's entry-level antenna distributionOne pair of antennas feeding many receivers through an amplified splitter — replaces the forest of whips and keeps RF levels consistent. solution, designed specifically for their Evolution Wireless and 2000 series re
Produktbeschreibung auf EnglischThe Sennheiser EW-D ASA is the current-generation antenna splitter for Evolution Wireless Digital, feeding four EW-D or EW-DX receivers from
Produktbeschreibung auf EnglischThe AD616 is purpose-built for Shure's Axient Digital wireless platform, providing six-way antenna distributionOne pair of antennas feeding many receivers through an amplified splitter — replaces the forest of whips and keeps RF levels consistent. with integrated ShowLink sup
Produktbeschreibung auf EnglischShure PA411 Antenna CombinerThe transmit-side twin of a distro: merges several IEM transmitters into one antenna without letting them intermodulate. for PSM 300 Series Wireless.
Produktbeschreibung auf EnglischThe PA421B lets you combine up to four IEMIn-Ear Monitor — earpieces that replace floor wedges, feeding each player their own mix. The reason this whole rack exists. transmitter RFRadio Frequency — the wireless part of wireless. RF planning is why big rigs scan, coordinate, and combine antennas instead of hoping. outputs into a single antenna, dramatically reducing the number of antennas needed
Produktbeschreibung auf EnglischThe PA821A is the larger sibling of the PA421A, combining eight IEMIn-Ear Monitor — earpieces that replace floor wedges, feeding each player their own mix. The reason this whole rack exists. transmitter outputs into a single antenna pair with active filtering to
Produktbeschreibung auf EnglischThe Shure UA221 is the simplest way to share one antenna pair between two receivers: a passive two-way splitter with no power required, sold
Produktbeschreibung auf EnglischShure UA844+SWB - 5-way Active Antenna Splitter and Power Distribution System.
Produktbeschreibung auf EnglischThe UA845+SWB is the standard antenna distributionOne pair of antennas feeding many receivers through an amplified splitter — replaces the forest of whips and keeps RF levels consistent. unit for Shure PSM and ULX-D wireless systems, splitting a single antenna pair to feed up
Produktbeschreibung auf EnglischThe Wisycom MAT288 is a top-tier antenna matrixA routing grid that builds extra outputs from any mix of mixes or channels — fills, lobby, stream feeds — without touching the main mix. that combines and distributes RFRadio Frequency — the wireless part of wireless. RF planning is why big rigs scan, coordinate, and combine antennas instead of hoping. for both IEMIn-Ear Monitor — earpieces that replace floor wedges, feeding each player their own mix. The reason this whole rack exists. transmitters and wireless mic receivers simult
Produktbeschreibung auf EnglischThe CP Beam is a high-gainHow much the preamp amplifies the incoming signal. Too low and you’re hunting through hiss; too high and peaks clip. helicalA directional antenna (paddle, LPDA, helical) aimed at the stage — focuses coverage where the performers are and rejects RF from elsewhere. that folds flat like a camp chair — 9 dBd of directional punch that collapses into a rack drawer at load-
Produktbeschreibung auf EnglischThe DiversityA receiver with two antennas and two radio sections that continuously picks the stronger one — the difference between a dropout and a show. Architectural is RFRadio Frequency — the wireless part of wireless. RF planning is why big rigs scan, coordinate, and combine antennas instead of hoping. Venue's answer to rooms where a paddleA directional antenna (paddle, LPDA, helical) aimed at the stage — focuses coverage where the performers are and rejects RF from elsewhere. on a mic stand is one tripod too many: a slim, paintable square tha
Produktbeschreibung auf EnglischThe RFRadio Frequency — the wireless part of wireless. RF planning is why big rigs scan, coordinate, and combine antennas instead of hoping. Venue DiversityA receiver with two antennas and two radio sections that continuously picks the stronger one — the difference between a dropout and a show. Fin is the shark-fin-shaped fix for dropoutA brief audio gap when the radio link fails — the thing diversity, distros, and coordination all exist to prevent.: instead of two identical paddlesA directional antenna (paddle, LPDA, helical) aimed at the stage — focuses coverage where the performers are and rejects RF from elsewhere., it stacks a vertical LPDA and a horizo
Produktbeschreibung auf EnglischThe A 1031-U is Sennheiser's workhorse remote antenna: a passive omnidirectional blade that gets the receive point off the rack rear and up
Produktbeschreibung auf EnglischThe A 2003-UHFThe TV-band radio range (roughly 470–608 MHz in the US) where serious wireless mics and IEMs live — better behaved than crowded 2.4 GHz. was the standard Sennheiser paddleA directional antenna (paddle, LPDA, helical) aimed at the stage — focuses coverage where the performers are and rejects RF from elsewhere. for two decades — the flat directional antenna hanging over half the world's monitor rigs,
Produktbeschreibung auf EnglischThe AD 3700 is Sennheiser's flagship receive paddleA directional antenna (paddle, LPDA, helical) aimed at the stage — focuses coverage where the performers are and rejects RF from elsewhere.: a wideband directional antenna with the AB 3700 booster built into the housing, so long
Produktbeschreibung auf EnglischThe ADP UHFThe TV-band radio range (roughly 470–608 MHz in the US) where serious wireless mics and IEMs live — better behaved than crowded 2.4 GHz. is the current Sennheiser passive directional — the paddleA directional antenna (paddle, LPDA, helical) aimed at the stage — focuses coverage where the performers are and rejects RF from elsewhere. designed alongside Evolution Wireless Digital, with a huge 470–1075 M
Produktbeschreibung auf EnglischShowLink wireless control access point for compatible Shure Axient systems.
Produktbeschreibung auf EnglischThe HA-8089 is the clear plastic corkscrew on every arena IEMIn-Ear Monitor — earpieces that replace floor wedges, feeding each player their own mix. The reason this whole rack exists. rig: a helicalA directional antenna (paddle, LPDA, helical) aimed at the stage — focuses coverage where the performers are and rejects RF from elsewhere. antenna built by Professional Wireless Systems and sold through
Produktbeschreibung auf EnglischThe PA805SWB is the transmit half of a serious PSM rig: hang it downstage of the band, feed it from a PA821 combinerThe transmit-side twin of a distro: merges several IEM transmitters into one antenna without letting them intermodulate., and every beltpack on
Produktbeschreibung auf EnglischThe UA860SWB is the antenna you reach for when the rack lives backstage: a passive omnidirectional whipThe stock quarter-wave stick antenna that screws straight onto a receiver — fine for a channel or two in a small room. that moves the receive point out of
Produktbeschreibung auf EnglischThe UA874 is the standard Shure paddleA directional antenna (paddle, LPDA, helical) aimed at the stage — focuses coverage where the performers are and rejects RF from elsewhere. for remote-mounting receive antennas: a directional log-periodic array with a built-in amplifier whos
Produktbeschreibung auf EnglischThe Allen & Heath Avantis is a 64-channel digital console that combines the SQ-series mix engine with a gigaACE network connection to A&H's
Produktbeschreibung auf EnglischAllen & Heath CQ-12T 10-channel Digital Mixer.
Produktbeschreibung auf EnglischAllen & Heath CQ-20B 20-channel Rackmounted Digital Mixer.
Produktbeschreibung auf EnglischThe Allen & Heath dLive C2500 is the mid-size control surface in the dLive C-class line — 28 faders across 3 banks plus a 12" capacitive tou
Produktbeschreibung auf EnglischThe dLive DM48 is the touring-grade mixrack at the heart of a dLive system — 64 channels of XCVI processing, 64 mic preampsThe gain stage that lifts a mic’s tiny signal up to line level — the first thing a signal hits, and a big part of how a console sounds., 32 XLRThe standard 3-pin locking connector for mics and balanced line signals — pin 1 is the shield, pins 2 and 3 carry the balanced pair. outputs,
Produktbeschreibung auf EnglischThe dLive DM64 is the largest S Class MixRack: 64 mic/line inputs, 32 line outputs and the 128-input / 64-bus XCVI processing engine in a 10
Produktbeschreibung auf EnglischThe Allen & Heath dLive S5000 is the S-class flagship surface — 28 faders across 4 banks plus twin 12" capacitive touchscreens, on a heavier
Produktbeschreibung auf EnglischAllen & Heath Qu-SB 16-channel Portable Digital Mixer.
Produktbeschreibung auf EnglischThe Allen & Heath SQ-5 is a professional-grade digital mixer with 48 channels, 36 busesA path where multiple channels sum into one signal — mixes, groups, and mains are all buses. A 25-bus console can build 25 blends at once., and an intuitive touchscreen interface that handles
Produktbeschreibung auf EnglischThe Allen & Heath SQ-7 is the largest of the SQ-series consoles, with 32 motorized faders and the same 48-channel mix engine as its smaller
Produktbeschreibung auf EnglischAllen & Heath SQ-Rack Digital Rackmount Mixer.
Produktbeschreibung auf EnglischThe Avid VENUE S6L-32D is a 32-fader live console surface, the control layer for an Avid VENUE | S6L system.
Produktbeschreibung auf EnglischBehringer WING Rack 48-channel Digital Mixer.
Produktbeschreibung auf EnglischBehringer X Air XR12 12-channel Tablet-controlled Digital Mixer.
Produktbeschreibung auf EnglischBehringer X Air XR18 18-channel Tablet-controlled Digital Mixer.
Produktbeschreibung auf EnglischBehringer X32 40-channel Digital Mixer.
Produktbeschreibung auf EnglischThe DiGiCo Quantum 338 is a flagship-class digital console built for the largest touring productions.
Produktbeschreibung auf EnglischThe DiGiCo SD12 is the working-class flagship in DiGiCo's SD line — 72 inputs, 36 outputs, dual 17" touchscreens, and the Stealth Digital Pr
Produktbeschreibung auf EnglischThe DiGiCo SD9 is the entry-point to the SD ecosystem — 48 inputs, 16 outputs, single 15" touchscreen, and one MADIA pro digital format carrying 64 channels on one coax or optical cable. Point-to-point — one sender, one receiver, no network required. port (with an optical op
Produktbeschreibung auf EnglischMackie DL16SE 16-channel Rackmount Digital Mixer.
Produktbeschreibung auf EnglischMackie DL32SE 32-channel Rackmount Digital Mixer.
Produktbeschreibung auf EnglischMidas MR18 18-channel Tablet-controlled Digital Mixer.
Produktbeschreibung auf EnglischMidas M32 LIVE 40-channel Digital Mixer.
Produktbeschreibung auf EnglischMidas M32C 40-channel Digital Rackmount Mixer.
Produktbeschreibung auf EnglischThe Midas M32R Live is the rack-mountable, 16-fader sibling of the flagship M32 console.
Produktbeschreibung auf EnglischThe PreSonus StudioLive 16R is a triple-duty 1UThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one.: a 16-preampThe gain stage that lifts a mic’s tiny signal up to line level — the first thing a signal hits, and a big part of how a console sounds. digital rack mixer, an AVBAudio Video Bridging — open network audio (MOTU, PreSonus) where the switch reserves bandwidth so streams can’t glitch. Milan is its pro profile. stage boxThe I/O endpoint on stage: mics plug in there and one digital line (AES50, Dante) carries everything to the console. The snake, digitized. for a StudioLive console, and an 18x18 USB
Produktbeschreibung auf EnglischPreSonus StudioLive 24R 24-channel Rackmount Digital Mixer.
Produktbeschreibung auf EnglischThe PreSonus StudioLive 32R is the flagship R-series rack mixer: 32 preampsThe gain stage that lifts a mic’s tiny signal up to line level — the first thing a signal hits, and a big part of how a console sounds., 64x64 USB, AVBAudio Video Bridging — open network audio (MOTU, PreSonus) where the switch reserves bandwidth so streams can’t glitch. Milan is its pro profile. networking, and onboard SD multitrack in 2UThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one..
Produktbeschreibung auf EnglischA 32-channel analog in-line console that sits on a desk or stand, not in a rack.
Produktbeschreibung auf EnglischThe Soundcraft Vi3000 is a touring-grade console with the Vistonics II rotary-knob-on-screen surface that's become signature to the Vi line.
Produktbeschreibung auf EnglischThe Yamaha CL5 is the flagship of Yamaha's CL series and a workhorse on touring ridersThe document attached to a booking that lists what the band needs — inputs, monitors, power, backline (and the green-room snacks). and theater installs.
Produktbeschreibung auf EnglischYamaha DM3-D 22-channel Digital Mixer with DanteThe most common audio-over-network standard: dozens of channels of uncompressed digital audio down one ordinary Ethernet cable between Dante boxes..
Produktbeschreibung auf EnglischYamaha DM7 120-channel Digital Mixer.
Produktbeschreibung auf EnglischThe Yamaha QL5 is the larger of Yamaha's QL-series digital consoles, a long-running staple of touring and theater rigs.
Produktbeschreibung auf EnglischThe Yamaha CSD-R7 is the integrated, all-in-one version of Yamaha's Rivage PM flagship console — 144 inputs, 72 outputs, and the DSPDigital Signal Processing — the number-crunching that does EQ, compression, and effects inside a box. More DSP means more processing at once. engine
Produktbeschreibung auf EnglischYamaha TF-Rack 40-channel Digital Rackmount Mixer.
Produktbeschreibung auf EnglischAlesis MultiMix 10 Wireless Rackmount Mixer with Bluetooth.
Produktbeschreibung auf EnglischART MX622BT 6-channel Stereo Mixer with Bluetooth.
Produktbeschreibung auf EnglischART MX821S Rackmount Mic/Line Mixer.
Produktbeschreibung auf EnglischBehringer Eurorack Pro RX1202FX Rackmount Mixer with Effects.
Produktbeschreibung auf EnglischBehringer RX1602 V2 Rackmount Line Mixer.
Produktbeschreibung auf EnglischMackie ProFX12v3 12-channel Mixer with USB and Effects.
Produktbeschreibung auf EnglischMackie ProFX16v3 16-channel Mixer with USB and Effects.
Produktbeschreibung auf EnglischViolet Audio dMix 128 Digital Rack Mixer.
Produktbeschreibung auf EnglischYamaha MG12XU 12-channel Mixer with USB and Effects.
Produktbeschreibung auf EnglischApogee Symphony I/O Mk II 16x16 SE Thunderbolt 3 Audio Interface.
Produktbeschreibung auf EnglischApogee Symphony I/O Mk II 16x24 SE Thunderbolt 3/Pro Tools HD/DanteThe most common audio-over-network standard: dozens of channels of uncompressed digital audio down one ordinary Ethernet cable between Dante boxes. Audio Interface.
Produktbeschreibung auf EnglischApogee Symphony I/O Mk II 32x32 SE Thunderbolt 3 Audio Interface.
Produktbeschreibung auf EnglischApogee Symphony I/O Mk II 32x32 SE Thunderbolt 3/Pro Tools HD Audio Interface.
Produktbeschreibung auf EnglischApogee Symphony I/O Mk II 8x8 Thunderbolt 3 Audio Interface.
Produktbeschreibung auf EnglischApogee Symphony Studio 2 x 12 Audio Interface with Immersive Mixing & Playback.
Produktbeschreibung auf EnglischApogee Symphony Studio 8x16 Audio Interface with Immersive Mixing & Playback.
Produktbeschreibung auf EnglischApogee Symphony Studio 8 x 8 Audio Interface.
Produktbeschreibung auf EnglischArturia AudioFuse 16Rig USB Audio Interface.
Produktbeschreibung auf EnglischArturia AudioFuse X8 IN 8-channel Input Expander.
Produktbeschreibung auf EnglischAudient iD14 10 x 6 USB-C Audio Interface.
Produktbeschreibung auf EnglischAudient iD24 10 x 14 USB-C Audio Interface.
Produktbeschreibung auf EnglischAudient iD44 MKII 20 x 24 USB Audio Interface.
Produktbeschreibung auf EnglischAudient iD48 USB-C Audio Interface.
Produktbeschreibung auf EnglischAvid MTRX Studio 16x16 Audio Interface.
Produktbeschreibung auf EnglischBehringer U-Phoria UM2 USB Audio Interface.
Produktbeschreibung auf EnglischBehringer U-Phoria UMC1820 USB Audio Interface.
Produktbeschreibung auf EnglischBehringer ADA8200 8-channel Microphone PreampThe gain stage that lifts a mic’s tiny signal up to line level — the first thing a signal hits, and a big part of how a console sounds..
Produktbeschreibung auf EnglischBehringer X Air XR16 16-channel Tablet-controlled Digital Mixer.
Produktbeschreibung auf EnglischBehringer X32 Rack 40-channel Rackmount Digital Mixer.
Produktbeschreibung auf EnglischBurl Audio B2 Bomber ADC 2-channel AD ConverterThe circuitry that turns analog audio into digital data and back (A/D and D/A). Converter quality sets a digital rig’s sound ceiling..
Produktbeschreibung auf EnglischDigital Audio Denmark AX Center Base Thunderbolt 3 Audio Interface with DADlink Module.
Produktbeschreibung auf EnglischDigital Audio Denmark Core 256 Thunderbolt 3 Digital Audio Interface with DADlink Module.
Produktbeschreibung auf EnglischDirectOut ACE Multifunctional Audio Interface.
Produktbeschreibung auf EnglischFender Studio Quantum HD 8 USB-C Audio Interface.
Produktbeschreibung auf EnglischFerrofish Pulse 16 16 x 16 AD/DAThe circuitry that turns analog audio into digital data and back (A/D and D/A). Converter quality sets a digital rig’s sound ceiling. Converter with ADATOptical digital audio: 8 channels at 48 kHz down one Toslink lightpipe (4 at 96 kHz). The usual way to add more channels to an interface..
Produktbeschreibung auf EnglischFerrofish Pulse 16 DX 16 x 16 AD/DAThe circuitry that turns analog audio into digital data and back (A/D and D/A). Converter quality sets a digital rig’s sound ceiling. Converter with DanteThe most common audio-over-network standard: dozens of channels of uncompressed digital audio down one ordinary Ethernet cable between Dante boxes., MADIA pro digital format carrying 64 channels on one coax or optical cable. Point-to-point — one sender, one receiver, no network required., and ADATOptical digital audio: 8 channels at 48 kHz down one Toslink lightpipe (4 at 96 kHz). The usual way to add more channels to an interface..
Produktbeschreibung auf EnglischFocusrite Clarett+ OctoPre 8-channel ADATOptical digital audio: 8 channels at 48 kHz down one Toslink lightpipe (4 at 96 kHz). The usual way to add more channels to an interface. PreampThe gain stage that lifts a mic’s tiny signal up to line level — the first thing a signal hits, and a big part of how a console sounds..
Produktbeschreibung auf EnglischFocusrite ISA C8X USB-C Audio Interface.
Produktbeschreibung auf EnglischFocusrite Red 16Line Thunderbolt 3 Audio Interface.
Produktbeschreibung auf EnglischFocusrite Scarlett 16i16 4th Gen USB Audio Interface.
Produktbeschreibung auf EnglischFocusrite Scarlett 18i16 4th Gen USB Audio Interface.
Produktbeschreibung auf EnglischFocusrite Scarlett 18i20 4th Gen USB Audio Interface.
Produktbeschreibung auf EnglischFocusrite Scarlett 2i2 4th Gen USB Audio Interface.
Produktbeschreibung auf EnglischFocusrite Scarlett 4i4 4th Gen USB Audio Interface.
Produktbeschreibung auf EnglischFocusrite Scarlett Solo 3rd Gen USB Audio Interface.
Produktbeschreibung auf EnglischFocusrite Scarlett Solo 4th Gen USB Audio Interface.
Produktbeschreibung auf EnglischThe PlayAUDIO12 is purpose-built for live playback rigs, offering dual USB host connections that automatically fail over between a primary a
Produktbeschreibung auf EnglischiConnectivity PlayAUDIO1U Audio/MIDI Interface.
Produktbeschreibung auf EnglischThe iConnectivity PlayAUDIO2U (2026) is the flagship of the failoverThe automatic switch to the backup when the primary dies — good failover is seamless enough that the audience never knows. playback line: a 2UThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one. interface with 24 panel-reinforced XLRThe standard 3-pin locking connector for mics and balanced line signals — pin 1 is the shield, pins 2 and 3 carry the balanced pair. outputs, fou
Produktbeschreibung auf EnglischLynx Aurora (n) 16-TB3 16-channel AD/DAThe circuitry that turns analog audio into digital data and back (A/D and D/A). Converter quality sets a digital rig’s sound ceiling. Converter with Thunderbolt 3 Interface.
Produktbeschreibung auf EnglischLynx Aurora (n) 24-TB3 24-channel AD/DAThe circuitry that turns analog audio into digital data and back (A/D and D/A). Converter quality sets a digital rig’s sound ceiling. Converter with AES, ADATOptical digital audio: 8 channels at 48 kHz down one Toslink lightpipe (4 at 96 kHz). The usual way to add more channels to an interface., and Thunderbolt 3 Interface.
Produktbeschreibung auf EnglischLynx Aurora (n) 24-TB 24-channel AD/DAThe circuitry that turns analog audio into digital data and back (A/D and D/A). Converter quality sets a digital rig’s sound ceiling. Converter with Thunderbolt 3 Interface.
Produktbeschreibung auf EnglischLynx Aurora (n) 32-TB3 32-channel AD/DAThe circuitry that turns analog audio into digital data and back (A/D and D/A). Converter quality sets a digital rig’s sound ceiling. Converter with Thunderbolt 3 Interface.
Produktbeschreibung auf EnglischLynx Hilo 2 AD/DAThe circuitry that turns analog audio into digital data and back (A/D and D/A). Converter quality sets a digital rig’s sound ceiling. Converter with Thunderbolt 3.
Produktbeschreibung auf EnglischM-Audio M-Track Duo USB Audio Interface.
Produktbeschreibung auf EnglischM-Audio M-Track Solo USB Audio Interface.
Produktbeschreibung auf EnglischMerging Technologies Hapi MkIII Networked Audio Interface.
Produktbeschreibung auf EnglischMOTU 10pre Thunderbolt 4/USB4 Audio Interface.
Produktbeschreibung auf EnglischThe MOTU 112D is a digital routing powerhouse that bridges virtually every digital audio format in a single 1UThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one. box: MADIA pro digital format carrying 64 channels on one coax or optical cable. Point-to-point — one sender, one receiver, no network required. (64 channels), thre
Produktbeschreibung auf EnglischThe MOTU 1248 strikes a balance between analog connectivity and digital expansion, offering four premium mic preampsThe gain stage that lifts a mic’s tiny signal up to line level — the first thing a signal hits, and a big part of how a console sounds., six analog outputs, an
Produktbeschreibung auf EnglischMOTU 16A 32 x 34 Thunderbolt 4/USB4 Audio Interface with AVBAudio Video Bridging — open network audio (MOTU, PreSonus) where the switch reserves bandwidth so streams can’t glitch. Milan is its pro profile..
Produktbeschreibung auf EnglischThe MOTU 16A is a flagship 1UThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one. rack-mount interface offering 16 channels of premium analog I/O on DB25A 25-pin D-shaped connector carrying 8 channels of analog or AES audio in one multicore — the Tascam pinout is the de-facto standard. connectors alongside Thunderbolt/USB a
Produktbeschreibung auf EnglischThe MOTU 24Ai mirrors the 24Ao but focuses on inputs, providing 24 channels of analog input on three DB25A 25-pin D-shaped connector carrying 8 channels of analog or AES audio in one multicore — the Tascam pinout is the de-facto standard. connectors.
Produktbeschreibung auf EnglischThe MOTU 24Ao is purpose-built for output-heavy applications like IEMIn-Ear Monitor — earpieces that replace floor wedges, feeding each player their own mix. The reason this whole rack exists. rigs, providing 24 channels of analog output on three DB25A 25-pin D-shaped connector carrying 8 channels of analog or AES audio in one multicore — the Tascam pinout is the de-facto standard. connectors.
Produktbeschreibung auf EnglischThe 2024 MOTU 828 carries the most famous name in project-rack interfaces into the current line: 28-in/32-out over USB3 with two mic preampsThe gain stage that lifts a mic’s tiny signal up to line level — the first thing a signal hits, and a big part of how a console sounds.
Produktbeschreibung auf EnglischThe MOTU 828es is a versatile rack-mount interface that doubles as a word clockThe shared heartbeat keeping every digital box sampling in lockstep. One device leads, the rest follow — or you get clicks and pops. source and distribution point, making it useful in rigs wher
Produktbeschreibung auf EnglischMOTU 848 28 x 32 Thunderbolt 4/USB4 Audio Interface with AVBAudio Video Bridging — open network audio (MOTU, PreSonus) where the switch reserves bandwidth so streams can’t glitch. Milan is its pro profile..
Produktbeschreibung auf EnglischThe MOTU 8A provides eight balancedCarries the signal on two wires and cancels whatever noise both pick up — why mic cables can run hundreds of feet hum-free. TRSTip-Ring-Sleeve — a 1/4″ jack with three contacts carrying a balanced signal or a stereo pair. A guitar plug with one extra ring. analog inputs and eight balanced TRS analog outputs in a half-rackThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one. enclosure.
Produktbeschreibung auf EnglischThe MOTU 8D is a digital-focused 1UThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one. interface providing eight channels of AES3The pro standard for stereo digital audio over an XLR cable — balanced, so it runs much farther than consumer S/PDIF. I/O on four XLRThe standard 3-pin locking connector for mics and balanced line signals — pin 1 is the shield, pins 2 and 3 carry the balanced pair. pairs, plus Thunderbolt, USB, and AVBAudio Video Bridging — open network audio (MOTU, PreSonus) where the switch reserves bandwidth so streams can’t glitch. Milan is its pro profile./TSN net
Produktbeschreibung auf EnglischThe MOTU 8M combines eight high-quality mic preampsThe gain stage that lifts a mic’s tiny signal up to line level — the first thing a signal hits, and a big part of how a console sounds. with extensive digital expansion (ADATOptical digital audio: 8 channels at 48 kHz down one Toslink lightpipe (4 at 96 kHz). The usual way to add more channels to an interface., AES/EBUThe pro standard for stereo digital audio over an XLR cable — balanced, so it runs much farther than consumer S/PDIF.) and AVBAudio Video Bridging — open network audio (MOTU, PreSonus) where the switch reserves bandwidth so streams can’t glitch. Milan is its pro profile./TSN networking in a 1UThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one. rack.
Produktbeschreibung auf EnglischThe MOTU LP32 provides 32 channels of line-levelThe strong signal that runs between pieces of gear (about a volt) — hotter than mic level, far below speaker level. analog I/O on four DB25A 25-pin D-shaped connector carrying 8 channels of analog or AES audio in one multicore — the Tascam pinout is the de-facto standard. connectors, making it the highest channel-count analog interface in
Produktbeschreibung auf EnglischThe MOTU M2 is a compact 2-in/2-out USB-C interface featuring the same ESS Sabre32 DACDigital-to-Analog Converter — the chip that turns digital audio back into the analog signal headphones and amps need. technology found in MOTU's flagship models, deliverin
Produktbeschreibung auf EnglischMOTU M4 USB-C Audio Interface.
Produktbeschreibung auf EnglischMOTU M6 USB-C Audio Interface.
Produktbeschreibung auf EnglischMOTU UltraLite-mk5 18x22 USB Audio Interface.
Produktbeschreibung auf EnglischNeumann MT 48 U USB-C/DanteThe most common audio-over-network standard: dozens of channels of uncompressed digital audio down one ordinary Ethernet cable between Dante boxes. Audio Interface.
Produktbeschreibung auf EnglischPreSonus Quantum ES 2 USB-C Audio Interface.
Produktbeschreibung auf EnglischPreSonus Quantum ES 4 USB-C Audio Interface.
Produktbeschreibung auf EnglischPreSonus Quantum HD 2 USB-C Audio Interface.
Produktbeschreibung auf EnglischPreSonus Quantum HD 8 Rackmountable USB-C Audio Interface - 1UThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one..
Produktbeschreibung auf EnglischPrism Sound Lyra 2 2 x 4 USB Audio Interface.
Produktbeschreibung auf EnglischRME ADI-2 Pro EX AD/DAThe circuitry that turns analog audio into digital data and back (A/D and D/A). Converter quality sets a digital rig’s sound ceiling. Converter.
Produktbeschreibung auf EnglischThe RME Babyface Pro FS is a portable powerhouse with the same legendary driver stability and low latencyThe delay between sound entering and leaving a digital system. IEM rigs fight to keep the whole chain down to a few milliseconds. that RME is known for in their rac
Produktbeschreibung auf EnglischThe RME Digiface DanteThe most common audio-over-network standard: dozens of channels of uncompressed digital audio down one ordinary Ethernet cable between Dante boxes. puts a computer on a Dante network with RME driver stability: 64 channels of Dante plus 64 channels of MADIA pro digital format carrying 64 channels on one coax or optical cable. Point-to-point — one sender, one receiver, no network required. in and ou
Produktbeschreibung auf EnglischRME Fireface 802 FS USB 2.0 Audio Interface.
Produktbeschreibung auf EnglischRME Fireface 802 FS AE USB 2.0 Audio Interface - Black Anniversary Edition.
Produktbeschreibung auf EnglischRME Fireface UCX II USB Audio Interface.
Produktbeschreibung auf EnglischRME Fireface UFX II USB Audio Interface.
Produktbeschreibung auf EnglischRME Fireface UFX III USB 3.0 Audio Interface.
Produktbeschreibung auf EnglischSolid State Logic Alpha 8 A/DThe circuitry that turns analog audio into digital data and back (A/D and D/A). Converter quality sets a digital rig’s sound ceiling.-D/A Converter/Expander and USB Audio Interface.
Produktbeschreibung auf EnglischSolid State Logic SSL 12 USB Audio Interface.
Produktbeschreibung auf EnglischSolid State Logic SSL 18 USB-C Audio Interface.
Produktbeschreibung auf EnglischSolid State Logic SSL 2 MKII 2 x 2 USB-C Audio Interface.
Produktbeschreibung auf EnglischSolid State Logic UMD192 USB 3.0 Audio Interface.
Produktbeschreibung auf EnglischUniversal Audio Apollo Twin X DUO Gen 2 Thunderbolt Audio Interface with UAD Analog Classics.
Produktbeschreibung auf EnglischUniversal Audio Apollo Twin X QUAD Gen 2 Thunderbolt Audio Interface with UAD Analog Classics.
Produktbeschreibung auf EnglischUniversal Audio Apollo Twin X USB DUO Heritage Edition USB Audio Interface with UAD DSPDigital Signal Processing — the number-crunching that does EQ, compression, and effects inside a box. More DSP means more processing at once..
Produktbeschreibung auf EnglischUniversal Audio Apollo x16 Gen 2 Thunderbolt Audio Interface with UAD Analog Classics.
Produktbeschreibung auf EnglischThe Apollo x16D swaps the x16's analog-only rear for DanteThe most common audio-over-network standard: dozens of channels of uncompressed digital audio down one ordinary Ethernet cable between Dante boxes. network I/O, putting UAD conversion and DSPDigital Signal Processing — the number-crunching that does EQ, compression, and effects inside a box. More DSP means more processing at once. directly on the audio network a moder
Produktbeschreibung auf EnglischUniversal Audio Apollo x4 Gen 2 Thunderbolt Audio Interface with UAD Analog Classics.
Produktbeschreibung auf EnglischUniversal Audio Apollo x8 Gen 2 Thunderbolt Audio Interface with UAD Analog Classics.
Produktbeschreibung auf EnglischUniversal Audio Apollo x8p Gen 2 Thunderbolt Audio Interface with UAD Analog Classics.
Produktbeschreibung auf EnglischUniversal Audio Volt 1 USB-C Audio Interface.
Produktbeschreibung auf EnglischUniversal Audio Volt 176 USB-C Audio Interface.
Produktbeschreibung auf EnglischUniversal Audio Volt 2 USB-C Audio Interface.
Produktbeschreibung auf EnglischUniversal Audio Volt 276 USB-C Audio Interface.
Produktbeschreibung auf EnglischThe UA Volt 476 brings a taste of Universal Audio's analog heritage to a budget interface, with a built-in 76-style compressor circuit on th
Produktbeschreibung auf EnglischUniversal Audio Volt 476P USB-C Audio Interface.
Produktbeschreibung auf EnglischUniversal Audio Volt 876 USB-C Audio Interface.
Produktbeschreibung auf EnglischYamaha RUio16-D DanteThe most common audio-over-network standard: dozens of channels of uncompressed digital audio down one ordinary Ethernet cable between Dante boxes./USB Audio Interface.
Produktbeschreibung auf EnglischThe Allen & Heath AB168 puts sixteen preampsThe gain stage that lifts a mic’s tiny signal up to line level — the first thing a signal hits, and a big part of how a console sounds. and eight outs on a dSNAKE Cat5Standard network cable grades. In an audio rig one cheap Cat5e run can replace a 48-channel copper snake; AES50 wants it shielded. run for Qu, SQ, and Avantis systems.
Produktbeschreibung auf EnglischThe Allen & Heath DT168 is a 16-input, 8-output DanteThe most common audio-over-network standard: dozens of channels of uncompressed digital audio down one ordinary Ethernet cable between Dante boxes. stage boxThe I/O endpoint on stage: mics plug in there and one digital line (AES50, Dante) carries everything to the console. The snake, digitized. that integrates seamlessly with Avantis, dLive, and SQ consoles via a single
Produktbeschreibung auf EnglischThe Allen & Heath DX168 delivers 16 boutique A&H preampsThe gain stage that lifts a mic’s tiny signal up to line level — the first thing a signal hits, and a big part of how a console sounds. at the stage over a single SLink shielded Cat5eStandard network cable grades. In an audio rig one cheap Cat5e run can replace a 48-channel copper snake; AES50 wants it shielded. link — the A&H equivalent of AES50The Behringer/Midas console-to-stage-box link: 48 channels each way over one shielded Cat5e cable, with near-zero latency..
Produktbeschreibung auf EnglischThe Behringer S16 is the budget AES50The Behringer/Midas console-to-stage-box link: 48 channels each way over one shielded Cat5e cable, with near-zero latency. stage boxThe I/O endpoint on stage: mics plug in there and one digital line (AES50, Dante) carries everything to the console. The snake, digitized. paired with X32-series consoles.
Produktbeschreibung auf EnglischThe Behringer S32 brings 32 Midas-designed preampsThe gain stage that lifts a mic’s tiny signal up to line level — the first thing a signal hits, and a big part of how a console sounds. to the stage and carries every channel — plus 16 returns — back to the console on a singl
Produktbeschreibung auf EnglischThe Behringer SD16 is a budget-friendly 16-input, 8-output AES50The Behringer/Midas console-to-stage-box link: 48 channels each way over one shielded Cat5e cable, with near-zero latency. stage boxThe I/O endpoint on stage: mics plug in there and one digital line (AES50, Dante) carries everything to the console. The snake, digitized. compatible with Behringer X32 and Midas M32 consoles.
Produktbeschreibung auf EnglischThe Behringer SD8 puts eight remote-controlled Midas-designed preampsThe gain stage that lifts a mic’s tiny signal up to line level — the first thing a signal hits, and a big part of how a console sounds. and eight returns on an AES50The Behringer/Midas console-to-stage-box link: 48 channels each way over one shielded Cat5e cable, with near-zero latency. run, in a compact chassis that lives on
Produktbeschreibung auf EnglischThe Midas DL16 puts 16 Midas mic preampsThe gain stage that lifts a mic’s tiny signal up to line level — the first thing a signal hits, and a big part of how a console sounds. at the stage and hauls every channel back to the console over a single shielded Cat5eStandard network cable grades. In an audio rig one cheap Cat5e run can replace a 48-channel copper snake; AES50 wants it shielded. using AES50The Behringer/Midas console-to-stage-box link: 48 channels each way over one shielded Cat5e cable, with near-zero latency. —
Produktbeschreibung auf EnglischThe Midas DL251 is the top-of-line AES50The Behringer/Midas console-to-stage-box link: 48 channels each way over one shielded Cat5e cable, with near-zero latency. stage boxThe I/O endpoint on stage: mics plug in there and one digital line (AES50, Dante) carries everything to the console. The snake, digitized. — 48 Midas preampsThe gain stage that lifts a mic’s tiny signal up to line level — the first thing a signal hits, and a big part of how a console sounds. and 16 XLRThe standard 3-pin locking connector for mics and balanced line signals — pin 1 is the shield, pins 2 and 3 carry the balanced pair. outputs, all multiplexed onto three AES50 links.
Produktbeschreibung auf EnglischThe Midas DL32 is the big-brother stage boxThe I/O endpoint on stage: mics plug in there and one digital line (AES50, Dante) carries everything to the console. The snake, digitized.: 32 Midas preampsThe gain stage that lifts a mic’s tiny signal up to line level — the first thing a signal hits, and a big part of how a console sounds. and 16 XLRThe standard 3-pin locking connector for mics and balanced line signals — pin 1 is the shield, pins 2 and 3 carry the balanced pair. outputs at the stage, all travelling back to the console on a singl
Produktbeschreibung auf EnglischThe MOTU Stage-B16 is built for the road with a rugged 1UThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one. chassis, locking combo jacks, and front-panel headphone monitoring.
Produktbeschreibung auf EnglischThe PreSonus NSB16.8 is the AVBAudio Video Bridging — open network audio (MOTU, PreSonus) where the switch reserves bandwidth so streams can’t glitch. Milan is its pro profile. stage boxThe I/O endpoint on stage: mics plug in there and one digital line (AES50, Dante) carries everything to the console. The snake, digitized. for StudioLive Series III systems: sixteen recallable XMAX preampsThe gain stage that lifts a mic’s tiny signal up to line level — the first thing a signal hits, and a big part of how a console sounds. and eight outs over a single Ca
Produktbeschreibung auf EnglischThe PreSonus NSB32.16 scales the AVBAudio Video Bridging — open network audio (MOTU, PreSonus) where the switch reserves bandwidth so streams can’t glitch. Milan is its pro profile. stage boxThe I/O endpoint on stage: mics plug in there and one digital line (AES50, Dante) carries everything to the console. The snake, digitized. to thirty-two preampsThe gain stage that lifts a mic’s tiny signal up to line level — the first thing a signal hits, and a big part of how a console sounds. and sixteen returns, feeding StudioLive Series III consoles and R-serie
Produktbeschreibung auf EnglischThe Yamaha Rio1608-D2 is the DanteThe most common audio-over-network standard: dozens of channels of uncompressed digital audio down one ordinary Ethernet cable between Dante boxes.-network equivalent of Midas DL16 — sixteen Yamaha-designed preampsThe gain stage that lifts a mic’s tiny signal up to line level — the first thing a signal hits, and a big part of how a console sounds. at the stage, carried back to a CL/QL/
Produktbeschreibung auf EnglischThe Yamaha Rio1608-D3 is the third generation of the touring-standard Rio stage boxThe I/O endpoint on stage: mics plug in there and one digital line (AES50, Dante) carries everything to the console. The snake, digitized.: sixteen premium preampsThe gain stage that lifts a mic’s tiny signal up to line level — the first thing a signal hits, and a big part of how a console sounds., eight outs, redundantA second copy of anything critical — supply, computer, network path — already running so one failure can’t stop the show. DanteThe most common audio-over-network standard: dozens of channels of uncompressed digital audio down one ordinary Ethernet cable between Dante boxes. an
Produktbeschreibung auf EnglischThe Rio3224-D2 is the flagship Yamaha DanteThe most common audio-over-network standard: dozens of channels of uncompressed digital audio down one ordinary Ethernet cable between Dante boxes. stage boxThe I/O endpoint on stage: mics plug in there and one digital line (AES50, Dante) carries everything to the console. The snake, digitized. — 32 mic preampsThe gain stage that lifts a mic’s tiny signal up to line level — the first thing a signal hits, and a big part of how a console sounds., 16 analog outs, and 8 AES3The pro standard for stereo digital audio over an XLR cable — balanced, so it runs much farther than consumer S/PDIF. digital outs for clean splits to broadcas
Produktbeschreibung auf EnglischThe Yamaha Rio3224-D3 is the current flagship Rio: thirty-two preampsThe gain stage that lifts a mic’s tiny signal up to line level — the first thing a signal hits, and a big part of how a console sounds. and twenty-four outputs with redundantA second copy of anything critical — supply, computer, network path — already running so one failure can’t stop the show. DanteThe most common audio-over-network standard: dozens of channels of uncompressed digital audio down one ordinary Ethernet cable between Dante boxes. and dual power supplies i
Produktbeschreibung auf EnglischThe Yamaha Tio1608-D2 is the affordable DanteThe most common audio-over-network standard: dozens of channels of uncompressed digital audio down one ordinary Ethernet cable between Dante boxes. stage boxThe I/O endpoint on stage: mics plug in there and one digital line (AES50, Dante) carries everything to the console. The snake, digitized. in the Yamaha line: sixteen recallable preampsThe gain stage that lifts a mic’s tiny signal up to line level — the first thing a signal hits, and a big part of how a console sounds. and eight outs with one-touch pairing
Produktbeschreibung auf EnglischA Designs Pacifica 2-channel Microphone PreampThe gain stage that lifts a mic’s tiny signal up to line level — the first thing a signal hits, and a big part of how a console sounds..
Produktbeschreibung auf EnglischAEA RPQ3 2-channel Ribbon Microphone PreampThe gain stage that lifts a mic’s tiny signal up to line level — the first thing a signal hits, and a big part of how a console sounds. and EQ.
Produktbeschreibung auf EnglischAPI 3122V 2-Channel Mic PreampThe gain stage that lifts a mic’s tiny signal up to line level — the first thing a signal hits, and a big part of how a console sounds..
Produktbeschreibung auf EnglischAPI 3124V 4-channel Microphone PreampThe gain stage that lifts a mic’s tiny signal up to line level — the first thing a signal hits, and a big part of how a console sounds..
Produktbeschreibung auf EnglischAPI TCS-II Channel Strip.
Produktbeschreibung auf EnglischAudient ASP800 8-channel Microphone PreampThe gain stage that lifts a mic’s tiny signal up to line level — the first thing a signal hits, and a big part of how a console sounds..
Produktbeschreibung auf EnglischAudient ASP880 8-channel Microphone PreampThe gain stage that lifts a mic’s tiny signal up to line level — the first thing a signal hits, and a big part of how a console sounds..
Produktbeschreibung auf EnglischAudient Evo SP8 Smart PreampThe gain stage that lifts a mic’s tiny signal up to line level — the first thing a signal hits, and a big part of how a console sounds..
Produktbeschreibung auf EnglischAvalon VT-737sp Tube Channel Strip.
Produktbeschreibung auf EnglischAvid Pro Tools | Carbon Pre.
Produktbeschreibung auf EnglischBAE 1073 Rackmount Microphone PreampThe gain stage that lifts a mic’s tiny signal up to line level — the first thing a signal hits, and a big part of how a console sounds. & EQ with Power Supply.
Produktbeschreibung auf EnglischBAE 1073MP Dual-channel Rackmount Microphone PreampThe gain stage that lifts a mic’s tiny signal up to line level — the first thing a signal hits, and a big part of how a console sounds. with Power Supply.
Produktbeschreibung auf EnglischThe BAE 1073MP is a hand-wired Class-A clone of the legendary Neve 1073 mic preampThe gain stage that lifts a mic’s tiny signal up to line level — the first thing a signal hits, and a big part of how a console sounds. — Carnhill input transformerA magnetic coupling that passes audio between two windings with no wire contact — isolates splits and kills ground-loop hum, no power needed., the Marinair-spec output, a
Produktbeschreibung auf EnglischBAE 1073MPF Rackmount Microphone PreampThe gain stage that lifts a mic’s tiny signal up to line level — the first thing a signal hits, and a big part of how a console sounds. with Power Supply.
Produktbeschreibung auf EnglischBAE 1073MPF Dual-channel Rackmount Microphone PreampThe gain stage that lifts a mic’s tiny signal up to line level — the first thing a signal hits, and a big part of how a console sounds. with Power Supply.
Produktbeschreibung auf EnglischBehringer 676 Tube Preamplifier and Limiting Amplifier.
Produktbeschreibung auf EnglischBehringer MIC2200 V2 2-channel Tube Microphone PreampThe gain stage that lifts a mic’s tiny signal up to line level — the first thing a signal hits, and a big part of how a console sounds..
Produktbeschreibung auf EnglischChandler Limited REDD.47 Tube Microphone PreampThe gain stage that lifts a mic’s tiny signal up to line level — the first thing a signal hits, and a big part of how a console sounds. - Special Edition.
Produktbeschreibung auf EnglischChandler Limited TG2 Abbey Road 2-channel Microphone PreampThe gain stage that lifts a mic’s tiny signal up to line level — the first thing a signal hits, and a big part of how a console sounds..
Produktbeschreibung auf EnglischDW Fearn VT-2 Dual-channel Microphone PreampThe gain stage that lifts a mic’s tiny signal up to line level — the first thing a signal hits, and a big part of how a console sounds..
Produktbeschreibung auf EnglischEmpirical Labs EL-9 Mike-E Microphone PreampThe gain stage that lifts a mic’s tiny signal up to line level — the first thing a signal hits, and a big part of how a console sounds. & Compressor.
Produktbeschreibung auf EnglischFocusrite ISA Two 2-channel Microphone PreampThe gain stage that lifts a mic’s tiny signal up to line level — the first thing a signal hits, and a big part of how a console sounds..
Produktbeschreibung auf EnglischFocusrite ISA828 MkII 8-channel Mic PreampThe gain stage that lifts a mic’s tiny signal up to line level — the first thing a signal hits, and a big part of how a console sounds..
Produktbeschreibung auf EnglischGrace Design m101 Half-rackThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one. Microphone PreampThe gain stage that lifts a mic’s tiny signal up to line level — the first thing a signal hits, and a big part of how a console sounds..
Produktbeschreibung auf EnglischHarrison Audio 32Classic MS Channel Strip.
Produktbeschreibung auf EnglischHazelrigg Industries VLC Vacuum Tube Microphone Preamplifier/Direct Injection/Equalizer.
Produktbeschreibung auf EnglischThe Heritage Audio HA-73 EQ Elite is a hand-wired single-channel 1073-style mic preampThe gain stage that lifts a mic’s tiny signal up to line level — the first thing a signal hits, and a big part of how a console sounds. with a 3-band EQ — Carnhill input transformerA magnetic coupling that passes audio between two windings with no wire contact — isolates splits and kills ground-loop hum, no power needed., Class-
Produktbeschreibung auf EnglischHeritage Audio HA73EQX2 ELITE 2-channel Microphone PreampThe gain stage that lifts a mic’s tiny signal up to line level — the first thing a signal hits, and a big part of how a console sounds. & EQ.
Produktbeschreibung auf EnglischHeritage Audio Super 8 8-channel Mic PreampThe gain stage that lifts a mic’s tiny signal up to line level — the first thing a signal hits, and a big part of how a console sounds..
Produktbeschreibung auf EnglischManley Force 4-channel Tube Microphone PreampThe gain stage that lifts a mic’s tiny signal up to line level — the first thing a signal hits, and a big part of how a console sounds..
Produktbeschreibung auf EnglischManley VOXBOX Tube Channel Strip.
Produktbeschreibung auf EnglischMidas L10 10-slot 500 Series Chassis.
Produktbeschreibung auf EnglischMidas Legend L6 6-space 500 Series Chassis.
Produktbeschreibung auf EnglischNeve 1073DPA 2-channel Microphone PreampThe gain stage that lifts a mic’s tiny signal up to line level — the first thing a signal hits, and a big part of how a console sounds..
Produktbeschreibung auf EnglischNeve 1073DPX 2-channel Microphone PreampThe gain stage that lifts a mic’s tiny signal up to line level — the first thing a signal hits, and a big part of how a console sounds. & EQ.
Produktbeschreibung auf EnglischNeve 1073DPX-D Channel Strip with USB Audio Interface.
Produktbeschreibung auf EnglischNeve 1073OPX 8-channel Microphone PreampThe gain stage that lifts a mic’s tiny signal up to line level — the first thing a signal hits, and a big part of how a console sounds. with Remote Control Software.
Produktbeschreibung auf EnglischNeve 1073OPX 8-channel Microphone PreampThe gain stage that lifts a mic’s tiny signal up to line level — the first thing a signal hits, and a big part of how a console sounds. with Remote Control and USB/DanteThe most common audio-over-network standard: dozens of channels of uncompressed digital audio down one ordinary Ethernet cable between Dante boxes. Option Card.
Produktbeschreibung auf EnglischNeve 1073OPX 8-channel Microphone PreampThe gain stage that lifts a mic’s tiny signal up to line level — the first thing a signal hits, and a big part of how a console sounds. with Remote Control and USB/ADATOptical digital audio: 8 channels at 48 kHz down one Toslink lightpipe (4 at 96 kHz). The usual way to add more channels to an interface. Option Card.
Produktbeschreibung auf EnglischNeve 1073SPX Microphone PreampThe gain stage that lifts a mic’s tiny signal up to line level — the first thing a signal hits, and a big part of how a console sounds. and EQ.
Produktbeschreibung auf EnglischNeve 1073SPX-D Channel Strip USB Audio Interface with ADATOptical digital audio: 8 channels at 48 kHz down one Toslink lightpipe (4 at 96 kHz). The usual way to add more channels to an interface..
Produktbeschreibung auf EnglischPhoenix Audio Ascent One EQ Microphone PreampThe gain stage that lifts a mic’s tiny signal up to line level — the first thing a signal hits, and a big part of how a console sounds. & EQ.
Produktbeschreibung auf EnglischRME 12Mic 12-channel Network Controllable Microphone PreampThe gain stage that lifts a mic’s tiny signal up to line level — the first thing a signal hits, and a big part of how a console sounds..
Produktbeschreibung auf EnglischRupert Neve Designs 5025 Dual Shelford Microphone Preamplifier.
Produktbeschreibung auf EnglischRupert Neve Designs 5211 2-channel Microphone PreampThe gain stage that lifts a mic’s tiny signal up to line level — the first thing a signal hits, and a big part of how a console sounds..
Produktbeschreibung auf EnglischRupert Neve Designs Newton Channel Strip.
Produktbeschreibung auf EnglischThe Rupert Neve Designs Portico II Channel is Mr.
Produktbeschreibung auf EnglischRupert Neve Designs R10 10-slot 500 Series Chassis.
Produktbeschreibung auf EnglischRupert Neve Designs Shelford Channel Microphone PreampThe gain stage that lifts a mic’s tiny signal up to line level — the first thing a signal hits, and a big part of how a console sounds., Inductor EQ & Diode Bridge Compressor.
Produktbeschreibung auf EnglischSolid State Logic PureDrive Octo 8-channel Mic/Line/Instrument Preamplifier.
Produktbeschreibung auf EnglischSolid State Logic PureDrive Quad 4-channel Mic/Line/Instrument Preamplifier.
Produktbeschreibung auf EnglischSolid State Logic Revival 4000 Analog Channel Strip.
Produktbeschreibung auf EnglischUniversal Audio 6176 Tube Channel Strip.
Produktbeschreibung auf EnglischUniversal Audio LA-610 Mk II Tube Channel Strip.
Produktbeschreibung auf EnglischWarm Audio WA-2MPX 2-channel Tube Mic/Line/Instrument PreampThe gain stage that lifts a mic’s tiny signal up to line level — the first thing a signal hits, and a big part of how a console sounds..
Produktbeschreibung auf EnglischWarm Audio WA-412 4-channel Microphone PreampThe gain stage that lifts a mic’s tiny signal up to line level — the first thing a signal hits, and a big part of how a console sounds..
Produktbeschreibung auf EnglischWarm Audio WA-MPX 1-channel Tube Mic/Line/Instrument PreampThe gain stage that lifts a mic’s tiny signal up to line level — the first thing a signal hits, and a big part of how a console sounds..
Produktbeschreibung auf EnglischWarm Audio WA273-EQ 2-channel Microphone PreampThe gain stage that lifts a mic’s tiny signal up to line level — the first thing a signal hits, and a big part of how a console sounds. & EQ.
Produktbeschreibung auf EnglischWarm Audio WA73 Microphone PreampThe gain stage that lifts a mic’s tiny signal up to line level — the first thing a signal hits, and a big part of how a console sounds..
Produktbeschreibung auf EnglischWarm Audio WA73-EQ Microphone PreampThe gain stage that lifts a mic’s tiny signal up to line level — the first thing a signal hits, and a big part of how a console sounds. & EQ.
Produktbeschreibung auf EnglischBehringer B105D 5" 50W Powered Personal Monitor/PA.
Produktbeschreibung auf EnglischHeadrush FRFR Go 30-watt 2 x 3-inch Powered Speaker Cabinet.
Produktbeschreibung auf EnglischJBL EON710 1300-watt 10-inch Powered Speaker.
Produktbeschreibung auf EnglischJBL EON712 1300W 12-inch Powered PA Speaker.
Produktbeschreibung auf EnglischJBL EON715 15-inch Powered PA Speaker.
Produktbeschreibung auf EnglischYamaha DBR10 700W 10-inch Powered Speaker.
Produktbeschreibung auf EnglischYamaha DBR12 1,000W 12 inch Powered Speaker.
Produktbeschreibung auf EnglischYamaha DBR15 1000W 15 inch Powered Speaker.
Produktbeschreibung auf EnglischYamaha DHR12M 12" 1000W Powered Floor Monitor.
Produktbeschreibung auf EnglischAllen & Heath ME-1 Personal Monitor Mixer.
Produktbeschreibung auf EnglischAllen & Heath ME-500 16-channel Personal Mixer.
Produktbeschreibung auf EnglischAllen & Heath ME-U Universal POEPower over Ethernet — the network cable powers the device (stage boxes, personal mixers, access points). One less wall-wart to lose. Monitor Hub.
Produktbeschreibung auf EnglischART HP-1 Single-channel Headphone Amp.
Produktbeschreibung auf EnglischThe Aviom A320 is a 16-channel personal mixer using Aviom's proprietary A-NetAviom’s personal-mixer protocol — channels ride Cat5 from a distributor to each player’s mixer. The original mix-your-own-ears system. protocol, offering musicians hands-on control of their monitor
Produktbeschreibung auf EnglischBehringer P24 StageConnect Personal Monitor Mixer.
Produktbeschreibung auf EnglischBehringer P24Hub StageConnect Hub.
Produktbeschreibung auf EnglischBehringer Powerplay P16-D 16-channel Distribution Module.
Produktbeschreibung auf EnglischThe Behringer P16-M gives each musician independent control over their 16-channel monitor mix via UltranetBehringer’s personal-monitoring link: 16 channels down a Cat5 cable to P16 mixers, so players dial their own ears without using console outputs. digital audio over a single Cat5Standard network cable grades. In an audio rig one cheap Cat5e run can replace a 48-channel copper snake; AES50 wants it shielded.
Produktbeschreibung auf EnglischDigital Audio Labs Livemix Pro-16 Distribution Module.
Produktbeschreibung auf EnglischDigital Audio Labs Livemix Pro-32 Distribution Module.
Produktbeschreibung auf EnglischHear Technologies Hear Back OCTO Four Pack.
Produktbeschreibung auf EnglischKlang vokal In-Ear Mixing Processor.
Produktbeschreibung auf EnglischMidas HUB4 Pro 96k Monitor System Hub.
Produktbeschreibung auf EnglischRolls PM50se Personal Monitor Amp.
Produktbeschreibung auf EnglischThe Aviom A360 is a professional 36-channel personal mixer that gives musicians extensive control over their monitor mix with dedicated per-
Produktbeschreibung auf EnglischThe Behringer Powerplay HA8000 is an 8-channel rack-mount headphone amp at a budget price point.
Produktbeschreibung auf EnglischThe Hear Back Mix Hub is a rack-mount distribution hub that takes eight channels of analog audio via DB25A 25-pin D-shaped connector carrying 8 channels of analog or AES audio in one multicore — the Tascam pinout is the de-facto standard. and distributes them to multiple p
Produktbeschreibung auf EnglischPreSonus HP4 4-channel Headphone Amplifier.
Produktbeschreibung auf EnglischThe PreSonus HP60 is a 6-channel rack-mount headphone mixer with per-channel mix between a main stereo and a cue feed, giving each performer
Produktbeschreibung auf EnglischThe Rolls PM351 is a simple belt-clip personal monitor mixer that lets a musician blend up to three audio sources into their headphone or IE
Produktbeschreibung auf EnglischRupert Neve Designs RNHP Stereo Precision Headphone Amplifier.
Produktbeschreibung auf EnglischThe 64 Audio A12t is the custom-molded version of the U12t, built to your impressions for the best possible isolation and fit.
Produktbeschreibung auf EnglischThe 64 Audio U12t is the universal-fit flagship of 64 Audio's lineup, with twelve balanced armaturesA tiny hearing-aid-derived driver used in pro IEMs — fast and detailed, often several per ear, each covering its own frequency range. per side and the company's apex pressur
Produktbeschreibung auf EnglischThe Audio-Technica ATH-E70 is a triple balanced armatureA tiny hearing-aid-derived driver used in pro IEMs — fast and detailed, often several per ear, each covering its own frequency range. universal IEMIn-Ear Monitor — earpieces that replace floor wedges, feeding each player their own mix. The reason this whole rack exists. aimed at the pro audio market.
Produktbeschreibung auf EnglischThe Empire Ears Legend X is a hybrid IEMIn-Ear Monitor — earpieces that replace floor wedges, feeding each player their own mix. The reason this whole rack exists. combining dual dynamic driversA miniature version of a normal speaker (coil and diaphragm) inside an earphone — moves more air, so it’s the bass engine in hybrid IEMs. with five balanced armaturesA tiny hearing-aid-derived driver used in pro IEMs — fast and detailed, often several per ear, each covering its own frequency range. per side, giving it some of the most au
Produktbeschreibung auf EnglischThe Etymotic ER4XR is a single balanced armatureA tiny hearing-aid-derived driver used in pro IEMs — fast and detailed, often several per ear, each covering its own frequency range. driver IEMIn-Ear Monitor — earpieces that replace floor wedges, feeding each player their own mix. The reason this whole rack exists. known for its remarkably flat and accurate frequency responseThe range of lows-to-highs a device reproduces and how evenly it does it — flat means nothing is hyped or missing., favored by audio
Produktbeschreibung auf EnglischJH Audio custom IEMsIn-Ear Monitor — earpieces that replace floor wedges, feeding each player their own mix. The reason this whole rack exists. are molded to your exact ear impressions for a perfect, secure fit that provides maximum isolation and comfort during l
Produktbeschreibung auf EnglischThe Mackie MP-220 is a dual dynamic driverA miniature version of a normal speaker (coil and diaphragm) inside an earphone — moves more air, so it’s the bass engine in hybrid IEMs. universal IEMIn-Ear Monitor — earpieces that replace floor wedges, feeding each player their own mix. The reason this whole rack exists. at a budget price point that punches above its weight class.
Produktbeschreibung auf EnglischThe Sennheiser IE 100 Pro is an affordable single dynamic driverA miniature version of a normal speaker (coil and diaphragm) inside an earphone — moves more air, so it’s the bass engine in hybrid IEMs. IEMIn-Ear Monitor — earpieces that replace floor wedges, feeding each player their own mix. The reason this whole rack exists. aimed at working musicians who need reliable monitoring on a tight budg
Produktbeschreibung auf EnglischThe Sennheiser IE 400 Pro is a step-up universal IEMIn-Ear Monitor — earpieces that replace floor wedges, feeding each player their own mix. The reason this whole rack exists. built around a single broadband dynamic driverA miniature version of a normal speaker (coil and diaphragm) inside an earphone — moves more air, so it’s the bass engine in hybrid IEMs..
Produktbeschreibung auf EnglischThe Sennheiser IE 500 Pro is the flagship of Sennheiser's pro IEMIn-Ear Monitor — earpieces that replace floor wedges, feeding each player their own mix. The reason this whole rack exists. line, with a refined single-driver design and an extended frequency respon
Produktbeschreibung auf EnglischThe Shure SE425 is a dual balanced armatureA tiny hearing-aid-derived driver used in pro IEMs — fast and detailed, often several per ear, each covering its own frequency range. universal IEMIn-Ear Monitor — earpieces that replace floor wedges, feeding each player their own mix. The reason this whole rack exists. that hits a sweet spot between price and sound quality.
Produktbeschreibung auf EnglischThe Shure SE535 is a long-running triple-driver universal IEMIn-Ear Monitor — earpieces that replace floor wedges, feeding each player their own mix. The reason this whole rack exists. that's become a staple for performing musicians on a step-up budget.
Produktbeschreibung auf EnglischThe Shure SE846 is a flagship universal-fit IEMIn-Ear Monitor — earpieces that replace floor wedges, feeding each player their own mix. The reason this whole rack exists. with four balanced armatureA tiny hearing-aid-derived driver used in pro IEMs — fast and detailed, often several per ear, each covering its own frequency range. drivers per side, delivering exceptional detail and low-end exte
Produktbeschreibung auf EnglischThe UE 5 Pro is Ultimate Ears' entry-level custom-molded IEMIn-Ear Monitor — earpieces that replace floor wedges, feeding each player their own mix. The reason this whole rack exists., built from your ear impressions for a perfect fit.
Produktbeschreibung auf EnglischThe UE 7 Pro is a triple-driver custom IEMIn-Ear Monitor — earpieces that replace floor wedges, feeding each player their own mix. The reason this whole rack exists. with a dedicated low-driver for solid bass extension.
Produktbeschreibung auf EnglischThe Westone AM Pro X30 is designed specifically for performing musicians, with ambient sound ports that let in a controlled amount of stage
Produktbeschreibung auf EnglischThe Westone Audio MACH 30 is a triple balanced armatureA tiny hearing-aid-derived driver used in pro IEMs — fast and detailed, often several per ear, each covering its own frequency range. universal IEMIn-Ear Monitor — earpieces that replace floor wedges, feeding each player their own mix. The reason this whole rack exists. with a balancedCarries the signal on two wires and cancels whatever noise both pick up — why mic cables can run hundreds of feet hum-free., full-range presentation that musicians love for its e
Produktbeschreibung auf EnglischThe Westone Audio MACH 50 is a five balanced armatureA tiny hearing-aid-derived driver used in pro IEMs — fast and detailed, often several per ear, each covering its own frequency range. universal IEMIn-Ear Monitor — earpieces that replace floor wedges, feeding each player their own mix. The reason this whole rack exists. aimed at performers who want premium detail and dynamics without going t
Produktbeschreibung auf EnglischThe Radial Catapult Mini RX converts four channels of audio carried over a single Cat5Standard network cable grades. In an audio rig one cheap Cat5e run can replace a 48-channel copper snake; AES50 wants it shielded. cable back to individual XLRThe standard 3-pin locking connector for mics and balanced line signals — pin 1 is the shield, pins 2 and 3 carry the balanced pair. outputs, making it the r
Produktbeschreibung auf EnglischThe Radial Catapult Mini TRSTip-Ring-Sleeve — a 1/4″ jack with three contacts carrying a balanced signal or a stereo pair. A guitar plug with one extra ring. puts four balancedCarries the signal on two wires and cancels whatever noise both pick up — why mic cables can run hundreds of feet hum-free. 1/4-inch TRS connectors on the Cat5Standard network cable grades. In an audio rig one cheap Cat5e run can replace a 48-channel copper snake; AES50 wants it shielded. snakeA multicore cable bundling many channels into one stage-to-console run. A sub-snake collects one corner of the stage into a drop box. system, matching the jacks found on rackmount inte
Produktbeschreibung auf EnglischThe Radial Catapult Mini TX is the transmit side of a Cat5Standard network cable grades. In an audio rig one cheap Cat5e run can replace a 48-channel copper snake; AES50 wants it shielded. analog snakeA multicore cable bundling many channels into one stage-to-console run. A sub-snake collects one corner of the stage into a drop box., converting four XLRThe standard 3-pin locking connector for mics and balanced line signals — pin 1 is the shield, pins 2 and 3 carry the balanced pair. inputs to a single Cat5 cable for lightweight l
Produktbeschreibung auf EnglischThe Radial Catapult Rack RX is a 1UThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one. passive receiver that carries 12 channels of analog audio from three shielded Cat 5/6 cable runs to 12 X
Produktbeschreibung auf EnglischThe Radial Catapult Rack TX is the send-end partner to the Catapult Rack RX: a 1UThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one. rack-mount transmitter that takes 12 XLRThe standard 3-pin locking connector for mics and balanced line signals — pin 1 is the shield, pins 2 and 3 carry the balanced pair. inputs and sends
Produktbeschreibung auf EnglischThe Radial Catapult RX4 is the receive end of Radial's modular Cat5Standard network cable grades. In an audio rig one cheap Cat5e run can replace a 48-channel copper snake; AES50 wants it shielded. snakeA multicore cable bundling many channels into one stage-to-console run. A sub-snake collects one corner of the stage into a drop box. system, breaking one shielded Cat5 run back out to four XLRThe standard 3-pin locking connector for mics and balanced line signals — pin 1 is the shield, pins 2 and 3 carry the balanced pair. output
Produktbeschreibung auf EnglischThe Radial Catapult RX4L is the isolated receive end of the Cat5Standard network cable grades. In an audio rig one cheap Cat5e run can replace a 48-channel copper snake; AES50 wants it shielded. snakeA multicore cable bundling many channels into one stage-to-console run. A sub-snake collects one corner of the stage into a drop box. system, with line-levelThe strong signal that runs between pieces of gear (about a volt) — hotter than mic level, far below speaker level. transformersA magnetic coupling that passes audio between two windings with no wire contact — isolates splits and kills ground-loop hum, no power needed. on each of its four XLRThe standard 3-pin locking connector for mics and balanced line signals — pin 1 is the shield, pins 2 and 3 carry the balanced pair. outputs
Produktbeschreibung auf EnglischThe Radial Catapult RX4M is the mic-optimized isolated receive module of the Catapult family, adding transformer isolationA magnetic coupling that passes audio between two windings with no wire contact — isolates splits and kills ground-loop hum, no power needed. on each channel t
Produktbeschreibung auf EnglischThe Radial Catapult TX4 is the transmit end of Radial's modular Cat5Standard network cable grades. In an audio rig one cheap Cat5e run can replace a 48-channel copper snake; AES50 wants it shielded. snakeA multicore cable bundling many channels into one stage-to-console run. A sub-snake collects one corner of the stage into a drop box. system, collecting four XLRThe standard 3-pin locking connector for mics and balanced line signals — pin 1 is the shield, pins 2 and 3 carry the balanced pair. feeds onto a single shielded Cat5 run
Produktbeschreibung auf EnglischThe Radial Catapult TX4L adds line-levelThe strong signal that runs between pieces of gear (about a volt) — hotter than mic level, far below speaker level. isolation transformersA magnetic coupling that passes audio between two windings with no wire contact — isolates splits and kills ground-loop hum, no power needed. to the Cat5Standard network cable grades. In an audio rig one cheap Cat5e run can replace a 48-channel copper snake; AES50 wants it shielded. snakeA multicore cable bundling many channels into one stage-to-console run. A sub-snake collects one corner of the stage into a drop box. system, letting you split playback tracks or console outpu
Produktbeschreibung auf EnglischThe Radial Catapult TX4M is the mic-optimized isolated transmit module of the Catapult family, providing ground-lifted audio transmission ov
Produktbeschreibung auf EnglischThe Whirlwind Catdusa CT-F is the collect side of the Catdusa system, taking four sources on female XLRThe standard 3-pin locking connector for mics and balanced line signals — pin 1 is the shield, pins 2 and 3 carry the balanced pair. tails onto a single Cat5eStandard network cable grades. In an audio rig one cheap Cat5e run can replace a 48-channel copper snake; AES50 wants it shielded. etherCONAn Ethernet plug inside a rugged XLR-style locking shell — tour-grade network connections that can’t be yanked loose. r
Produktbeschreibung auf EnglischThe Whirlwind Catdusa CT-M breaks a Cat5eStandard network cable grades. In an audio rig one cheap Cat5e run can replace a 48-channel copper snake; AES50 wants it shielded. etherCONAn Ethernet plug inside a rugged XLR-style locking shell — tour-grade network connections that can’t be yanked loose. run out to four male XLRThe standard 3-pin locking connector for mics and balanced line signals — pin 1 is the shield, pins 2 and 3 carry the balanced pair. tails, turning one network cable into a four-channel analog drop
Produktbeschreibung auf EnglischThe ART S8 splits eight microphone signals in one rack space.
Produktbeschreibung auf EnglischThe ART S8-3WAY splits eight mic channels three ways in one rack space: a direct output plus two transformer-isolatedA magnetic coupling that passes audio between two windings with no wire contact — isolates splits and kills ground-loop hum, no power needed. feeds per channel, wit
Produktbeschreibung auf EnglischThe Behringer MS8000 is a budget-friendly 8-channel mic splitter that provides both direct and isolated outputs for each input.
Produktbeschreibung auf EnglischBlack Lion Audio's 8-channel passive splitter with their hand-selected transformerA magnetic coupling that passes audio between two windings with no wire contact — isolates splits and kills ground-loop hum, no power needed. pairs — sits between the budget Seismic / ART tier and th
Produktbeschreibung auf EnglischThe Radial JS3 is a premium single-channel mic splitter with Jensen transformer isolationA magnetic coupling that passes audio between two windings with no wire contact — isolates splits and kills ground-loop hum, no power needed. that cleanly splits one microphone signal to three
Produktbeschreibung auf EnglischThe Radial SW8 is a cornerstone of redundantA second copy of anything critical — supply, computer, network path — already running so one failure can’t stop the show. playback rigs, automatically switching between two stereo sources so that if your primary playb
Produktbeschreibung auf EnglischSixteen channels of transformer-isolatedA magnetic coupling that passes audio between two windings with no wire contact — isolates splits and kills ground-loop hum, no power needed. splitting in a 3UThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one. chassis — enough to fan a full drum kit + backlineThe band’s on-stage instrument gear — amps, drums, keys. What a venue or festival sometimes supplies so you can travel light. into a separate monitor worldThe side-stage domain of the monitor engineer — console, IEM racks, and everything feeding the band’s ears instead of the audience.
Produktbeschreibung auf EnglischTwenty-four channels of transformer-isolatedA magnetic coupling that passes audio between two windings with no wire contact — isolates splits and kills ground-loop hum, no power needed. splitting in a 4UThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one. chassis.
Produktbeschreibung auf EnglischThirty-two channels of transformer-isolatedA magnetic coupling that passes audio between two windings with no wire contact — isolates splits and kills ground-loop hum, no power needed. splitting in a 5U chassis.
Produktbeschreibung auf EnglischA budget-tier 8-channel mic splitter with transformer isolationA magnetic coupling that passes audio between two windings with no wire contact — isolates splits and kills ground-loop hum, no power needed. on the secondary outputs, providing ground-loop immunity between the FOHFront Of House — the main mix the audience hears, and the console position out in the room where it gets mixed. con
Produktbeschreibung auf EnglischViolet Audio DX16B 16 Channel 3-Way Audio Signal Splitter.
Produktbeschreibung auf EnglischThe Whirlwind DA-2 is a simple, reliable audio distribution amplifier for splitting or combining balancedCarries the signal on two wires and cancels whatever noise both pick up — why mic cables can run hundreds of feet hum-free. audio signals.
Produktbeschreibung auf EnglischOriginal eight-channel active direct box with front inputs and links, rear balancedCarries the signal on two wires and cancels whatever noise both pick up — why mic cables can run hundreds of feet hum-free. XLRThe standard 3-pin locking connector for mics and balanced line signals — pin 1 is the shield, pins 2 and 3 carry the balanced pair. outputs, and mains or phantom powerThe +48 V a console sends up the mic cable to power condenser mics and active DI boxes — invisible to gear that doesn’t need it..
Produktbeschreibung auf EnglischThe BSS AR-133 is a long-running active DIDirect Injection box — converts an instrument’s unbalanced signal to a balanced mic-level XLR so it can run long cables without noise. that runs on either phantom powerThe +48 V a console sends up the mic cable to power condenser mics and active DI boxes — invisible to gear that doesn’t need it. or a 9V battery, making it convenient for stages where phantom
Produktbeschreibung auf EnglischThe Countryman Type 85 is one of the most trusted active DIDirect Injection box — converts an instrument’s unbalanced signal to a balanced mic-level XLR so it can run long cables without noise. boxes in professional audio, known for its exceptional headroomThe margin between your normal level and where things clip — headroom is what absorbs the snare hit you didn’t see coming. and transparent
Produktbeschreibung auf EnglischThe Radial J48 is a phantomThe +48 V a console sends up the mic cable to power condenser mics and active DI boxes — invisible to gear that doesn’t need it.-powered active DIDirect Injection box — converts an instrument’s unbalanced signal to a balanced mic-level XLR so it can run long cables without noise. that excels with piezo pickups and other high-impedanceOpposition to signal flow, in ohms. Low-impedance IEMs are easier to drive loud; mismatches shift level and tone. sources that passive DIs struggle with
Produktbeschreibung auf EnglischThe Radial JDI is a reference-grade passive DIDirect Injection box — converts an instrument’s unbalanced signal to a balanced mic-level XLR so it can run long cables without noise. box with a Jensen JT-DB-E transformerA magnetic coupling that passes audio between two windings with no wire contact — isolates splits and kills ground-loop hum, no power needed. that delivers transparent, noise-free signal conversion
Produktbeschreibung auf EnglischThe Radial ProDI is a reliable passive DIDirect Injection box — converts an instrument’s unbalanced signal to a balanced mic-level XLR so it can run long cables without noise. box that delivers clean signal conversion at a more accessible price point than the JDI.
Produktbeschreibung auf EnglischThe Behringer PX3000 provides 48 TRSTip-Ring-Sleeve — a 1/4″ jack with three contacts carrying a balanced signal or a stereo pair. A guitar plug with one extra ring. patch points in a single rack unitThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one. at an unbeatable price, with switchable normallingA patch bay default path: the top jack feeds the bottom with nothing plugged in. Inserting a cable breaks (full) or taps (half) that path. modes that give y
Produktbeschreibung auf EnglischA blank patch bayA panel of front-facing jacks wired to everything behind it — re-route any signal with a short cable instead of climbing behind the rack. you can fully configure per placement.
Produktbeschreibung auf EnglischA purely passive 1UThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one. rack panel with 16 Neutrik feedthrough XLRThe standard 3-pin locking connector for mics and balanced line signals — pin 1 is the shield, pins 2 and 3 carry the balanced pair. connectors — one side on the rack face (labeled stage patch points), the othe
Produktbeschreibung auf EnglischThe 24-port sibling of the 16-port panel.
Produktbeschreibung auf EnglischA 32-port 2UThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one. feedthrough panel — enough stage patches to 1:1 map every input of a 32-channel stage boxThe I/O endpoint on stage: mics plug in there and one digital line (AES50, Dante) carries everything to the console. The snake, digitized. (DL32 / S32 / Rio3224).
Produktbeschreibung auf EnglischThe Neutrik NZP1RU-12 provides a clean row of 12 XLRThe standard 3-pin locking connector for mics and balanced line signals — pin 1 is the shield, pins 2 and 3 carry the balanced pair. pass-throughs from front to rear panel, making it easy to present organized connections
Produktbeschreibung auf EnglischThe Redco R196 breakoutA cable that splits one multichannel connector (like a DB25) into individual plugs — the octopus that turns 8 channels into 8 XLRs. panel converts a single DB25A 25-pin D-shaped connector carrying 8 channels of analog or AES audio in one multicore — the Tascam pinout is the de-facto standard. connector on the rear into eight individual XLRThe standard 3-pin locking connector for mics and balanced line signals — pin 1 is the shield, pins 2 and 3 carry the balanced pair. connections on the front, which is esse
Produktbeschreibung auf EnglischThe Samson S-patch Plus offers 48 TRSTip-Ring-Sleeve — a 1/4″ jack with three contacts carrying a balanced signal or a stereo pair. A guitar plug with one extra ring. patch points with per-channel switchable normallingA patch bay default path: the top jack feeds the bottom with nothing plugged in. Inserting a cable breaks (full) or taps (half) that path., giving you a flexible and affordable patching sol
Produktbeschreibung auf EnglischThe Switchcraft MMVP is a professional-grade TTTiny Telephone — the slim bantam plug pro patch bays use to fit 48+ points into a single rack space. (bantam) patch bayA panel of front-facing jacks wired to everything behind it — re-route any signal with a short cable instead of climbing behind the rack. offering 48 patch points in a single rack unitThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one..
Produktbeschreibung auf EnglischAPI 2500+ Stereo BusA path where multiple channels sum into one signal — mixes, groups, and mains are all buses. A 25-bus console can build 25 blends at once. Compressor.
Produktbeschreibung auf EnglischThe dbx 160A is the spiritual successor to the legendary 160 series — a single-channel VCA compressor that has been on more touring lead-voc
Produktbeschreibung auf Englischdbx 266XS Dual Compressor/Gate.
Produktbeschreibung auf EnglischDrawmer's DL241 is a two-channel auto-compressor with their signature musical, transparent character — engineers who don't want to think abo
Produktbeschreibung auf EnglischEmpirical Labs EL8 Distressor Compressor/LimiterA compressor with a hard ceiling: nothing gets past the level you set. In an IEM rig it’s hearing protection as much as tone..
Produktbeschreibung auf EnglischEmpirical Labs EL8-X Distressor with British Mode and Image Link.
Produktbeschreibung auf EnglischRupert Neve Designs Portico II Master BussA path where multiple channels sum into one signal — mixes, groups, and mains are all buses. A 25-bus console can build 25 blends at once. Processor - Black.
Produktbeschreibung auf EnglischSolid State Logic BusA path where multiple channels sum into one signal — mixes, groups, and mains are all buses. A 25-bus console can build 25 blends at once.+ 2-channel Bus Compressor.
Produktbeschreibung auf EnglischUniversal Audio 1176LN Classic Limiting Amplifier.
Produktbeschreibung auf EnglischUniversal Audio Teletronix LA-2A Classic Leveling Amplifier.
Produktbeschreibung auf EnglischWarm Audio WA-1B Optical Compressor.
Produktbeschreibung auf EnglischWarm Audio WA-2A Tube Optical Compressor.
Produktbeschreibung auf EnglischBlack Box HG-Q Stereo Analog EQ.
Produktbeschreibung auf EnglischThe BSS FCS-960 brings dual 30-band graphic EQAn equalizer with one fader per fixed frequency band (31 on a pro unit) — fast broad tone-shaping, classic for ringing out monitors. with BSS's Frequency Conscious filter shapes — narrower Q on cut, wider on boost — that make
Produktbeschreibung auf EnglischChandler Limited TG12345 Curve Bender Mastering Equalizer.
Produktbeschreibung auf EnglischCranborne Audio Carnaby HE2 Harmonic EQ.
Produktbeschreibung auf EnglischThe dbx 231s is the graphic EQAn equalizer with one fader per fixed frequency band (31 on a pro unit) — fast broad tone-shaping, classic for ringing out monitors. that still ships new: two channels of 31-band correction with the constant-Q filters and build quality that m
Produktbeschreibung auf EnglischThe Klark Teknik DN360 is the reference graphic EQAn equalizer with one fader per fixed frequency band (31 on a pro unit) — fast broad tone-shaping, classic for ringing out monitors. for live touring — a stereo 30-band on 1/3-octave centers with the smooth, musical filter
Produktbeschreibung auf EnglischWarm Audio EQP-WA Tube Program Equalizer.
Produktbeschreibung auf EnglischBehringer SX3040 V2 2-channel Sound Enhancement Processor.
Produktbeschreibung auf EnglischEventide H9000 Harmonizer Multi-effects Processor.
Produktbeschreibung auf EnglischThe Lexicon PCM92 is the touring continuation of the Lexicon legacy that gave the world the 224, 480L, and PCM81 — lush, lead-vocal-defining
Produktbeschreibung auf EnglischThe Neural DSPDigital Signal Processing — the number-crunching that does EQ, compression, and effects inside a box. More DSP means more processing at once. Quad Cortex is a floor-based guitar and bass modeler with quad-core processing that captures and reproduces amp tones with re
Produktbeschreibung auf EnglischCompact guitar and bass processor with four footswitches, a touchscreen, USB-C, MIDI and a side Input 2/Capture connector.
Produktbeschreibung auf EnglischThe Quad Cortex MK2 builds on the original with improved DSPDigital Signal Processing — the number-crunching that does EQ, compression, and effects inside a box. More DSP means more processing at once. horsepower and enhanced connectivity options, allowing for more complex signal
Produktbeschreibung auf EnglischSolid State Logic Fusion Analog Master Processor.
Produktbeschreibung auf EnglischThe TC Electronic D-Two is the touring delay that monitor engineers and FOHFront Of House — the main mix the audience hears, and the console position out in the room where it gets mixed. engineers both keep on hand — multitap rhythmic patterns for lea
Produktbeschreibung auf EnglischART CX311 2-way CrossoverSplits audio into frequency bands so each speaker only gets what it can handle — lows to the subs, highs to the horns. with Subwoofer Output.
Produktbeschreibung auf EnglischBehringer Super-X Pro CX2310 V2 Multi-channel CrossoverSplits audio into frequency bands so each speaker only gets what it can handle — lows to the subs, highs to the horns. with Subwoofer Output.
Produktbeschreibung auf EnglischBehringer Super-X Pro CX3400 V2 Multi-channel CrossoverSplits audio into frequency bands so each speaker only gets what it can handle — lows to the subs, highs to the horns. with LimitersA compressor with a hard ceiling: nothing gets past the level you set. In an IEM rig it’s hearing protection as much as tone..
Produktbeschreibung auf EnglischBricasti Design Model 7 Stereo Reverb Processor.
Produktbeschreibung auf Englischdbx 223xs Stereo 2-Way, Mono 3-Way CrossoverSplits audio into frequency bands so each speaker only gets what it can handle — lows to the subs, highs to the horns..
Produktbeschreibung auf Englischdbx 234xs 2-/3-way Stereo, 4-way Mono CrossoverSplits audio into frequency bands so each speaker only gets what it can handle — lows to the subs, highs to the horns..
Produktbeschreibung auf Englischdbx AFS2 Advanced Feedback Suppression Processor.
Produktbeschreibung auf Englischdbx DriveRack PA2 Complete Loudspeaker Management System.
Produktbeschreibung auf EnglischThe Lake LM 44 is the touring-grade loudspeaker system processor — the box that sits between FOHFront Of House — the main mix the audience hears, and the console position out in the room where it gets mixed. and the amplifier rows, doing crossoverSplits audio into frequency bands so each speaker only gets what it can handle — lows to the subs, highs to the horns., li
Produktbeschreibung auf EnglischRadial SW8-USB Dual-USB Auto-Switcher and Interface.
Produktbeschreibung auf EnglischRupert Neve Designs Master BusA path where multiple channels sum into one signal — mixes, groups, and mains are all buses. A 25-bus console can build 25 blends at once. TransformerA magnetic coupling that passes audio between two windings with no wire contact — isolates splits and kills ground-loop hum, no power needed..
Produktbeschreibung auf EnglischSPLSound Pressure Level — acoustic loudness in dB. The number that matters for hearing safety inside your ears. Stereo Vitalizer Mk3-T.
Produktbeschreibung auf EnglischBehringer EP2000 1,000-watt 2-channel Power Amplifier.
Produktbeschreibung auf EnglischBehringer EP4000 2,000-watt 2-channel Power Amplifier.
Produktbeschreibung auf EnglischBehringer KM1700 800-watt 2-channel Power Amplifier.
Produktbeschreibung auf EnglischBehringer KM750 400-watt 2-channel Power Amplifier.
Produktbeschreibung auf EnglischBehringer NX3000 1,500-watt 2-channel Power Amplifier.
Produktbeschreibung auf EnglischBehringer NX3000D 1,500-watt 2-channel Power Amplifier with DSPDigital Signal Processing — the number-crunching that does EQ, compression, and effects inside a box. More DSP means more processing at once..
Produktbeschreibung auf EnglischBehringer NX6000 3000-watt 2-channel Power Amplifier.
Produktbeschreibung auf EnglischThe Crown DCi 4|600N is the touring + install workhorse from the DCi line — four channels of 600W @ 4Ω, onboard DSPDigital Signal Processing — the number-crunching that does EQ, compression, and effects inside a box. More DSP means more processing at once. for crossoverSplits audio into frequency bands so each speaker only gets what it can handle — lows to the subs, highs to the horns. and limiti
Produktbeschreibung auf EnglischThe Crown DCi 8|600N doubles the channel density of the DCi 4|600N — 8 × 600W @ 4Ω in the same 2UThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one. footprint.
Produktbeschreibung auf EnglischThe Crown I-Tech 12000HD is a two-channel 4500W-per-side touring amplifier with onboard BSS Omnidrive HD DSPDigital Signal Processing — the number-crunching that does EQ, compression, and effects inside a box. More DSP means more processing at once. — crossoverSplits audio into frequency bands so each speaker only gets what it can handle — lows to the subs, highs to the horns., alignment, EQ, and
Produktbeschreibung auf EnglischThe Crown XLi 3500 is the no-nonsense two-channel power amp that has been the entry point to "real touring power" for two decades.
Produktbeschreibung auf EnglischCrown XLS 1502 525-watt 2-channel Power Amplifier.
Produktbeschreibung auf EnglischCrown XTi 4002 1200-watt 2-channel Power Amplifier.
Produktbeschreibung auf EnglischThe Lab.gruppen PLM 12K44 is the apex of touring amplification — 12,000W of total power across four assignable channels, onboard Lake DSPDigital Signal Processing — the number-crunching that does EQ, compression, and effects inside a box. More DSP means more processing at once. fo
Produktbeschreibung auf EnglischThe Powersoft X4 is a four-channel touring amplifier with 8000W of total output, integrated DanteThe most common audio-over-network standard: dozens of channels of uncompressed digital audio down one ordinary Ethernet cable between Dante boxes. audio networking, and Armonia DSPDigital Signal Processing — the number-crunching that does EQ, compression, and effects inside a box. More DSP means more processing at once. for cros
Produktbeschreibung auf EnglischThe QSC PLD4.5 is a workhorse four-channel touring amplifier with FlexAmp — assignable power across channels so 4 × 1125W or 1 × 4500W are a
Produktbeschreibung auf EnglischThe QSC PLD8.0 is the bigger sibling to the PLD4.5 — same FlexAmp assignable-power architecture, same Intrinsic Correction DSPDigital Signal Processing — the number-crunching that does EQ, compression, and effects inside a box. More DSP means more processing at once., but with 800
Produktbeschreibung auf EnglischThe Cisco SG110D-08 is a step up from consumer-grade switches with Cisco's reputation for reliability, while still being unmanaged and plug-
Produktbeschreibung auf EnglischThe Cisco SG350-28 is a managed gigabit switchA network switch you can configure — VLANs, QoS, IGMP — so audio traffic gets priority. Dante rigs beyond a few boxes want one. that is well-proven in DanteThe most common audio-over-network standard: dozens of channels of uncompressed digital audio down one ordinary Ethernet cable between Dante boxes. audio network deployments.
Produktbeschreibung auf EnglischThe Luminex GigaCore 12 is designed from the ground up for professional AV networking, with firmware pre-configured for DanteThe most common audio-over-network standard: dozens of channels of uncompressed digital audio down one ordinary Ethernet cable between Dante boxes. and AES67The interop standard that lets different audio-network flavors (Dante, Ravenna, Livewire) exchange streams on the same network. traf
Produktbeschreibung auf EnglischThe Netgear GS308 is another solid budget option for simple networking needs in a small audio rig.
Produktbeschreibung auf EnglischThe TP-Link SF1008P provides Power over Ethernet on four of its eight ports, which is useful for powering DanteThe most common audio-over-network standard: dozens of channels of uncompressed digital audio down one ordinary Ethernet cable between Dante boxes. endpoints like the Audinate
Produktbeschreibung auf EnglischThe TP-Link SG108 is an inexpensive unmanaged gigabit switch that works well for simple DanteThe most common audio-over-network standard: dozens of channels of uncompressed digital audio down one ordinary Ethernet cable between Dante boxes. or control network setups where you just need
Produktbeschreibung auf EnglischThe ASUS RT-AX86U Pro is a popular mid-range WiFi 6 router with strong range, 2.5 Gbps WAN/LAN, and a solid signal even when stuffed into a
Produktbeschreibung auf EnglischThe Cradlepoint IBR900 is a ruggedized router with built-in cellular modem, WiFi access point, and Cradlepoint's NetCloud management — the c
Produktbeschreibung auf EnglischThe GL.iNet GL-AXT1800 is a pocket-sized WiFi 6 travel router that's become a favorite for fly-date musicians and engineers.
Produktbeschreibung auf EnglischThe Netgear Nighthawk RAX50 is a familiar consumer WiFi 6 router that punches well above its weight for tablet-control rigs.
Produktbeschreibung auf EnglischThe Peplink Balance 20X is a touring-grade router with built-in WiFi and a slot for a cellular modem, giving the rig internet access even wh
Produktbeschreibung auf EnglischThe TP-Link Archer AX21 is a budget-friendly WiFi 6 (AX1800) router that's become the default cheap pick for tablet-control rigs.
Produktbeschreibung auf EnglischThe UniFi Dream Router is Ubiquiti's integrated WiFi router and security gateway.
Produktbeschreibung auf EnglischThe AVIO analog input adapter takes two line-levelThe strong signal that runs between pieces of gear (about a volt) — hotter than mic level, far below speaker level. XLRThe standard 3-pin locking connector for mics and balanced line signals — pin 1 is the shield, pins 2 and 3 carry the balanced pair. sources onto a DanteThe most common audio-over-network standard: dozens of channels of uncompressed digital audio down one ordinary Ethernet cable between Dante boxes. network from anywhere a Cat5Standard network cable grades. In an audio rig one cheap Cat5e run can replace a 48-channel copper snake; AES50 wants it shielded. run reaches — a playback rig output
Produktbeschreibung auf EnglischThe Audinate AVIO adapter is a compact DanteThe most common audio-over-network standard: dozens of channels of uncompressed digital audio down one ordinary Ethernet cable between Dante boxes. endpoint that converts two channels of Dante audio to analog XLRThe standard 3-pin locking connector for mics and balanced line signals — pin 1 is the shield, pins 2 and 3 carry the balanced pair. outputs, powered entirely over
Produktbeschreibung auf EnglischThe Audinate AVIO USB adapter is the cheapest way to get a computer onto a DanteThe most common audio-over-network standard: dozens of channels of uncompressed digital audio down one ordinary Ethernet cable between Dante boxes. network: two channels each way over a USB-A connection, no
Produktbeschreibung auf EnglischThe DirectOut EXBOX.DANTEThe most common audio-over-network standard: dozens of channels of uncompressed digital audio down one ordinary Ethernet cable between Dante boxes. is a Swiss Army knife format converterThe circuitry that turns analog audio into digital data and back (A/D and D/A). Converter quality sets a digital rig’s sound ceiling. that bridges between MADIA pro digital format carrying 64 channels on one coax or optical cable. Point-to-point — one sender, one receiver, no network required., Dante, ADATOptical digital audio: 8 channels at 48 kHz down one Toslink lightpipe (4 at 96 kHz). The usual way to add more channels to an interface., and AES digital audio formats.
Produktbeschreibung auf EnglischThe RedNet A16R MkII is a DanteThe most common audio-over-network standard: dozens of channels of uncompressed digital audio down one ordinary Ethernet cable between Dante boxes.-networked analog I/O unit that bridges your audio network to the analog world, providing 16 inputs and 16 ou
Produktbeschreibung auf EnglischThe RedNet A8R provides eight channels of DanteThe most common audio-over-network standard: dozens of channels of uncompressed digital audio down one ordinary Ethernet cable between Dante boxes.-to-analog conversion with redundantA second copy of anything critical — supply, computer, network path — already running so one failure can’t stop the show. networking and power, making it a reliable workhorse for
Produktbeschreibung auf EnglischThe RedNet D16R bridges between AES3The pro standard for stereo digital audio over an XLR cable — balanced, so it runs much farther than consumer S/PDIF. digital audio and DanteThe most common audio-over-network standard: dozens of channels of uncompressed digital audio down one ordinary Ethernet cable between Dante boxes. networking, handling 16 channels in each direction with word clockThe shared heartbeat keeping every digital box sampling in lockstep. One device leads, the rest follow — or you get clicks and pops. I/O for sync
Produktbeschreibung auf EnglischThe EXBOX.BLDS is a two-input MADIA pro digital format carrying 64 channels on one coax or optical cable. Point-to-point — one sender, one receiver, no network required. redundancyA second copy of anything critical — supply, computer, network path — already running so one failure can’t stop the show. switch with Buffer Loop Detection.
Produktbeschreibung auf EnglischThe RME ADI-648 converts between MADIA pro digital format carrying 64 channels on one coax or optical cable. Point-to-point — one sender, one receiver, no network required. and ADATOptical digital audio: 8 channels at 48 kHz down one Toslink lightpipe (4 at 96 kHz). The usual way to add more channels to an interface. formats, handling up to 128 channels across two independent MADI streams.
Produktbeschreibung auf EnglischThe Antelope Audio OCX HD is the current standard-bearer master clock: oven-controlled oscillator stability, eight word clockThe shared heartbeat keeping every digital box sampling in lockstep. One device leads, the rest follow — or you get clicks and pops. outputs, and r
Produktbeschreibung auf EnglischThe Antelope Trinity is a high-precision master clock with an atomic rubidium oscillator and GPS disciplining that provides the most stable
Produktbeschreibung auf EnglischAn iPad running AUM (Audio Unit Mixer) can serve as a surprisingly capable playback host for smaller shows, offering a touch-friendly interf
Produktbeschreibung auf EnglischThe Mac Mini with Apple Silicon is the most compact and power-efficient Mac option for a playback rig, drawing minimal power while deliverin
Produktbeschreibung auf EnglischThe Mac Studio with Apple Silicon offers desktop-class performance in a compact form factor that fits on a 2UThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one. rack shelf, making it an excel
Produktbeschreibung auf EnglischRack-mounting a MacBook Pro gives you the full power and screen of a laptop inside your rack, which is useful when you need direct visual ac
Produktbeschreibung auf EnglischThe Intel NUC is an ultra-compact Windows PC that fits easily on a rack shelf alongside other half-rackThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one. gear, offering a low-power, small-fo
Produktbeschreibung auf EnglischA custom rackmount PC gives you maximum flexibility in component selection, allowing you to spec exactly the CPU, RAM, and storage needed fo
Produktbeschreibung auf EnglischThe Ableton Push 3 is the definitive hardware controller for Ableton Live, offering deep integration for launching clips, triggering scenes,
Produktbeschreibung auf EnglischThe Behringer FCB1010 is a full-featured MIDI foot controller at a budget price, offering ten footswitches and two expression pedals in a pe
Produktbeschreibung auf EnglischThe iConnectivity mio 10 is a full-width 19-inch 1UThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one. MIDI interface providing ten 5-pin DINThe round 5-pin connector classic MIDI uses — the original way synths, pedals, and playback rigs talk to each other. input/output pairs with programmable routing and
Produktbeschreibung auf EnglischiConnectivity mioXL 8x12 USB/Networkable MIDI Interface.
Produktbeschreibung auf EnglischThe iConnectivity mioXM is a compact half-rackThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one. 4x4 MIDI interface that combines classic 5-pin DINThe round 5-pin connector classic MIDI uses — the original way synths, pedals, and playback rigs talk to each other. MIDI with USB and Ethernet connectivity.
Produktbeschreibung auf EnglischThe Keith McMillen 12 Step is a chromatic MIDI foot controller designed for hands-free triggering of clips, scenes, or program changes durin
Produktbeschreibung auf EnglischThe Morningstar MC8 is a highly programmable MIDI foot controller favored by guitarists and keyboardists who need precise, customizable cont
Produktbeschreibung auf EnglischThe Furman M-8Dx offers basic power conditioning with the added benefit of a front-panel digital voltmeter that lets you verify incoming pow
Produktbeschreibung auf EnglischThe Furman M-8x AR adds Automatic Voltage RegulationActively holds the output at a steady 120 V while venue power sags or spikes — a step beyond filtering, one short of a battery. (AVR) to the standard power conditioning package, continuously correcting incoming volt
Produktbeschreibung auf EnglischThe Furman M-8x2 is the most affordable rack-mount power conditionerFilters venue AC, clamps surges, and gives the rack one tidy inlet. Not a voltage regulator and not a battery — just cleaner power. in Furman's lineup, providing basic surge protection and EMI/RFI filter
Produktbeschreibung auf EnglischThe P-1800 PF R is Furman's premium power conditionerFilters venue AC, clamps surges, and gives the rack one tidy inlet. Not a voltage regulator and not a battery — just cleaner power. with Series Multi-Stage Protection (SMP) and Linear Filtering Technology (LiFT) that d
Produktbeschreibung auf EnglischThe Furman P-8 PRO C is rated for 20-amp circuits, making it the right choice for racks loaded with power-hungry gear like multiple IEMIn-Ear Monitor — earpieces that replace floor wedges, feeding each player their own mix. The reason this whole rack exists. tran
Produktbeschreibung auf EnglischThe Furman PL-8C is a no-frills power conditionerFilters venue AC, clamps surges, and gives the rack one tidy inlet. Not a voltage regulator and not a battery — just cleaner power. with pull-out rack lights that is a staple in live audio racks of all sizes.
Produktbeschreibung auf EnglischThe Furman PL-Plus DMC is a rack staple that cleans up your AC power while giving you real-time voltage and current monitoring via its front
Produktbeschreibung auf EnglischThe Panamax MR4300 provides clean power with automatic voltage monitoring that alerts you to power issues before they become problems.
Produktbeschreibung auf EnglischThe APC BR1500G provides 1500VA of battery backup with automatic voltage regulationActively holds the output at a steady 120 V while venue power sags or spikes — a step beyond filtering, one short of a battery. that keeps your equipment running through brownouts and
Produktbeschreibung auf EnglischThe CyberPower CP1500PFCLCD provides pure sine wave output, which is important for audio gear that can behave erratically on the simulated s
Produktbeschreibung auf EnglischThe CyberPower OR1500LCDRM1U provides battery backup in a slim 1UThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one. rack-mount form factor, ensuring your playback computer and critical gear
Produktbeschreibung auf EnglischThe Eaton 5SC1500 offers 1500VA of line-interactive UPSUninterruptible Power Supply — a battery that rides the rig through brownouts and generator hiccups so computers never reboot mid-song. protection in a form factor that converts between tower and rack-mount configuration
Produktbeschreibung auf EnglischThe Furman P-1800 AR is a voltage regulatorActively holds the output at a steady 120 V while venue power sags or spikes — a step beyond filtering, one short of a battery. that actively corrects incoming AC voltage to a stable output, protecting your gear from the wil
Produktbeschreibung auf EnglischThe Gator GR-6L is a lightweight molded polyethylene rack case that provides 6U of rack space for compact IEMIn-Ear Monitor — earpieces that replace floor wedges, feeding each player their own mix. The reason this whole rack exists. or playback rigs.
Produktbeschreibung auf EnglischThe Gator GRW-WOOD8U is an 8U open-frame wood laminate rack designed for studio and stationary installations rather than touring.
Produktbeschreibung auf EnglischThe Pelican 1510LOC is a carry-on compliant hard case with a laptop organizer insert that is widely used by touring musicians and engineers
Produktbeschreibung auf EnglischA half-width 1UThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one. rack shelf designed for mounting compact desktop interfaces and small devices in a standard rack.
Produktbeschreibung auf EnglischA standard 1UThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one. vented rack shelf that lets you mount desktop audio interfaces, small network switches, and other non-rack gear in a standard
Produktbeschreibung auf EnglischDual 16U vertical shock-mount case with 24-inch rail depth, sliding slam doors and six casters.
Produktbeschreibung auf EnglischThe SKB 1SKB-R8U is a rugged roto-molded rack case providing 8U of space, which is enough for a full IEMIn-Ear Monitor — earpieces that replace floor wedges, feeding each player their own mix. The reason this whole rack exists. and playback rig with power conditi
Produktbeschreibung auf EnglischThe Gator 1UThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one. rack drawer provides secure, lockable storage for essential tools, adapters, spare cables, and other small items you want to ke
Produktbeschreibung auf EnglischThe Gator 2UThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one. rack drawer provides more vertical clearance than a 1U drawer, accommodating larger items like wireless bodypack receivers, pow
Produktbeschreibung auf EnglischThe Gator 3UThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one. rack drawer offers substantial storage space for larger accessories, spare equipment, or personal items that need to travel wit
Produktbeschreibung auf EnglischThe Gator 4UThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one. rack drawer is the deepest in the standard Gator range, providing enough space to store significant amounts of equipment, tools
Produktbeschreibung auf EnglischPenn Elcom's 1UThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one. rack drawer offers vented construction that allows airflow to pass through, which is important when it is positioned between
Produktbeschreibung auf EnglischThe Penn Elcom 5U rack drawer provides generous storage capacity for rigs that need to carry substantial spare equipment or accessories with
Produktbeschreibung auf EnglischThe Penn Elcom 6U rack drawer is the largest standard drawer option, offering maximum storage capacity for production teams that need to kee
Produktbeschreibung auf EnglischThe SKB 1UThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one. rack shelf doubles as a sliding drawer, providing a flat surface for mounting non-rack gear or storing accessories.
Produktbeschreibung auf EnglischThe AC Infinity CLOUDPLATE T7 is a smart 1UThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one. rack fan panel with built-in temperature sensing and an LCD display that shows real-time thermal
Produktbeschreibung auf EnglischThe AC Infinity CLOUDPLATE T9 is a 2UThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one. smart fan panel with six fans and temperature-based automatic speed control, providing strong cooling
Produktbeschreibung auf EnglischThe Middle Atlantic QFP-1 is a quiet 1UThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one. fan panel designed for audio racks where fan noise could be picked up by nearby microphones.
Produktbeschreibung auf EnglischThe Middle Atlantic UFP-2 provides high-capacity 2UThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one. active cooling with six fans for racks that generate significant heat from densely packe
Produktbeschreibung auf EnglischA 1UThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one. vented rack panel covers unused rack space while allowing passive airflow through the rack, preventing hot spots around heat-generating
Produktbeschreibung auf EnglischA 2UThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one. vented panel fills larger open spaces in your rack while maintaining airflow for thermal management.
Produktbeschreibung auf EnglischA 3UThe standard slice of rack height: 1U = 1.75″. A 3U box takes three slices; half-rack gear pairs two units side by side in one. vented panel covers a substantial open area in your rack while still allowing passive air circulation.
Produktbeschreibung auf EnglischThe Clear-Com HelixNet HMS-4X is a four-channel digital intercom main station running over a single shielded Cat5eStandard network cable grades. In an audio rig one cheap Cat5e run can replace a 48-channel copper snake; AES50 wants it shielded. to all the beltpacks on t
Produktbeschreibung auf EnglischThe RTS BP-325 is a two-channel beltpack on RTS's analog partyline standard — clip it to a belt, plug a headset in the front, and you're on
